2016 What’s On Stage Award nominations

Best Actor In A Play Sponsored By Radisson Blu Edwardian:
Benedict Cumberbatch, Hamlet
James McAvoy, The Ruling Class
Bradley Cooper, The Elephant Man
Mark Rylance, Farinelli and the King
Alex Hassell, Henry V

Best Actress In A Play Sponsored By The Umbrella Rooms:
Nicole Kidman, Photograph 51 
Denise Gough, People, Places and Things
Lia Williams, Oresteia
Rosalie Craig, As You Like It
Harriet Walter, Death of a Salesman Continue reading “2016 What’s On Stage Award nominations”

Review: The Elephant Man, Theatre Royal Haymarket

“Things just come out of my mouth which are true”

Truth be told, I wasn’t intending to go back to The Elephant Man. It was probably my least favourite of the plays I saw on Broadway at New Year (so of course it would be the one to transfer lock, stock and barrel to London) but I won a pair of tickets through my efforts on the Seatplan website and able to take a friend, I decided it was worth the revisit at the Theatre Royal Haymarket. The irony of Americans bringing us a version of Victorian London from the Great White Way aside, little has changed about my opinion in that it really isn’t that grand at all.

That’s not to detract from the now Tony-nominated efforts of Bradley Cooper, who plays the physical condition of Joseph Merrick without make-up or prosthetics but purely through the contortions of his face and body. An early scene where Merrick’s physical attributes are described and Cooper layers them onto his body one by one is expertly done but as the play progresses, it remains an effortful performance that never achieves, or allows for, emotional truth, so focused is the actor on the physicality. Continue reading “Review: The Elephant Man, Theatre Royal Haymarket”

69th Tony Award nominations

Best Performance by a Leading Actor in a Play 
Steven Boyer – Hand to God as Jason/Tyrone
Bradley Cooper – The Elephant Man as John Merrick
Ben Miles – Wolf Hall Parts One & Two as Thomas Cromwell
Bill Nighy – Skylight as Tom Sergeant
Alex Sharp – The Curious Incident of the Dog in the Night-Time as Christopher Boone

Best Performance by a Leading Actress in a Play
Geneva Carr – Hand to God as Margery
Helen Mirren – The Audience as Queen Elizabeth II
Elisabeth Moss – The Heidi Chronicles as Heidi Holland
Carey Mulligan – Skylight as Kyra Hollis
Ruth Wilson – Constellations as Marianne

Best Performance by a Leading Actor in a Musical 
Michael Cerveris – Fun Home as Bruce Bechdel
Robert Fairchild – An American in Paris as Jerry Mulligan
Brian d’Arcy James – Something Rotten! as Nick Bottom
Ken Watanabe – The King and I as The King of Siam
Tony Yazbeck – On the Town as Gabey Continue reading “69th Tony Award nominations”

Nominations for the 2015 Drama Desk Awards

Outstanding Play:
Clare Barron, You Got Older
Lisa D’Amour, Airline Highway
Anthony Giardina, The City of Conversation
Stephen Adly Guirgis, Between Riverside and Crazy
Elizabeth Irwin, My Manãna Comes
Simon Stephens, The Curious Incident of the Dog in the Night-Time
Jack Thorne, Let the Right One In

Outstanding Musical:
An American in Paris
Hamilton
Fly By Night
Pretty Filthy
Something Rotten!
The Visit Continue reading “Nominations for the 2015 Drama Desk Awards”

Nominations for 2014-2015 Outer Critics Circle Awards

John Gassner Playwriting Award (Presented for an American play, preferably by a new playwright)
Ayad Akhtar, The Invisible Hand
Halley Feiffer, I’m Gonna Pray For You So Hard
Elizabeth Irwin, My Mañana Comes
Markus Potter, Stalking the Bogeyman
Benjamin Scheuer, The Lion

Outstanding Actor in a Musical
Christian Borle, Something Rotten!
Brian d’Arcy James, Something Rotten!
Robert Fairchild, An American in Paris
Peter Gallagher, On the Twentieth Century
Tony Yazbeck, On the Town Continue reading “Nominations for 2014-2015 Outer Critics Circle Awards”

Review: The Elephant Man, Booth Theatre

“I did not think of all these things, because there was no one to bother to think them for”

Of all the shows that I saw on Broadway, I really wouldn’t have picked this one to be the one that transfers to the West End. But to the Theatre Royal Haymarket it doth come after a commercially successful run. And oh the irony, casting someone named Sexiest Man Alive as the noted Victorian ‘freak’ Joseph Merrick, aka The Elephant Man. The selling point of Scott Ellis’ production of Bernard Pomerance’s 1977 is most definitely three time Academy Award acting nominee (seriously, how did that happen?!) Bradley Cooper and in the grand tradition of things that Oscar likes, he’s feigning a disability in what I found to be a somewhat disturbing performance.

The script determines that no make-up or prosthetic should be used, that Merrick’s deformity should be portrayed only through physicality, and whilst that offers up a veritable challenge to any actor wishing to take on the role, it also throws up big questions that this production comes frustratingly close to interrogating in an interesting way. Putting so fêted and objectified an actor on stage and having society’s reactions in the play range from outright horror to morbid fascination feels like the beginnings of an interesting commentary on today’s obsession with celebrity – indeed, were I directing it I’d’ve had Cooper play no disability at all, to really highlight how we respond to those who are ‘different’. Continue reading “Review: The Elephant Man, Booth Theatre”