Review: The Welkin, National Theatre

Lucy Kirkwood returns to the National Theatre with The Welkin, starring a brilliant ensemble led by Maxine Peake

“Nobody blames God when there’s a woman can be blamed instead”

There are moments in Lucy Kirkwood’s new play The Welkin that are just outstanding. The opening tableau of silhouetted women engaged in housework is one for the ages, the early montage of women being empanelled onto a jury is as compelling a piece of social history as has ever been committed to the stage as well as looking stunning, and the final scene is equally full of iconic imagery (that veil, that walk, that ribbon, that realisation!).

Set on the Norfolk/Suffolk borders in 1759, the play focuses on a quirk of English justice at the time. A child has died and Sally Poppy has been sentenced for the crime (by men) but as she is claiming to be pregnant – something which if true, would commute her sentence from death to transportation – a “jury of matrons” must decide if she is telling the truth. Thus 12 local woman are summoned and locked in a room to determine her fate. Continue reading “Review: The Welkin, National Theatre”

fosterIAN awards 2019

 WinnerRunner-upOther nominees
Best Actress in a PlaySarah Niles/Natalie Simpson/Racheal Ofori,
Three Sisters
Marieke Heebink,
Medea
Adjoa Andoh,
Richard II

Sharon D Clarke,
Death of a Salesman

Claire Foy,
Lungs

Leah Harvey,
Small Island

Chris Nietvelt,
De Kersentuin
Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boysCary Crankson,
Country Music
Tobias Menzies,
The Hunt

Daniel Monks,
Teenage Dick

Wendell Pierce,
Death of a Salesman

Matt Smith,
Lungs

Zubin Varla,
Equus
Best Supporting Actress in a PlayMonica Dolan,
All About Eve
Jackie Pulford,
Karaoke Play
Ronkẹ Adékoluẹjo,
Three Sisters

Janni Goslinga,
De Kersentuin

Pippa Nixon,
The Ocean at the End of the Lane

Cecilia Noble,
Faith Hope and Charity

Gemma Whelan,
Pinter Seven
Best Supporting Actor in a PlayNick Holder,
Faith Hope and Charity
Hugo Koolschijn,
De Kersentuin
Rupert Graves,
Pinter Five

John Heffernan,
Pinter Seven

Martins Imhangbe/Natey Jones,
Death of a Salesman

Arinzé Kene/Sope Dirisu,
Death of a Salesman

Ken Nwosu,
Three Sisters
Best Actress in a MusicalAudrey Brisson,
Amélie the Musical
Kirsty Findlay/Bethany Tennick,
Islander
Lucie Jones/Katherine McPhee,
Waitress

Miriam-Teak Lee,
& Juliet

Samantha Pauly,
Evita

Joanna Riding,
Follies

Zizi Strallen,
Mary Poppins
Best Actor in a MusicalJamie Muscato,
West Side Story (Curve Leicester)
Keith Ramsay,
Preludes
Andy Coxon,
West Side Story (Royal Exchange)

Jordan Fox/Michael Vinsen,
[title of show]

David Hunter,
Waitress
,
Charlie Stemp,
Mary Poppins

Oliver Tompsett,
& Juliet
,
Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie,
& Juliet 
Jocasta Almgill/Emily Langham,
West Side Story (Royal Exchange)
Laura Baldwin/Marisha Wallace,
Waitress

Tiffany Graves/Gabrielle Lewis-Dodson,
The Boy Friend

Claire Machin/Claire Moore,
Mary Poppins

Rebecca McKinnis/Lauren Ward,
Dear Evan Hansen

Carly Mercedes Dyer/Victoria Hamilton-Barritt,
The View UpStairs
,
Best Supporting Actor in a MusicalDavid Bedella,
& Juliet
Jack Butterworth,
The Boy Friend
Ricardo Afonso,
Jesus Christ Superstar

Rob Houchen,
The Light in the Piazza

Samuel Holmes,
Curtains

Cedric Neal,
The View UpStairs

Jez Unwin,
Amélie the Musical

2019 Best Supporting Actress in a Play + in a Musical

Best Supporting Actress in a Play

Monica Dolan, All About Eve
In a star-studded ensemble, it was Dolan’s no-nonsense pseudo-narrator Karen who ended up pulling focus with her every utterance. With Appropriate too, 2019 was a superb year for Dolan and those of us who are captivated by her work.

