Re-review: Everybody’s Talking About Jamie, Apollo

Michelle Visage joins Everybody’s Talking About Jamie and it is just as much fun as you’d imagine

“Tell it like it is but they don’t wanna know it.
Life don’t owe you no you owe it”

Having just celebrated its first birthday in the West End (a pleasant surprise to see such a musical thriving there), Everybody’s Talking About Jamie is starting to make the kind of moves that will hopefully see that success continue. Layton Williams will be stepping into Jamie’s killer heels when John McCrea finishes his award-winning turn at the front, and some borderline-stunt casting got me back to the Apollo no worries.

Chucking Michelle Visage into the cast is actually a rather inspired move. Regardless of what you think of her, her friend-to-the-gays credentials are beyond reproach, particularly where drag is concerned. and Miss Hedge is the kind of supporting role that doesn’t pull too much focus while still offering a couple of opportunities to shine. And Visage does seem to have settled right into the company.

Continue reading “Re-review: Everybody’s Talking About Jamie, Apollo”

Album Reviews: Audra McDonald – Sing Happy / Louise Dearman – For You, For Me / Everybody’s Talking About Jamie cast recording

Casting my eye over some recent musical theatre album releases: Audra McDonald’s live album Sing Happy, Louise Dearman’s latest collection For You, For Me and the long-awaited cast recording for Everybody’s Talking About Jamie 

There are few things as well-designed as Audra McDonald’s thrilling soprano to make you happy, so the title of her new album Sing Happy is apt indeed. Her first live album and her first backed by an orchestra (the New York Philharmonic). the gig was recorded  just a few days ago on 1st May and no wonder they were so quick to turn it around.

Whether shimmering through Porgy and Bess‘ timeless ‘Summertime’, proudly getting her life in La Cage aux Folles’ ‘I Am What I Am’ or absolutely nailing She Loves Me’s ‘Vanilla Ice Cream’, McDonald’s velvety textured voice is always so exciting to listen to. And the drama of songs like ‘Never Will I Marry’ sound glorious with the richness of the orchestral backing (conducted by Andy Einhorn).

An affinity for Sondheim comes into play twice, a medley of ‘Children Will Listen’ with South Pacific’s ‘You’ve Got To Be Carefully Taught’ and in a showstopping take on ‘Being Alive’, still manages to surprise with the heights to which she lifts the song. An unalloyed, absolute pleasure. Continue reading “Album Reviews: Audra McDonald – Sing Happy / Louise Dearman – For You, For Me / Everybody’s Talking About Jamie cast recording”

Review: Everybody’s Talking About Jamie, Apollo

At last – everyone will be talking about Everybody’s Talking About Jamie as it struts in the West End in fine form

“Go give the boys boners they won’t know what to do with”

When Everybody’s Talking About Jamie made its debut in Sheffield earlier this year (here’s my review), hopes were high for a transfer, the news of which took a little time to be confirmed, leaving me worried it would suffer the fate of the gorgeous Flowers for Mrs Harris. But this sparkling new show has arrived in the West End and now sits on Shaftesbury Avenue at the Apollo as a proud piece of new British musical theatre and an equally proud piece of LGBT+ storytelling.

Written by Dan Gillespie Sells (music) and Tom MacRae (book and lyric) and adapted from a BBC documentary, Jamie casts off the archetypal coming out and gay bashing stories (though not completely ignoring them) in favour of a main narrative about an out and proud teen who is insistent that he’s going to his high school prom in drag but only belatedly coming to realise that his determination to be fierce has consequences for those who love him. Continue reading “Review: Everybody’s Talking About Jamie, Apollo”

Winners of The Stage Debut Awards 2017

The Joe Allen Best West End Debut

WINNER: Andrew Polec for Bat Out of Hell at the London Coliseum
John Boyega for Woyzeck at the Old Vic
Anthony Boyle for Harry Potter and the Cursed Child at the Palace Theatre
Andy Karl for Groundhog Day at the Old Vic
Audra McDonald for Lady Day at Emerson’s Bar and Grill at Wyndhams Theatre
Imogen Poots for Who’s Afraid of Virginia Woolf? at the Harold Pinter Theatre
Amber Riley for Dreamgirls at the Savoy Theatre
Charlie Stemp for Half a Sixpence at the Noel Coward Theatre

Best Actor in a Play
WINNER: Abraham Popoola for Othello at Tobacco Factory Theatres, Bristol
Jack Archer for Nivelli’s War at the Lyric Theatre, Belfast
TJ Jones for The Seven Acts of Mercy at the Swan Theatre, Royal Shakespeare Company
Kenneth Omole for Assata Taught Me at the Gate Theatre, London

