CD Review: Bad Girls (2007 Original London Cast)

“We’re all banged up without a bang”
Maureen Chadwick, Ann McManus and Kath Gotts’ musical adaptation of long-running TV show Bad Girls only lasted a couple of months in the West End back in 2007 but they still managed to get out a cast recording (and a DVD too, though I’ve not been able to track that down yet). My first experience with the show was with the Union’s fringe production earlier this year and I have to say, I really enjoyed myself.
Sadly, I don’t think this recording quite captures the joie de vivre that the show gave me. It actually highlights the randomness of Gotts’ score, both musically and dramatically. David Burt’s Jim Fenner is a case in point here – Burt plays up the devilish charisma which is his forte in suavely slick numbers like ‘Jailcraft’ and ‘The Key’ yet for all his old-school Hollywood charm, we have to buy him as the sexually predatory villain of the piece.

To be fair, that’s an extreme example but such inconsistency is indicative of Bad Girls as a whole and the songs aren’t really strong enough to stand up on their own here, switching from heartfelt spiritual to vaudeville to flat ballads. Julie Jupp and Rebecca Wheatley do their best as the Julies with comic number ‘Life of Grime’ but it doesn’t pop as it did onstage; so too with Yvonne’s glammed-up number ‘A-List’, Sally Dexter’s powerful voice deserving a better calibre of material.
But for all my head says this doesn’t work, my heart has been softened by the memories of that Union production and I can’t help but be a little seduced into this trashy life of crime – the 80s power pop of ‘The Baddest and the Best’ is pretty much the definition of guilty pleasure. Maybe one to borrow off a friend rather than buy outright.

Review: Less Than Kind, Jermyn Street

“There’s not a single situation that can’t be resolved with small talk”

Getting in with the celebration of the centenary of Terence Rattigan’s birth (as they did with Sondheim last year), the Jermyn Street Theatre have managed the impressive feat of unearthing a hitherto unperformed play, Less Than Kind, which is therefore receiving its world premiere here. Written in 1944, it suffered the rather ignomious fate of being rewritten and reshaped into a fundamentally different play to please the all-powerful producer/actors who were financing the show. It changed so much as to be given a different name, Love In Idleness, but it seriously damaged Rattigan’s reputation as it revealed the extent to which he kowtowed to the commercial interests of the day at the severe expense of his original artistic vision. But fortunately a copy of the original play survived and that it what is being mounted here, directed by Adrian Brown.

The play is set in London in 1944 and centres around the return of Michael Brown, an idealistic teenager who was evacuated to Canada and is shocked to find on his return, that his mother is now living a life of luxury since she is the mistress of a wealthy businessman who has been co-opted into the War Cabinet to assist with the manufacture of tanks. Whilst abroad, Michael discovered socialism so his mother’s perceived betrayal is both a personal and political insult to him and so he sets about forcing his mother to choose between her son and her lover. Rattigan has stuffed the show with heaps of articulate, witty dialogue and it is a genuine hoot at times, I’m not too sure that the Hamlet references were hugely successfully integrated but the play stands up as a fairly strong piece of comic drama. Continue reading “Review: Less Than Kind, Jermyn Street”