The 2016 Manchester Theatre Awards winners in full

“It’s grim up north”
 
The Manchester Theatre Awards represent the cream of theatre in my native North-West, too much of which I miss due to cheap train fares being like gold dust. I’m hoping to do better this year and in the meantime, here’s the full list of winners for the 2016 Awards.

 

 

Best Actor
Rob Edwards, To Kill A Mockingbird, Octagon Theatre, Bolton
David Neilson, Endgame, HOME, Manchester
Daniel Rigby, Breaking The Code, Royal Exchange, Manchester WINNER
Don Warrington, King Lear, Royal Exchange

Best Actress
Niamh Cusack, Ghosts, HOME
Kaisa Hammarlund, Sweet Charity, Royal Exchange
Julie Hesmondhalgh, Wit, Royal Exchange WINNER
Kathryn Hunter, The Emperor, HOME

Best Production
Breaking The Code, Royal Exchange WINNER
Ghosts, HOME
The Emperor, HOME
Wit, Royal Exchange

Best Supporting Actor
Daniel Crossley, Sweet Charity, Royal Exchange WINNER
Raad Rawi, Breaking The Code, Royal Exchange
Marc Small, To Kill A Mockingbird, Octagon Theatre
Miltos Yerolemou, King Lear, Royal Exchange

Best Supporting Actress
Natalie Dew, Breaking The Code, Royal Exchange WINNER
Sharon Duncan-Brewster, A Streetcar Named Desire, Royal Exchange
Natalie Grady, Martha Josie and the Chinese Elvis, Octagon Theatre
Amy Nuttall, The Winter’s Tale, Octagon Theatre

Best Visiting Production
946 – The Amazing Story of Adolphus Tipps, HOME
A Girl is a Half-Formed Thing, Lowry, Salford
Love’s Labour’s Lost / Much Ado About Nothing, Opera House
The Encounter, HOME
The James Plays, Lowry WINNER

Best Actor in a Visiting Production
Edward Bennett, Love’s Labour’s Lost / Much Ado About Nothing, Opera House
Rufus Hound, The Wind in the Willows, The Lowry WINNER
Simon McBurney, The Encounter, HOME
Michael Pennington, King Lear, Opera House

Best Actress in a Visiting Production
Lisa Dillon, Love’s Labour’s Lost / Much Ado About Nothing, Opera House
Aoife Duffin, A Girl Is A Half-Formed Thing, Lowry WINNER
Lisa Maxwell, End Of The Rainbow, Opera House
Zizi Strallen, Mary Poppins, Palace

Best Newcomer
Daisy Badger, Look Back In Anger, Octagon Theatre
Ben Hunter, The Girls, Lowry
Norah Lopez Holden, Ghosts, HOME WINNER
Kirsty Rider, Pride And Prejudice, Lowry
Holly Willock, The Wind In The Willows, Lowry
Young “Michael” cast, Billy Elliot, Palace WINNER
Young “Scout” cast, To Kill A Mockingbird, Octagon Theatre WINNER


Best Opera

Andrea Chénier, Opera North, Lowry WINNER
Billy Budd, Opera North, Lowry
Don Giovanni, ETO, Buxton Opera House
Tamerlano, Buxton Festival, Buxton Opera House

The Robert Robson Award for Best Dance
Akram Khan’s Giselle, Palace WINNER
Alvin Ailey American Dance Theater, Lowry
Nederlands Dans Theater 2, Lowry
The Red Shoes, Lowry

Best Musical
Billy Elliot, Palace
Parade, Hope Mill Theatre
Singin’ in the Rain, Octagon Theatre
Sweet Charity, Royal Exchange WINNER
The Wind in the Willows, Lowry

Best Fringe Production
Boomtown Gals, Various venues
Die Diana, Bandit, Mugger and Thief, Manchester
Multi Story, Monkeywood, Various venues
The Trial, Hope Mill Theatre, Manchester WINNER

Best Fringe Performance
Joyce Branagh, Boomtown Gals, Various venues WINNER
Sam Grogan, Waiting Room, King’s Arms, Salford
William J Holstead, The Trial, Hope Mill Theatre
Leanne Martin, The Brink, King’s Arms

Best Studio Production
Dirty Pakistani Lingerie, Lowry
Lemons Lemons Lemons Lemons Lemons, HOME
The Solid Life Of Sugar Water, Royal Exchange
Wish List, Royal Exchange WINNER

Best Actor in a Studio Production
Alexander Gatehouse, Ventoux, Lowry
Joseph Quinn, Wish List, Royal Exchange Studio WINNER
Rex Ryan, Pilgrim, Lowry

Best Actress in a Studio Production
Erin Doherty, Wish List, Royal Exchange Studio WINNER
Sarah Emmott, Declaration, Lowry
Georgia Henshaw, Bird, Royal Exchange Studio
Molly Vevers, Ross and Rachel, Lowry

Best New Play
A Pacifist’s Guide to the War on Cancer, HOME
Bird, Royal Exchange Studio
The Emperor, HOME WINNER
Wish List, Royal Exchange Studio

Best Design
Endgame, HOME
La Vie Parisienne, Royal Northern College of Music, Manchester
Singin’ In The Rain, Octagon Theatre WINNER
The Pitmen Painters, Coliseum, Oldham