Best Actress in a Play Sponsored by Pauline Quirke Academy at PQA Studios London
WINNER: Grace Molony for The Country Girls at the Minerva Theatre, Chichester
Anya Chalotra for Much Ado About Nothing at Shakespeare’s Globe, London
Kellan Frankland for The House of Bernarda Alba at the Royal Exchange, Manchester
Jess Peet for Alice in Wonderland at the Royal Lyceum Theatre, Edinburgh

Best Actor in a Musical Sponsored by Encore Radio
WINNER: Samuel Thomas for Allegro at Southwark Playhouse, London
Adam J Bernard for Dreamgirls at the Savoy Theatre, London
Ben Hunter for The Girls at the Phoenix Theatre, London
Daniel Urch for 110 in the Shade at Ye Olde Rose and Crown, London

Best Actress in a Musical Sponsored by The Other Palace
WINNER: Miriam-Teak Lee for On the Town at Regent’s Park Open Air Theatre, London
Chloe Carrington for Hair at Hope Mill Theatre, Manchester
Emily Hughes for Fiddler on the Roof at Everyman Theatre, Liverpool
Siena Kelly for On the Town at Regent’s Park Open Air Theatre, London

Best Composer Sponsored by Trafalgar Entertainment Group
WINNER: Dan Gillespie Sells for Everybody’s Talking About Jamie at the Crucible Theatre, Sheffield
Jonah Brody for Removal Men and This Beautiful Future at the Yard, London
Ruth Chan for Snow in Midsummer at the Swan Theatre, Royal Shakespeare Company, Stratford-upon-Avon
MJ Harding for Removal Men at the Yard, London
Stephen Jackson for Roller Diner at the Soho Theatre, London

Best Designer Sponsored by Robe
WINNER: Rosie Elnile for The Convert at the Gate Theatre, London
Joshua Gadsby for Dreamplay at the Vaults, London and Still Ill at the New Diorama, London
Simon Spencer for The Tempest at the Royal Shakespeare Company, Stratford-upon-Avon
Jessica Staton for Extra Yarn at the Orange Tree Theatre, London

Best Director Sponsored by See Tickets
WINNER: Lekan Lawal for Betrayal at Derby Theatre, Derby
Sean Aydon for Richard III at the Rosemary Branch, London
Alexander Lass for 46 Beacon at Trafalgar Studios 2, London
Lynette Linton for Assata Taught Me at the Gate Theatre, London

Best Writer
WINNER: Katherine Soper for Wish List at the Royal Exchange, Manchester, and Royal Court Theatre, London
Titas Halder for Run the Beast Down at the Marlowe Theatre, Canterbury and Finborough Theatre, London
Asif Khan for Combustion at Tara Arts, London
Victoria Willing for Spring Offensive at the Clapham Omnibus, London

 

Nominees for The Stage Debut Awards 2017

The Joe Allen Best West End Debut
John Boyega for Woyzeck at the Old Vic~
Anthony Boyle for Harry Potter and the Cursed Child at the Palace Theatre
Andy Karl for Groundhog Day at the Old Vic
Audra McDonald for Lady Day at Emerson’s Bar and Grill at Wyndhams Theatre
Andrew Polec for Bat Out of Hellat the London Coliseum
Imogen Poots for Who’s Afraid of Virginia Woolf? at the Harold Pinter Theatre
Amber Riley for Dreamgirls at the Savoy Theatre
Charlie Stemp for Half a Sixpence at the Noel Coward Theatre

Best Actor in a Play
Jack Archer for Nivelli’s War at the Lyric Theatre, Belfast
TJ Jones for The Seven Acts of Mercy at the Swan Theatre, Royal Shakespeare Company
Kenneth Omole for Assata Taught Me at the Gate Theatre, London
Abraham Popoola for Othello at Tobacco Factory Theatres, Bristol

Best Actress in a Play Sponsored by Pauline Quirke Academy at PQA Studios London
Anya Chalotra for Much Ado About Nothing at Shakespeare’s Globe, London
Kellan Frankland for The House of Bernarda Alba at the Royal Exchange, Manchester
Grace Molony for The Country Girls at the Minerva Theatre, Chichester
Jess Peet for Alice in Wonderland at the Royal Lyceum Theatre, Edinburgh

Best Actor in a Musical Sponsored by Encore Radio
Adam J Bernard for Dreamgirls at the Savoy Theatre, London
Ben Hunter for The Girls at the Phoenix Theatre, London
Samuel Thomas for Allegro at Southwark Playhouse, London
Daniel Urch for 110 in the Shade at Ye Olde Rose and Crown, London