Honourable mention: Jackie Pulford, Karaoke Play
Scorchingly good in a doozy of a tragicomic role, this is one I wasn’t expecting and entirely typical that it emerged out of the brilliant Bunker. 

Ronkẹ Adékoluẹjo, Three Sisters
Janni Goslinga, De Kersentuin
Pippa Nixon, The Ocean at the End of the Lane
Cecilia Noble, Faith Hope and Charity
Gemma Whelan, Pinter Seven

8-10
Deborah Findlay, Glass. Kill. Bluebeard. Imp.; Jane Horrocks, Pinter Five; Sarah Niles, Richard II

 

Best Supporting Actress in a Musical

Cassidy Janson/Melanie La Barrie, & Juliet
There was just so much superlative work in this category that shortlisting was nigh on impossible. So I doubled up on nominations, recognising how much great work was going on and in that crowded field, the glories of Janson and La Barrie just about edged it. Cassidy belting Céline as if her life depended on it, Mel getting it on in fine fashion (just watch her hips go!) – f**kin’ perfect you might say!

Honourable mention: Jocasta Almgill/Emily Langham, West Side Story (Royal Exchange)
Anita is probably one of my favourite roles in all of musical theatre and Almgill absolutely nailed it with a whirlwind of charismatic personality and pitch-perfect vocals. Langham’s Anybodys was a real surprise though, a near-constant presence in the background but a masterclass in detailed character work. And when ‘Somewhere’ starts…ooff!

Laura Baldwin/Marisha Wallace, Waitress
Tiffany Graves/Gabrielle Lewis-Dodson, The Boy Friend
Claire Machin/Claire Moore, Mary Poppins
Rebecca McKinnis/Lauren Ward, Dear Evan Hansen
Carly Mercedes Dyer/Victoria Hamilton-Barritt, The View UpStairs

8-10
Melissa James/Kate O’Donnell, Gypsy; Rebecca Lock/Carley Stenson, Curtains; Carly Mercedes Dyer/Beth Hinton-Lever, West Side Story (Curve Leicester)

News: new productions and casting updates for the National Theatre

Jessie Buckley and Josh O’Connor headline a new production of Romeo and Juliet, while Callum Scott Howells and Rosie Sheehy star in Gary Owen’s Romeo and Julie, among other big news from the National Theatre

New productions

Simon Godwin returns to the National Theatre to direct Shakespeare’s ROMEO & JULIET following his critically-acclaimed productions of Antony and Cleopatra and Twelfth Night in the Olivier Theatre. Set in modern Italy in a world where Catholic and secular values clash, Jessie Buckley (Wild Rose, Judy) and Josh O’Connor (The Crown, God’s Own Countryplay the two young lovers who strive to transcend a world of violence and corruption. Fisayo Akinade (The Antipodes, Barber Shop Chroniclesis cast as Mercutio. The production will open in the Olivier Theatre in August 2020.

Set and costume design by Soutra Gilmour, lighting design by Lucy Carter, composition by Michael Bruce and sound design by Christopher Shutt. Continue reading “News: new productions and casting updates for the National Theatre”

The 2019 London Evening Standard Theatre Awards – Shortlist announced

Proper award season is starting to kick into gear now with the reveal of the shortlist for the 2019 London Evening Standard Theatre Awards and an uncharacteristically strong set of nominations that will surprise a fair few. I had little love for Sweet Charity so I’d’ve bumped its nod for something else but generally speaking, I’m loving the love for Dorfman shows and the Royal Court and I hate the reminder that there’s a couple of things I mistakenly decided not to see (Out of Water, …kylie jenner)

BEST ACTOR in partnership with Ambassador Theatre Group
K. Todd Freeman Downstate, National Theatre (Dorfman)
Francis Guinan Downstate, National Theatre (Dorfman)
Tom Hiddleston Betrayal, Harold Pinter Theatre
Wendell Pierce Death of a Salesman, Young Vic & Piccadilly
Andrew Scott Present Laughter, Old Vic

