Review: Nation, National

“If you’re watching grandmama, look away now”

Sometimes I think there’s something to be said for just sitting down at the theatre, especially when it is a family show and just enjoying what’s front of you. I’ll be the first to admit that I have done very little of that this year but for some reason, and it wasn’t even the mulled wine, Nation at the National Theatre warmed my heart in a way I was not expecting.

The fantasy genre is one which is often hard to adapt to the stage, as the books are heavily laden with a rich level of detail, creating new worlds and mythologies, and there inevitably has to some degree of compromise between creating a coherent narrative for the timespan of a play but remaining faithful enough to respect the source material (and please the fans). And if one is being honest, there were elements of Mark Ravenhill’s adaptation of Terry Prachett’s story of two teenagers thrown together by a giant tsunami leaving one shipwrecked and the other without a home, that didn’t bear much scrutiny. But it was so swiftly directed that only the most curmudgeonly of souls would have dwelt on the plotholes. Continue reading “Review: Nation, National”

Review: Rent Remixed, Duke of York’s

Many a musical has received a facelift, but none quite so dramatic or misguided as Rent Remixed, setting up shop at the Duke of York’s. William Baker (director) and Steve Anderson (musical arranger) are perhaps better known as part of the creative team behind Kylie Minogue but are responsible here for reinterpreting Jonathan Larson’s much loved Rent for a younger generation.

The original itself is a rough reworking of La Bohème, celebrating the lives of a group of sexually ambiguous, bohemian New Yorkers, eking out a living on the breadline and devastated by the arrival of HIV and AIDS. And whilst this is ostensibly the same show, the process of ‘remixing’ has ended up with curious results. Continue reading “Review: Rent Remixed, Duke of York’s”