Best Actress in a Musical Sponsored by The Other Palace
Chloe Carrington for Hair at Hope Mill Theatre, Manchester
Emily Hughes for Fiddler on the Roof at Everyman Theatre, Liverpool
Siena Kelly for On the Town at Regent’s Park Open Air Theatre, London
Miriam-Teak Lee for On the Town at Regent’s Park Open Air Theatre, London

Best Composer Sponsored by Trafalgar Entertainment Group
Jonah Brody for Removal Men and This Beautiful Future at the Yard, London
Ruth Chan for Snow in Midsummer at the Swan Theatre, Royal Shakespeare Company, Stratford-upon-Avon
Dan Gillespie Sells for Everybody’s Talking About Jamie at the Crucible Theatre, Sheffield
MJ Harding for Removal Men at the Yard, London
Stephen Jackson for Roller Diner at the Soho Theatre, London

Best Designer Sponsored by Robe
Rosie Elnile for The Convert at the Gate Theatre, London
Joshua Gadsby for Dreamplay at the Vaults, London and Still Ill at the New Diorama, London
Simon Spencer for The Tempest at the Royal Shakespeare Company, Stratford-upon-Avon
Jessica Staton for Extra Yarn at the Orange Tree Theatre, London

Best Director Sponsored by See Tickets
Sean Aydon for Richard III at the Rosemary Branch, London
Alexander Lass for 46 Beacon at Trafalgar Studios 2, London
Lekan Lawal for Betrayal at Derby Theatre, Derby
Lynette Linton for Assata Taught Me at the Gate Theatre, London

Best Writer
Titas Halder for Run the Beast Down at the Marlowe Theatre, Canterbury and Finborough Theatre, London
Asif Khan for Combustion at Tara Arts, London
Katherine Soper for Wish List at the Royal Exchange, Manchester, and Royal Court Theatre, London
Victoria Willing for Spring Offensive at the Clapham Omnibus, London

 

Album Review: Everybody’s Talking About Jamie Concept Album

“I’m smoking hot
Cos I got the lot
And what I got
You have not”

What better time to give the concept album for Everybody’s Talking About Jamie a proper listen than on my way back to Sheffield, albeit to see a different show. Dan Gillespie Sells and Tom MacRae’s musical was a deserved sell-out success earlier this year and to accompany it, this recording of some of the songs, sung by the composer, a couple of the performers and some special guests was available to purchase in the foyer and is still around online. It truly was a cracking show and what this record shows, it is also a stronger score than you might initially give it credit for.

‘If I Met Myself Again’ is possibly the best track that Dusty Springfield never sang. A torch song of the highest order, replete with plaintive brass motif, Josie Walker (as Jamie’s mum) nails the ruminative mood with real heart and zero self-indulgence, it really is a gorgeous song. Walker’s second moment in the spotlight comes with ‘He’s My Boy’, a no less moving expression of maternal love in all its restrained passion. Jamie himself – John McCrea – only gets a brief moment to shine on its reprise ‘My Man Your Boy’ which is a bit of a shame as as emotive a number as it is, it doesn’t capture the effervescent star-making quality of his lead performance. Continue reading “Album Review: Everybody’s Talking About Jamie Concept Album”

Review: Everybody’s Talking About Jamie, Crucible

“Sometimes you’ve got to grab life by the balls
You take those balls and tuck ’em between your legs”

We should be talking about Sheffield, and how its place in the fragile ecosystem of British musical theatre has only become more and more invaluable. Nurturing shows like Flowers For Mrs Harris and This Is My Family into existence and taking pride in their understated nature, the venue has also been incubating new writing talent. Well, new to musical theatre at least, for Dan Gillespie Sells is the lead singer-songwriter of The Feeling and Tom MacRae has written several episodes of Doctor Who and sitcom Threesome. And inspired by a BBC3 documentary, a meeting with director Jonathan Butterell and a fairy godmother-like intervention from Michael Ball, the result is brand spanking new musical Everybody’s Talking About Jamie.

And what a joy it is, a breath of feel-good fresh air that can’t help but leave you feeling fabulous. With career advice flying by unheeded, all 16-year-old Jamie is really bothered about as his school-time comes to an end is whether he will attend the school prom as his drag persona Mimi Me or not. And rather brilliantly, the writing hones in on Jamie just as a young man – yes he’s queer and a kween but he’s also a person still finding out the extent of his identity and how to relate to a wider world that isn’t necessarily always set against him. It’s a refreshing take on LGBT+ storytelling, and a sorely needed one, tipping its hat to the tales of coming out and battling against intolerance that have gone before and then finding its own space to parse the consequences of being this fierce in the real world. Continue reading “Review: Everybody’s Talking About Jamie, Crucible”