NATASHA RICHARDSON AWARD FOR BEST ACTRESS in partnership with Christian Louboutin
Hayley Atwell Rosmersholm, Duke of York’s
Cecilia Noble Downstate, National Theatre (Dorfman) & Faith, Hope and Charity, National Theatre (Dorfman)
Dame Maggie Smith A German Life, Bridge
Juliet Stevenson The Doctor, Almeida
Anjana Vasan A Doll’s House, Lyric Hammersmith Continue reading “The 2019 London Evening Standard Theatre Awards – Shortlist announced”

Review: Faith, Hope and Charity, National Theatre

A blistering indictment of austerity and what it has done to all of us, Faith, Hope and Charity is unmissable at the National Theatre

“When we’re hungry, we go to sleep”

A time when the much-abused sobriquet state-of-the-nation is actually entirely appropriate, Alexander Zeldin completes his excoriating triptych of plays about modern Britain with Faith, Hope and Charity. Beyond Caring looked at zero hour contracts and Love homeless hostels, Zeldin now turns his focus onto community centres and their role in holding society together.

As before, there’s little that is inherently ‘dramatic’ in Zeldin’s play, rather scenes are episodic and lean heavily into naturalism – silences as tables are put off, dialogue that interrupts and tails off but rather than feeling empty or clumsy, the cumulative effect is one of deep rumination. And such is Zeldin’s skill, you can’t help but ponder the state of the nation from the seemingly smallest of incidental details as presented here. Continue reading “Review: Faith, Hope and Charity, National Theatre”

News: the National Theatre announces 15 new productions for 2019 and 2020

So much goodness! The National Theatre have just announced details of productions stretching deep into 2020, and with writers like Lucy Kirkwood, Kate Tempest, Roy Williams and Tony Kushner, and actors like Lesley Manville, Maxine Peake, Conleth Hill, Cecilia Noble and Lesley Sharp, it is hard not to feel excited about what’s ahead.

Olivier Theatre 

Following a sell-out run at Rose Theatre Kingston, the acclaimed two-part adaptation of Elena Ferrante’s MY BRILLIANT FRIEND by April De Angelis is reworked for the Olivier stage by Melly Still (Coram Boy). When the most important person in her life goes missing without a trace, Lenu Greco, now a celebrated author, begins to recall a relationship of more than 60 years.  Continue reading “News: the National Theatre announces 15 new productions for 2019 and 2020”

Review: Downstate, National Theatre

Frequently shocking in its daring and detail, Bruce Norris’ Downstate is a tough watch at the National Theatre

As if life isn’t hard enough without us being deliberately hurtful and cruel to each other”

Yeesh! Bruce Norris’ Downstate arrives at the National Theatre as a co-production with Steppenwolf Theatre Company and as you might expect from this award-winning agent provocateur, this play about paedophilia and rehabilitation is frequently shocking in its daring and detail.

Norris asks the question what should society do with those who have been found guilty of sex crimes against minors but having raised the unconscionable spectre of such people, proceeds to try and make us care for them, disaggregating the individual stories from the amorphous, horrific whole. Continue reading “Review: Downstate, National Theatre”

2019 Laurence Olivier Awards nominations

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”

The 2018 fosterIAN award winners

Best Actress in a Play
Leah Harvey, Clare Perkins, Vinette Robinson, Emilia

Best Actress in a Musical
Rosalie Craig, Company 

Best Actor in a Play
Kyle Soller, The Inheritance

Best Actor in a Musical
Steven Miller, Sunshine on Leith

Best Supporting Actress in a Play 
Cecilia Noble, Nine Night

Best Supporting Actress in a Musical
Patti LuPone, Company

Best Supporting Actor in a Play 
Paul Hilton, The Inheritance

Best Supporting Actor in a Musical
Jonathan Bailey, Company

And my top 10 plays of the year:

Pericles, National Theatre
Jellyfish, Bush Theatre
Company, Gielgud Theatre
Sunshine on Leith, Leeds Playhouse
The Inheritance, Young Vic/Noel Coward Theatre
To Have To Shoot Irishmen, Omnibus Clapham
Bury the Hatchet, Hope Theatre
Nine Night, National Theatre/Trafalgar Studios
Hadestown, National Theatre
10 Sweat, Donmar Warehouse