The Chalk Garden fails to do it for me at Chichester Festival Theatre, despite the presence of the likes of Penelope Keith, Oliver Ford Davies and Amanda Root
“Oh, if I could only be somewhere other than where I am”
But question The Chalk Garden at Chichester Festival Theatre, insufferably dull as it turned out to be.
Running time: 2 hours 5 minutes (with interval)
Photo: Catherine Ashmore
The Chalk Garden is booking at the Chichester Festival Theatre until 16th June
“I suppose his…fortune had some bearing”
The choice to adapt Jane Austen’s endlessly popular novel Pride and Prejudice for the stage, as Simon Reade as done for this version at Regents Park’s Open Air Theatre, may well be one universally acknowledged as a good business decision. And whilst it may naturally lose some of the linguistic acuity that characterises the best of Austen’s work and provide a stately and solid, rather than superlative, piece of theatre, Deborah Bruce’s production has an undeniable elegance and a rather irresistible charm that many may find hard to resist.
There are few surprises in Reade’s adaptation apart from the skill with which he has compressed and filleted the story, so that it keeps an entirely recognisable shape, populated by all the well-loved characters doing what they do best, over the 2 and three quarter hour running time. Daughters of a country gentleman who hasn’t quite kept up his responsibilities to them and a mother all-too-keen to sort them our, the five Bennett sisters find themselves in need of securing their position in society in the only way they can, through marriage. Continue reading “Review: Pride and Prejudice, Open Air Theatre”
“You will not menace the House of Windsor”
Lucy Cohu has the dubious pleasure of being one of the few women I would probably turn for, she radiates an old-school glamour and sensuality that I find near-irresistable and I’ve loved the few stage performances of hers I have been able to catch (Speaking in Tongues, Broken Glass and A Delicate Balance). So I was quite happy to take in the Channel 4 television movie The Queen’s Sister, in which she took the lead role of Princess Margaret, in the name of the Jubilee Weekend 😉
It’s a semi-fictionalised account of her life by Craig Warner (although knowing so little of the reality, I couldn’t have told you what was real and what wasn’t) which focuses on her struggles against the establishment as she followed a life of largely wanton hedonism and leaving a trail of paramours behind her. Whether her previously married lover whom she was forbidden from wedding, the long-suffering husband prone to infidelity, the young pop singer who offers a faint hope of redemption, her relentless partying, fondness of always having a drink in her hand and general spoiltness consistently makes life difficult for herself.
Continue reading “DVD Review: The Queen’s Sister”
“Do you think that you are mad?”
I remember very little of this film, having not seen it since it was first released, so much so that much of the stage play – recently revived for a tour which will shortly take up residency in the West End – felt brand new to me. Alan Bennett adapted his own play, The Madness of George III (the film had to be retitled for international audiences…) and Nicholas Hytner directed the film, as he directed the show at the National Theatre, and it fit quite neatly into my post-Christmas costume drama/Royalty film splurge.
The story of how George III’s deteriorating mental health led to a constitutional crisis as his ambitious son made a play for power to try and force a Regency forms the backbone of the film as Nigel Hawthorne’s monarch is subjected to the vagaries of contemporary medical practice which had no understanding of mental illness and contained very little practice, instead being based on observations. It is only when a new course of action is recommended by non-medical man Dr Willis who utilises behaviour modification to try help regain equilibrium that progress is begin to be made, but the Prince of Wales and his political allies are moving fast to seize power. Continue reading “DVD Review: The Madness of King George”
One of the most hyped new playwrights in the country, Polly Stenham had a lot of expectation weighing on her with her follow-up to That Face, but with Tusk Tusk she has delivered a play, that whilst superficially looks to tread similar ground, is most definitely its own beast. The play opens with three kids, 7, 14 and 15 nearly 16 in their living room surrounded by unopened packing cases, living in gay abandon, sleeping during the daytime, staying awake all night and surviving on Chinese takeaways and crisps. These scenes are cracking, with sparkling dialogue between the three and a real sense of fun and camaraderie is built up very quickly. However, as the days go by, the mystery and unease at the situation increases as one realises that all has not been well with the mother for whom they are waiting.
Given that the three leads are each making their stage debuts, their performances are nothing short of extraordinary. Toby Regbo as Eliot and Bel Powley as Maggie both exude a wonderful wittiness and cockiness, often belying their young ages, but also in their different ways, show the damage that their situation has done to them. Eliot as the oldest has to deal with the stresses of becoming the de facto head of the household, whilst Maggie has the weight of a terrible secret to bear, and the pair of them show these nuances with a deftness of touch which would indicate that they should have no problem secuing future work on the stage. The youngest, Finn played by Finn Bennett is also heartbreakingly good, to the point where I was genuinely worried for his welfare at the interval! Continue reading “Review: Tusk Tusk, Royal Court”