“In de stilte hoor je de waarheid”
In the name of maximising my time in the Netherlands, I’ve seen a fair few productions in Dutch without any linguistic assistance. Thursday night shows at the Stadschouwberg Amsterdam are regularly surtitled in English but I always want to see more. In the case of plays like Blood Wedding and The Maids, I’ve been able to get away with since I know them; with others, like A Bride in the Morning, it’s been more of a challenge.
And so it was with Uit het leven van marionetten (From the life of the marionettes), the fifth Ingmar Bergman adaptation from Toneelgroep Amsterdam, helmed by film director Nanouk Leopold in her stage debut. I’d hoped to watch the film in advance but I couldn’t track it down in time and so went into the Schouwburg in Rotterdam armed with just a flimsy synopsis and an overwhelming admiration for a company that included the rather fab Eelco Smits. Continue reading “Review: Uit het leven van marionetten, Rotterdamse Schouwburg”
“Hollanders bouwen altijd in baksteen”
Simon Stone’s track-record with Ibsen is strong – his adaptation of The Wild Duck was extraordinarily powerful – and so despite my normal reservations with this playwright, I happily booked myself in for his Ibsen Huis (Ibsen House) for Toneelgroep Amsterdam. The play is a new piece of writing but one which takes minor characters from a range of the Norwegian’s dramas and puts them into their own new ensemble, set in the house that Solness built for Hilde Wangel in The Master Builder.
So over three generations, from the 60s to the current day, new cycles of Ibsen-esque family drama play out – lies and loneliness, isolation and infidelity, passion and pain, all the pain of loving and being loved. It’s a dizzying combination, literally so as Lizzie Clachan’s set spins on its axis, and as the shattered narrative is presented to us in fragments. Visually it is clever, especially as it allows for the smoothest of scene changes to be almost cinematically imposed as the focus slides from room to room. Continue reading “Review: Ibsenhuis, Stadsschouwberg Amsterdam”
“Moeten we hier als op de Wallen in lingerie gaan zitten?”
Time pressures (and priorities) being what they are, when one is on holiday celebrating one’s birthday, my review of Simon Stone’s Ibsen Huis (Ibsen House) for Toneelgroep Amsterdam won’t be ready for a couple of days. So in the meantime, follow the lovely Hans Kesting’s gaze past the break and feast your eyes on some of the production photos from Jan Versweyveld.
|(c) Henri Verhoef
Continue reading “Production shots for Ibsen Huis”
“Samenleven met jou… maakt me minder eenzaam. Het is de enige mogelijkheid te vergeten dat we langzaam afsterven”
Honestly, just look at the photos below, there are just no words to describe how stunning the creative vision of Ivo van Hove, Jan Versweyweld and the rest of the Toneelgroep Amsterdam crew is (co-producing here with Toneelhuis and the Ruhrtriënnale). At a point where I was a little worried that there might be a little van Hove overkill going on (London theatregoers currently have the choice of Hedda Gabler and/or Lazarus), De Dingen Die Voorbijgaan (The Things That Pass) served as the perfect reminder that only a fool would take him for granted in the stunning way that he brings theatre to life.
De Dingen Die Voorbijgaan is an adaptation of a Louis Couperus novel, a Dutch writer from the turn of the last century whose work appears to be undergoing a Rattigan-like re-invigoration as its extraordinary psychological acuity is being rescued from the previously dusty image it has been saddled with. An epic family story, it probes into the legacy of Dutch colonial times and the way in which unresolved bad deeds can infect generation after generation to pernicious effect, depicting the atomisation of the nuclear family long before it became the norm that it is today, something reflected in the austere timeless beauty of Versweyveld’s design. Continue reading “Review: De Dingen Die Voorbijgaan, Stadschouwburg Amsterdam”
“I don’t know what my love looks like, and I can’t describe it. Most of the time I can’t feel it”
A bit of an ironic choice of quote as this production is one which made me feel so intensely that after sitting through its four hours on Thursday, I booked again for the Sunday. Toneelgroep Amsterdam’s far too short stay at the Barbican is an undoubted highlight of my year – their interpretation of Scenes from a Marriage proving to be a simply extraordinary piece of theatre that I knew I had to go and see again.
My review is here and I have little to add to it, it expresses everything I have to say for once. I am now looking at their programme over in Amsterdam to see what I can nip over and see in their surtitled selection, as I can’t wait for them to come to me again, it will just take too long!
Photo: Ivo van Hove
“It seems like you two are going through something of a rough patch”
Stripping away all the technical innovation that has characterised Toneelgroep Amsterdam’s last two visits to London, Ivo Van Hove’s take on Ingmar Bergman’s Scenes from a Marriage is not just an extraordinary reinterpretation of a seminal classic but also one of the most exhilarating pieces of theatre you could hope to have the privilege to see this year. Utterly reinventing the space of the Barbican’s main theatre and toying with conventional modes of story-telling, I spent most of the astonishing second half in a state of near constant goose bumps.
From the beginnings when we’re colour-coded by wristbands into three groups, it is clear something different is afoot. Jan Versweyveld’s design splits the stage into three rooms, connected by a central chamber into which we can occasionally peer, and the first half sees the audience progress through the areas, simultaneously witnessing a scene in each. Each scene features Johan and Marianne and the implosion of their picture-perfect marriage but van Hove has three different couples play the roles at different points in their relationship. Continue reading “Review: Scenes from a Marriage, Toneelgroep Amsterdam at the Barbican”
“Wie tegenwoordig voor mooie dingen geeft?”
Featuring the return of Toneelgroep Amsterdam to the Barbican, Antonioni Project is another multimedia extravaganza from the Dutch theatre company who blew many, including me, away with their six-hour Shakespeare epic, The Roman Tragedies. Under Ivo van Hove’s direction, they have built up a sterling reputation as one of the leading European companies with their innovative blending of film-making techniques into more traditional theatre and creating a whole new theatrical experience for the audience.
This work pulls together three of Michelangelo Antonioni’s 1960s films, L’Avventura, La Notte and L’Eclisse, with their common themes of couples struggling to reconcile notions of love with the reality of sex in a changing world that they feel estranged from due to their extreme materialism. The narratives of the three films are mixed, with characters from each interacting, I’d recommend reading the programme beforehand whether you know the films or not just to give you a bit of context that will prove invaluable. Continue reading “Review: Antonioni Project, Toneelgroep Amsterdam at the Barbican”
My intention is, honestly, to see less theatre this year and try and regain some semblance of a normal life again on the odd evening. But the curse of advance booking and grabbing cheap(er) tickets whilst you can has meant that there’s already an awful lot of theatre booked for 2011. Some have been booked without a huge deal of enthusiasm, but others have a dangerous amount of anticipation attached to them…and so I present to you, the shows I am most excited about seeing this year (so far).
Antonioni Project – Toneelgroep Amsterdam at the Barbican
The Roman Tragedies was hands down one of the most exhilarating and refreshing theatrical experiences of 2009 and possibly my life, I’m even headed to Amsterdam in May to see a surtitled production of their Angels in America. So when I heard that the same Dutch theatre company were returning to the Barbican in February, tickets were booked instantly and I am feverishly over-excited for this now! Continue reading “Shows I am looking forward to in 2011”