There’s something simply exquisite about The Return of the Soldier, an intimate chamber musical tucked away into the Jermyn Street Theatre that might just be one of the best things I’ve seen this year. Granted, it may contain a checklist of some of my favourite things – the experience of women in wartime, a score for piano and cello, Laura Pitt-Pulford – but they combine into something above and beyond, a powerful meditation on the psychological effects of war on those not at the front, a valuable reminder in a year that commemorates the start of the First World War that the impact of war ripples through all levels of society.
“War is hell
You can’t change things on your own”
Tim Sanders’ book adapts Rebecca West’s novel from 1918, a piece of literature that emerged directly from the author’s experience during wartime, to give us characters – but particularly women – with rich emotional lives. Captain Christopher Baldry has returned from the frontline with shellshock and instead of falling into the arms of his upper-class wife Kitty, his memory has obliterated her and so it is the earthier charms of early love Margaret that he craves. She’s stuck in an unfulfilling marriage herself so is faced with conflict when asked to help cure his amnesia, knowing full well that to do so will end her nostalgic fling.