“Some things are better left out of the history books”
Have you heard the one where Jesus, the three wise men and Caligula walk into a pub? No? Well it is pretty much the set up for John Wolfson’s curious new play The Inn at Lydda, at least once you’ve thrown John the Baptist and Tiberius Caesar in there as well. An eclectic bit of programming in the candlelit surroundings of the Sam Wanamaker Playhouse, Wolfson has spun his tale from a tidbit in the New Testament Apocrypha and taken it to almost-farcical levels of comedy.
Ailing Roman Emperor Tiberius Caesar has heard of a legendary healer over in Judea and so off he pops to be cured by him, only problem is we’re in the days between the Resurrection and the Ascension. Stopping off at a hostelry in the city of Lydda where this news filters through, their party bumps into Tiberius’ lascivious great-nephew and heir Caligula, plus three weary travellers who have been waiting 33 years to reunite with a man who might just be hiding in a nearby cave. Continue reading “Review: The Inn at Lydda, Sam Wanamaker Playhouse”
“Were thou as young as I”
In Joseph Drake and Audrey Brisson, Sally Cookson’s Romeo + Juliet has a perfectly matched pair of pint-sized lovers to take to the stage at the Rose Kingston. And in creating a non-specifically modern Verona (as hinted by the format of the title which borrows from Luhrmann), Cookson creates the ideal setting in which to let her vivid imagination run riot over Shakespeare’s much-performed classic. Her bold vision may not be to everyone’s tastes but it delivers a unique pleasure.
Katie Sykes’ multi-platformed urban playground of a set suggests an underbelly of a city akin to the undercroft of the Southbank Centre, recently saved for its skateboarders and under the tumble of fluorescent tubes that makes up Aideen Malone’s lighting design, there’s a highly charged sense of energy ready to explode. Benji Bower’s score carries much of the weight of the atmosphere though, an insistent presence throughout the production for better and for worse. Continue reading “Review: Romeo + Juliet, Rose Kingston”
“I am yours. Do what you want with me”
It is clearly the moment for Thérèse Raquin– a stage adaptation in Bath (and touring to Malvern and Cambridge), the Finborough’s musical version transferring to the Park Theatre, and a film of the story also hitting our cinemas recently. Émile Zola’s 1867 novel heralded a new world of naturalism in literature in its focus on mood rather than character and has remained an enduring classic, hence this confluence of versions now and a cheeky trip to the penultimate show of the run at the gorgeous Theatre Royal Bath.
Reflecting Zola’s intent, Jonathan Munby’s direction is highly theatrical and brings a powerful lyricism to the stage, bringing in Ann Yee to provide a fluid movement style that is near-balletic and which captures the yearning spirit perfectly – in a world where so much is unsaid, body language becomes ever more eloquent. And Helen Edmundson’s version emphasises Thérèse’s elemental connection to the water and the fevered eroticism that takes her over, unutterably disrupting her world as sex, murder and self-destruction come a-knocking to liven up her dull life forcibly married to her cousin in the Parisian backstreets. Continue reading “Review: Thérèse Raquin, Theatre Royal Bath”