“You let a terrorist’s wife live in your home and you set a murderer free”
Fearless is a new six-part drama on ITV and whilst some people might be excited by the fact that it is written by one of the writers of Homeland (Patrick Harbinson), all right-thinking people will of course be psyched that it is giving Helen McCrory a stonking leading role. She plays human rights lawyer Emma Banville who is utterly unafraid to butt heads with the world as she investigates miscarriages of justice.
Her latest case draws her into the orbit of Kevin Russell (definite fave Sam Swainsbury) whose conviction for murder looks to be a little iffy. With perhaps a little too much ease, she finds it unsafe and secures a retrial but looks set to have opened up quite the can of national security-flavoured worms as a serious-looking transatlantic phone call on a secure line seems to suggest that there is much more to this than meets the eye. Continue reading “TV Review: Fearless Episode 1”
“I thought when it came to it, I would be good at it”
Despite the fact that I really wasn’t a fan of How To Hold Your Breath, I can’t help but be impressed by the way that Vicky Featherstone really has shaken up the Royal Court since taking over as Artistic Director last year. The diversity in programming may mean that there’s no such thing as a safe bet there any more (something to play havoc with those who carefully book everything months in advance) but there’s something thrilling about that unpredictability, and also the variety that it thus lends to people’s theatregoing.
Turning into more of a lucky dip does mean that you’re not always going to pick a winner and such was the case for me with ZInnie Harris’ new work. A densely written and constructed play, it imagines a Europe swallowed whole by a new financial crisis and leaving the remnants of society to fend for themselves, turned into refugees fighting to cross the border into Istanbul or gain passage on rickety ships bound for Alexandria. With a seductive demon on one shoulder and her pregnant sister on the other, Maxine Peake’s Dana finds herself forced into that such a journey. Continue reading “Review: How To Hold Your Breath, Royal Court”
“I have hundreds of souls dancing inside of me.”
It’s hard to explain just how devastatingly moving Out of Darkness is. Written and directed by Manjinder Virk, it sees 9 people tell a story – the same story or maybe their own – the narrative is fragmented and shared by all. Ostensibly it is the same story, the varied experiences of death that an aid worker has gone through, but in the hands of this company, it is enriched, enhanced, expanded so that it does feel different in each of their hands.
And what a cast Virk has assembled here, all shot from their head and shoulders – Tom Hiddleston may be the better known but my heart leapt to see Monica Dolan and Noma Dumezweni in there and in the stark black and white cinematography that makes the headshots feel like portraiture make it simply gorgeous to look at. Continue reading “Short Film Review: Out of Darkness”
“To be born a woman is the worst punishment”
The ominous funeral bell tolling throughout the opening of this Radio 3 version of Lorca’s The House of Bernarda Alba is a brilliant scene setter, and a telling reminder that so much of the world of this play is actually only ever heard making it ideal for radio adaptation. Fearsome matriarch Bernarda Alba has declared eight years of mourning after the death of her second husband and orders her daughters to remain barricaded inside the family home with her. The younger women bristle at the restraint, especially as the sounds of the world beyond their gate let them know what they’re missing, and the family trait for stubbornness proves enduringly tragic.
Michael Dewell and Carmen Zapata’s translation sacrifices little of Lorca’s striking poetic imagery but impressively manages to keep a convincing colloquiality to the speech. It helps of course to have a strong cast – Siân Thomas’ Bernarda prickles with venom, Brigit Forsyth’s kindly housekeeper Poncia is achingly good and Kate Coogan and Elaine Cassidy as the oldest and youngest daughters battle excellently for the hand of a man and more importantly, for the freedom it represents. Continue reading “Review: The House of Bernarda Alba (Radio 2014/ DVD 1991)”