Too soon for panto? Oh no it isn’t. Although The Wonderful Wizard of Oz was actually the 2014 Christmas show for Plymouth’s Barbican Theatre and proved so popular that it returned for another run at Easter this year and once more for a final 3 performances. Conceived by Devon-based troupe Le Navet Bete, it’s a rip-roaring, cross-dressing, roller-skating, Irish-dancing, popcorn-tossing gem of a show and thus it’s easy to see why it has engendered such popularity.
Whether by accident or design, it’s a canny choice of festive show – it’s a bit tougher to put on Dick Whittington in the middle of the year – but key to its success has surely been around the decisions to aim for a timelessness with the writing. Pantos often make their mark with up-to-the-minute jokes and musical numbers which is all fine and dandy, as they’re generally not looking far beyond the middle of the following January. Continue reading “Review: The Wonderful Wizard of Oz, Barbican Plymouth”