BEST DIRECTOR AWARD FOR A PLAY OR MUSICAL
Clint Dyer, Death of England, National Theatre
Nadia Latif, Fairview, Young Vic Theatre
Ola Ince, Appropriate, Donmar Warehouse
Roy Alexander Weise, Master Harold &… and the boys, National Theatre
BEST PRODUCER AWARD
Adrian Grant, Thriller Live, Lyric Theatre
Nicole Raquel Dennis and Ryan Carter, Turn Up, Cadogan Hall
Tobi Kyeremateng, My White Best Friend (and Other Letters Left Unsaid), Royal Court
Theatre Continue reading “Nominations for the 2020 Black British Theatre Awards”
As some theatres look to a careful reopening and others consolidate their online offers, casting news of four intriguing shows breaks
The Last Five Years at Southwark Playhouse will star Molly Lynch (Cathy) and Oli Higginson (Jamie) who return to their roles after they were cut short on 16 March. They will be appearing in the show from 1 – 31 October and will be in the same ‘support bubble’ so the show won’t adhere to socially distancing staging.
However, in the venue, there will be strict social distancing measures in place. For full info on that head here and click on the Covid-19 FAQS tab: https://southwarkplayhouse.co.uk/the-large/the-last-five-years/#covidfaqs Continue reading “Casting news for early September”
Theatre Royal Stratford East to release audio play 846 in response to the death of George Floyd
On May 25th 2020, a police officer in Minneapolis killed George Floyd by kneeling on his neck for eight minutes and 46 seconds.
This brutal murder ignited a global surge of anger and pain. An ocean away, from the Windrush scandal to the Grenfell Tower tragedy, racist oppression is very much alive in the UK.
Acclaimed playwright Roy Williams brought together 14 writers to respond artistically to George Floyd’s murder and the Black Lives Matter Movement. From this came 846 – a collection of short pieces. Each is a standalone exploration of racial inequality and oppression, but together they form a powerful tapestry of voices. Continue reading “News: Theatre Royal Stratford East to release audio play 846 in response to the death of George Floyd”
Burn Bright’s Better in Person is a series of five short plays by five fantastic women written for and set on a Zoom call.
Monday 25th May. 8pm.
5 plays. £5.
Better in Person is inspired by the general public’s stories of conversations that would be ‘better in person’ but are happening online due to the lockdown. The audience are invited to be an online fly on the wall witnessing these intimate, beautiful, sad, uncomfortable, hilarious and always very human conversations, as they take place in real time.
Continue reading “News: Burn Bright give us Better in Person”
I mean, just look at this absolute treasure trove of theatrical talent!
I’m off to listen to Patsy Ferran read Tom Wells, and Gabby Wong read Alexi Kaye Campbell, and Sarah Niles read Winsome Pinnock and…and…
BEST DIRECTOR FOR A PLAY OR MUSICAL
Lynette Linton; Sweat: Gielgud Theatre
Roy Alexander Weise; Nine Night: National Theatre
Nancy Medina; The Half God of Rainfall: Kiln Theatre
Tobi Kyeremateng; Babylon Festival: Bush Theatre
SPONSORED BY HARLEQUIN FLOORS
Rachael Nanayonjo; Sleeping Beauty: Theatre Royal Stratford East
Alesandra Seutin; Boy Breaking Glass: Sadlers Wells
Shelley Maxwell; Equus: Theatre Royal Stratford East Continue reading “Nominations for the 2019 Black British Theatre Awards”
August Wilson’s King Hedley II is something of a flawed play but it receives a strong production from Nadia Fall here at Theatre Royal Stratford East
“As long as I draw a breath in my body I’m gonna do the right thing for me”
August Wilson’s Pittsburgh Cycle – a series of 10 plays exploring the African American experience in each decade of the 20th century – has some superb plays within it, not least the incendiary Ma Rainey’s Black Bottom and Fences. As the ninth instalment in the sequence, King Hedley II doesn’t quite live up to those forebears but Nadia Fall gives it an impressive production here.
Casting Director Lisa Makin was clearly on fire for this project as she gathered established names (Lenny Henry, Martina Laird) and younger talents (Cherelle Skeete – so good in Fun Home, Aaron Pierre) to give a ferocious account of this challenging play. Challenging not only in length at well over 3 hours but also thematically, as it sprawls over too many subjects to ever hope of doing them all justice. Continue reading “Review: King Hedley II, Theatre Royal Stratford East”
As exciting as musical theatre can get – Fun Home becomes a must-see production at the Young Vic
“Caption—My dad and I were exactly alike
Caption—My dad and I were nothing alike”
It’s fitting that Fun Home should open in Pride month, not least because it is an all-too-rare show that focuses on the L in LGBT+. But as stirring and gratifying and significant as it is to have a lesbian protagonist, this musical works because it is straight-up fantastic – an unabashedly bold queering of the form that reins back any notion of excess to reveal the simple truth that beneath it all, we all hurt the same.
Fun Home is based on Alison Bechdel’s memoir of the same name, a graphic novel musing on her experiences in coming out and later discovering her father is a closet homosexual, yearning for a deeper understanding about how he could have, maybe, possibly, taken his life while she was still a teenager. Lisa Kron’s book adopts a non-linear approach, using an adult Alison as a narrator to recall fragments of memory from her childhood and from her early university days, the bruising experience of her own life facilitating a deeper reflection. Continue reading “Review: Fun Home, Young Vic”
An excellent Jade Anouka leads the cast of Ella Road’s debut play The Phlebotomist at the Hampstead Downstairs
“All these people are getting their dating profiles blood-verified. You know, shouldn’t we just go for the people we fancy?”
The Phlebotomist may be a little
but it’s also
in the way that it takes a scalpel to a near-future obsession with eugenics that is less dystopian than creepily credible.
Running time: 2 hours (with interval)
Photo: Johan Persson
The Phlebotomist is running at the Hampstead Downstairs until 19th May