Review: Tomorrow Creeps, VAULT Festival

“He received them with a strange delight”

As an intellectual exercise, Golem!’s Tomorrow Creeps is something of a delight – a new play by David Fairs stitched together from 16 works by Shakespeare and shot through with lyrical inspiration from Kate Bush. And in the dark and dank surroundings of the Cavern, with creepingly textured sound work from Odinn Hilmarsson and a powerfully atmospheric lighting design (uncredited), the potential of the piece is palpable.

The reality is something a little more elusive though. In this shadowy world, strangeness abounds. The Hollow Hero has imprisoned The Fallen Tyrant but needs his help for something or other; the malevolent Tyrant misses his dead wife as she is called The Spectral Queen, it turns out she’s closer to hand than he thinks; and the supernatural haunts everything they do with noted kook Hecate willing to cause nuisance at the shake of a salt cellar. Continue reading “Review: Tomorrow Creeps, VAULT Festival”

2018 Vault Festival – what to see

On the one hand, that the Vault Festival has expanded to over 300 shows running over 8 weeks is fantastic news for the emerging theatremakers that it supports. On the other, it means making the choice about what to see, even tackling the catalogue alone can feel somewhat daunting. It has taken me a wee while to get round to delving into it myself, but as the festival is set to open this week, here’s some of my top tips for each week.

Week 1

Tomorrow Creeps – repurposed Shakespeare via the medium of Kate Bush? Hell, yes.
Tumulus – it’s not a festival unless there’s a chemsex show
Great Again – likewise a Trump-bashing musical 


Week 2

Double Infemnity – gender-flipping noir crime antics in a one-woman show? Whyever the hell not!
Gypsy Queen – gays and boxing, sometimes I’m an easy sell…
Gun – I’ll be trying to catch more comedy than I usually do this year, and this western-inspired show very much seems as good a place to start as any


Week 3

Think of England – love, lust and swing dancing in wartime Waterloo – TICK!
Be Prepared – I’m a fan of writer/performer Ian Bonar so definitely looking forward to this one
Douze – Eurovision pop comedy musical fun, nuff said


Week 4

YOU – a thought-provoking look at adoption, drawing on some deeply personal narratives
STUD – gays and football, a combination that usually works wonders for me!
Elsa – a chirpy sounding piece of reflective musical comedy


Week 5

Sparks – Jessica Butcher is a name that people in the know rave about, Anoushka Lucas is a name I have raved about, together they ought to come up with something special
Conquest – a debut show from PearShaped and one which promises to tackle contemporary feminism with real fearlessness
Still We Dream… – I don’t see much dance but something about this piques my attention, animalistic movement in non-traditional spaces


Week 6

TESTOSTERONE – experimental work pushing the trans narrative forward, one for the Daily Mail-reading person in your life…
Das Fest – in many ways what the Vault Festival is for, for me, to see the type of thing I would never normally book for (as in Philipp Oberlohr’s show last year Das Spiel) and be delighted and not a little freaked out!
The Strongbox – Stephanie Jacob is having a low-key moment, her play Again opens at Trafalgar Studios 2 next month and its final week will overlap with another piece of new writing from her, I suspect they’ll both be worth catching


Week 7

Fuck Marry Kill – a work-in-progress from Vera Chok and Amy Mason which uses the game show format to challenge the patriarchy
Bury the Hatchet – the tale of Lizzie Borden is one of enduring fascination and Out of the Forest are no exception here, using bluegrass, nursery rhyme and horror to retell and reexamine this story
Unburied – a folk horror mystery that just seems most intriguing


Week 8

THINGS THAT DO NOT C(O)UNT – I loved No Offence’s torn apart at the Hope last year, so I’m much intrigued by this new work
The Dirty Thirty – an ever-changing attempt to perform 30 shows in 1 hour – I’m sold!
Tom and Bunny Save The World – another company I’m a big fan of, Fat Rascal, present a zombie comedy musical that is sure to shake up gender lines as much as apocalyptic survival methods

Review: Miss Nightingale – the musical, Vaults

“You’ve got to get your sausage where you can”

It’s fascinating to be able to revisit shows along their developmental cycle. I first saw Miss Nightingale in its initial chamber-musical incarnation at the King’s Head back in 2011 and since then, it has become a fully-fledged piece which has toured the UK extensively. This residency at the Vaults marks the show’s fifth production and the first time I’ve been able to revisit and reassess Matthew Bugg’s actor-musician musical.

Set in London in 1942, it relays two parallel and interconnected narratives – the metamorphosis of nurse Maggie Brown to fresh new cabaret star Miss Nightingale, and the illicit gay love affair between her Polish-Jewish émigré songwriter and the upper-class war hero-turned-nightclub-impresario who is behind their rise. As bombs continue to fall on London, contemporary attitudes toward homosexuality threaten to cause no less potent explosions. Continue reading “Review: Miss Nightingale – the musical, Vaults”