Review: A singalong Bat out of Hell, Dominion

Baby baby BABY! For better or worse, Bat out of Hell introduces the singalong musical into the West End 

“You got the kind of lips that do more than drink
You got the kind of mind that does less than think”

Although it might feel like every night is singalong night at some musicals (cough Motown cough), Bat out of Hell have gone the extra step and made one night a month an actual sing-along performance. So if you get down to the Dominion Theatre on these selected dates, then you can live your dream of singing in a West End theatre, just, you know, not on the actual stage…!

If you’re pondering whether this is a good idea, I’ve answered a few questions below.

“I know you’re lookin’ for a ruby in a mountain of rocks
But there ain’t no Coupe de Ville hidin’ at the bottom of a Cracker Jack box”

1. What if I don’t know all the words?

Never fear – there are screens dotted around the theatre, and above the stage, which show the lyrics. And it’s not every song we’re invited to sing along to, which I was particularly gutted for for “What Part of My Body Hurts the Most”. Seeing the lyrics like this has the additional amusing bonus of showing how batshit crazy some of them are…! Continue reading “Review: A singalong Bat out of Hell, Dominion”

Review: Bat Out of Hell, Dominion

Serving up more Meatloaf, Bat Out of Hell returns to London at the Dominion with a new-found subtlety…

“Some nights you’re like nothing I’ve ever seen before or will again”

I jest of course – there ain’t nothing subtle about Bat Out of Hell, apart from the slight price rises on the merchandise stall. Newly installed at the Dominion Theatre, after runs in Manchester, Toronto and at the Coliseum last year, it has lost little of the bizarre, baffling energy that saw it find a very devoted audience.

And they’ll be pleased that leads Andrew Polec and Christina Bennington return, the new cast members slot in effortlessly, and the inimitable vocal prowess of all is still ear-splittingly breathtaking, under Michael Reed’s musical supervision. Rob Fowler and Sharon Sexton remain the show’s secret weapon, stealing the thunder like a punked-up Jack and Karen. Continue reading “Review: Bat Out of Hell, Dominion”

Review: 27, Cockpit

“The public will like whatever I tell them to like”

If only the public were so gullible… New rock musical 27 has nearly completed a substantial run at the Cockpit Theatre so I took my time to see it, knowing that many a show that has described itself as a rock musical has proven not to be my cup of tea. And thus it turned out with Sam Cassidy and Matt Wills’ 27, a mishmash of classical and modern myths that ends up something of an unholy mess.

At the forefront, just about, is the story of Orpheus, reinterpreted here for the modern world as wannabe rocker Jason (with a band called the Argonauts…) who does a Faustian deal with the devil for instant fame (see what I mean about those influences…) but ends up chasing through the underworld to rescue his girlfriend who has succumbed to a drug overdose.  Continue reading “Review: 27, Cockpit”