“Link arms with those dreamers of midsummers past”
Kicking off a season of three Howard Goodall musicals, the dreaming actually marks the professional premiere of a show has been performed many times by youth theatre groups, commissioned as it was by the NYMT and premiered by them in 2001. Based on Shakespeare’s A Midsummer Night’s Dream, book writer Charles Hart relocates the story to a Somerset village in an Edwardian society on the cusp of the Great War but maintains the vast majority of the original tale as Goodall weaves his inimitably English compositional magic around it.
And it is, in the main, an effective updating. The Rude Mechanicals becoming a group of morris dancer-esque mummers is a rural buffoon’s delight and if ‘The Banner of Saint George’ (in place of Pyramus and Thisbe) could have stood to be half the length, it is still chucklesome. And the starchy manners of the time translates amusingly to the quartet of lovers who run away to the forest and effectively to the parental figures who disapprove so, the silliness of the lovers’ quarrel in the songs ‘Jennifer’ and ‘Midsummer Madness’ is perfectly evoked. Continue reading “Review: the dreaming, Union Theatre”
“Is it possible to be drunk and have a hangover at the same time”
Staged and directed at the Union Theatre by Michael Strassen, whose award-winning production of Assassins played here in 2010, the plot of The Fix follows the Chandlers, a Kennedy-esque dynasty of political players. When presidential hopeful Senator Reed Chandler pops his clogs in flagrante with a lady other than his wife, the family’s attention turns to Cal, his layabout playboy son. Mother Violet, a gin-sozzled matriarch, and uncle Grahame, a crippled gay Machiavelli, groom him to take up the family mantle but Cal is a reluctant politico, seeking refuge in drugs and extra-marital affairs. And as the stakes get higher the further into government he rises, the more dangerous it gets for those skeletons in the closet.
Composed by Dana P Rowe and with book and lyrics from John Dempsey, the 1997 show unfortunately occupies an uneasy middle ground between trying to tell the story above, yet simultaneously make satirical digs at the political classes, and I am not sure that it does either particularly well. It is therefore to their credit that the lead players, under Strassen’s careful direction, manage to tease as much out of their characters as they do. Continue reading “Review: The Fix, Union Theatre”