“The hot whore of celebrity”
Jon Snow is dead. Isn’t he? I suspect there’ll be a twist in the tail as far as the newly started sixth series of Game of Thrones is concerned but for the meantime, Kit Harington is alive and kicking his way through this raucous reinvention of Christopher Marlowe’s Doctor Faustus for The Jamie Lloyd Theatre Company.
My 3 star review for Cheap Theatre Tickets can be read here. And my little preview piece from a couple of weeks ago is here.
Running time: 2 hours 20 minutes (with interval)
Photo: Marc Brenner
Booking until 25th June
“Hell is within”
(As are production spoilers)
As Jamie Lloyd’s Doctor Faustus is currently previewing but doesn’t open officially until 25th April, I’d get in trouble with the Devil herself (and possibly Mary Berry) for publishing a full review. So here’s a little amuse-bouche for you Continue reading “(P)review: Doctor Faustus, Duke of York’s”
“There are over 200 countries in the world and only 8, maybe 9 have nuclear weapons”
The second part of the Tricycle’s The Bomb – a partial history is named Second Blast: Present Dangers and focuses its attention on where the nuclear threat lies now, i.e. in the Middle East and North Korea. Alongside the five plays, there’s more of the verbatim reportage, edited by Richard Norton-Taylor, in this section, effectively deployed to demonstrate the almost ridiculousness of the way in which the debate about Iran and nuclear capability has been framed the US and Israel, and later on to remind us of the official political positions of many of our own leaders in the UK.
Altogether I was a tiny bit disappointed with this half of the day (I’d’ve given it 3.5 stars as opposed to 4 for Part 1) as First Blast: Proliferation had cast its net far and wide to cover five different aspects of the history of the bomb but Second Blast returned time and time again to Iran (3 times in fact) in terms of the present day. Obviously it’s a massive part of where we are in terms of potential instability, but I felt that a more useful eye could have been cast elsewhere as well – in a savage indictment of those countries like Israel and Pakistan who still refuse to sign up to the Nuclear Non-Proliferation Treaty, or indeed a more damning look at those countries that have signed yet show no signs of reducing their stockpile. Continue reading “Review: The Bomb: a partial history – Second Blast, Tricycle Theatre”
“Ethics are all very well from the safety of Switzerland”
In some ways Colin Teevan’s There Was A Man. There Was No Man ought to have been the most powerfully resonant piece in the second part of the Tricycle’s The Bomb – a partial history given the heightened tension around the Iranian nuclear programme and the ever-present antagonism with Israel.
The official blurb is as follows. ‘While Israel officially has no nuclear arms programme, few doubt it has; Iran claims this gives it the right to develop its own nuclear programme. Who will be the first to blink? When an Israeli and Iranian scientist meet at a conference in Jordan, their meeting has deep repercussions for their nations, their families and themselves.’ Continue reading “Review: There Was A Man. There Was No Man”