With Son Of A Preacher Man about to start its epic UK tour at the Churchill Bromley in 10 days or so, here’s a sneak preview of what we can expect from star Diana Vickers.
“You let a terrorist’s wife live in your home and you set a murderer free”
Fearless is a new six-part drama on ITV and whilst some people might be excited by the fact that it is written by one of the writers of Homeland (Patrick Harbinson), all right-thinking people will of course be psyched that it is giving Helen McCrory a stonking leading role. She plays human rights lawyer Emma Banville who is utterly unafraid to butt heads with the world as she investigates miscarriages of justice.
Her latest case draws her into the orbit of Kevin Russell (definite fave Sam Swainsbury) whose conviction for murder looks to be a little iffy. With perhaps a little too much ease, she finds it unsafe and secures a retrial but looks set to have opened up quite the can of national security-flavoured worms as a serious-looking transatlantic phone call on a secure line seems to suggest that there is much more to this than meets the eye. Continue reading “TV Review: Fearless Episode 1”
Best New Play
Farinelli and the King by Claire van Kampen – Duke of York’s
Hangmen by Martin McDonagh – Jerwood Downstairs, Royal Court / Wyndham’s
People, Places and Things by Duncan MacMillan – National Theatre Dorfman
The Father by Florian Zeller, translated by Christopher Hampton – Wyndham’s
Best New Musical
Bend It Like Beckham – Phoenix
In the Heights – King’s Cross
Kinky Boots – Adelphi
Mrs Henderson Presents – Noël Coward
Hamlet – Barbican
Les liaisons dangereuses – Donmar Warehouse
Ma Rainey’s Black Bottom – National Theatre Lyttelton
The Winter’s Tale – Garrick Continue reading “2016 Laurence Olivier Awards nominations”
“Pardon me madam. I was always willing to be amused. The folly of most people is rather an object of mirth than uneasiness.”
Restoration comedies fit the Theatre Royal Bath with the snugness of centuries-old comfort but even with Lindsay Posner updating She Stoops To Conquer to the 1920s, it’s hard not to feel that there’s something inherently dusty about this austere venue. Audiences in London have been spoiled for choice with witty reinventions of the genre – Jessica Swale’s brilliant revisionist work on shows like The Rivals and The Busy Body have enlivened the Southwark Playhouse and the National has had raucous takes on The Beaux’ Stratagem (still running) and this very Oliver Goldsmith play effervescently directed by Jamie Lloyd.
But Posner ‘s direction has a near-fatal lugubriousness in the first half which, already weighed down with a considerable amount of scene-setting and expositionary dialogue, makes for very hard going. Sad to say, things are just dull for too long and nowhere near light-heartedly entertaining enough to do justice to this cracking comedy. The tropes of mismatched love affairs, disguised paramours, mistaken identities and wonderfully ambitious women are all present and correct – London gents Marlow and Hastings mistaking the Hardcastles’ country pile for a country inn and have to go a country mile around the houses to undo the damage they inflict and ensure love wins the day. Continue reading “Review: She Stoops To Conquer, Theatre Royal Bath”
“We could make a star on the surface of the Earth”
Michael Billington notes in his Guardian review that John Heffernan’s work in the title role in Tom Morton-Smith’s Oppenheimer will “elevate [him] to star-status” but to those of us in the know, he’s long been held in such lofty acclaim. From supporting roles in a wide range of interesting productions to taking the lead in Richard II and Edward II, he has steadily revealed himself as an actor of consummate skill and strength and I make no bones in asserting that he is truly the Dame Judi Dench of his generation.
And as ‘Oppie’, the leader of the Manhattan Project and as such the father of the atomic bomb, he really does live up to the billing. There’s such an easy personability about him that is a perfect introduction to a man who is a brilliant physicist, irresistible to women and surrounded by friends as they rail against 1930s fascism in Spain. But where the dexterity comes is in showing us how the weight of such increasingly terrible responsibility haunted and conflicted him in different ways – professionally, personally, philosophically, psychologically. Continue reading “Review: Oppenheimer, Swan”
“There’s something about Fanny I’ve often observed”
This being my first experience with Mansfield Park, I can’t really talk about it as an adaptation (although it was impossible to avoid the opprobrium it seems to have evoked) but even as a standalone piece of drama, it can’t help but disappoint. Maggie Wadey’s writing lacks any real sense of the carefully constructed literary world of Jane Austen and Iain B MacDonald’s direction has a very loose sense of time and self, clearly straining for a connection with a contemporary audience but in doing so, losing sight of the story it is trying to tell.
Billie Piper’s Fanny, sent to live with her rich aunt (a distracted Jemma Redgrave) and uncle (a delightfully brusque Douglas Hodge) and whilst initially feeling out of place – “I was the poor relation and was made to feel it” – builds a place for herself as an indispensable member of the household. But with her tousled sun-bleached hair and entirely modern ways, she just doesn’t convince as a historical heroine. She’s not helped by a scarcely-there plot in which little of consequence seems to actually happen, it’s all just so uneventful. Continue reading “DVD Review: Mansfield Park (2007)”
“Get ready for spooky time”
To criticise a film about time travel for not possessing the most stringent internal logic might seem perverse (though it has never stopped those who watch Doctor Who…); to criticise a Richard Curtis film for being utterly daft feels likewise misintentioned, his work is what it is. But there’s something really rather frustrating about his 2013 work About Time that is determined to have its cutesy cutesy pie and eat it, saccharine sweetness and all.
It is as much a father/son love story as it is a boy/girl romance in which Domhnall Gleeson’s nerdishly appealing Hugh-Grant-a-like Tim, is the son of an upper-class boho family – troubled-but-not-too-much sister (Lydia Wilson), check; slightly doolally uncle (Richard Cordery), check; perfect parents (Lindsay Duncan and Bill Nighy), check. And wouldn’t you know it, it turns out the men in this family have the power to travel back in time by closing their eyes and squeezing a fist. Continue reading “DVD review: About Time”