Best Ensemble
946 – The Amazing Story of Adolphus Tipps, HOME
Singin’ In The Rain, Octagon Theatre WINNER
The Pitmen Painters, Coliseum
The James Plays, Lowry

Best Special Entertainment
An Anatomie In Four Quarters, Lowry
Cirque du Soleil – Amaluna, Trafford Centre
Summer, Autumn, Winter, Spring, Old Granada Studios
The Peony Pavillion, Lowry WINNER

Youth Panel Award
NOTHING – The Royal Exchange Theatre Young Company WINNER
The Secret Garden – Octagon Youth Theatre
The Factory – The Royal Exchange Theatre Young Company
The Siege of Christmas – Contact Youth Company with Swung Low

The 2016 Manchester Theatre Awards nominations

Best Actor
Rob Edwards, To Kill A Mockingbird, Octagon Theatre, Bolton
David Neilson, Endgame, HOME, Manchester
Daniel Rigby, Breaking The Code, Royal Exchange, Manchester 
Don Warrington, King Lear, Royal Exchange

Best Actress
Niamh Cusack, Ghosts, HOME
Kaisa Hammarlund, Sweet Charity, Royal Exchange
Julie Hesmondhalgh, Wit, Royal Exchange 
Kathryn Hunter, The Emperor, HOME

Best Production
Breaking The Code, Royal Exchange 
Ghosts, HOME
The Emperor, HOME
Wit, Royal Exchange

Best Supporting Actor
Daniel Crossley, Sweet Charity, Royal Exchange 
Raad Rawi, Breaking The Code, Royal Exchange
Marc Small, To Kill A Mockingbird, Octagon Theatre
Miltos Yerolemou, King Lear, Royal Exchange

Best Supporting Actress
Natalie Dew, Breaking The Code, Royal Exchange 
Sharon Duncan-Brewster, A Streetcar Named Desire, Royal Exchange
Natalie Grady, Martha Josie and the Chinese Elvis, Octagon Theatre
Amy Nuttall, The Winter’s Tale, Octagon Theatre

Best Visiting Production
946 – The Amazing Story of Adolphus Tipps, HOME
A Girl is a Half-Formed Thing, Lowry, Salford
Love’s Labour’s Lost / Much Ado About Nothing, Opera House
The Encounter, HOME
The James Plays, Lowry 

Best Actor in a Visiting Production
Edward Bennett, Love’s Labour’s Lost / Much Ado About Nothing, Opera House
Rufus Hound, The Wind in the Willows, The Lowry 
Simon McBurney, The Encounter, HOME
Michael Pennington, King Lear, Opera House

Best Actress in a Visiting Production
Lisa Dillon, Love’s Labour’s Lost / Much Ado About Nothing, Opera House
Aoife Duffin, A Girl Is A Half-Formed Thing, Lowry 
Lisa Maxwell, End Of The Rainbow, Opera House
Zizi Strallen, Mary Poppins, Palace

Best Newcomer
Daisy Badger, Look Back In Anger, Octagon Theatre
Ben Hunter, The Girls, Lowry
Norah Lopez Holden, Ghosts, HOME 
Kirsty Rider, Pride And Prejudice, Lowry
Holly Willock, The Wind In The Willows, Lowry
Young “Michael” cast, Billy Elliot, Palace 
Young “Scout” cast, To Kill A Mockingbird, Octagon Theatre 


Best Opera

Andrea Chénier, Opera North, Lowry 
Billy Budd, Opera North, Lowry
Don Giovanni, ETO, Buxton Opera House
Tamerlano, Buxton Festival, Buxton Opera House

Continue reading “The 2016 Manchester Theatre Awards nominations”

TV Review: The Royals Season 1

“When a mother loses her first-born son, I believe she’s allowed to grieve…
‘Not when she’s the Queen'”

If The Crown isn’t quite your thing, or perhaps you have a real yearning for more monarchical drama, then you could do a little worse that watching The Royals. Showing on US TV station E! as its first ever scripted series, it is wonderfully, monumentally, trashy beyond belief – I mean it has Liz Hurley as the Queen in it for Gawd’s sake – and so quite easily falls into the category of guilty pleasure.

It is essentially Sunset Beach levels of realness, through the lens of Hello Magazine, as it follows a fictional but contemporary version of the British royal family through the trials of modern life. Liz Hurley’s Queen Helena is aghast when her husband, Vincent Regan’s King Simon, announces not only does he want to abdicate the throne, but he also wants to abolish the monarchy. Dun dun duh. Continue reading “TV Review: The Royals Season 1”

fosterIAN awards 2016

 WinnerRunner-upOther nominees
Best Actress in a PlayJuliet Stevenson/Lia Williams, Mary StuartUzo Aduba/Zawe Ashton, The MaidsGemma Arterton Nell Gwynn,
Linda Bassett, Escaped Alone
Helen McCrory, The Deep Blue Sea
Maxine Peake, A Streetcar Named Desire
Harriet Walter, The Tempest
Best Actor in a PlayO-T Fagbenle, Ma Rainey's Black BottomLucian Msamati, Ma Rainey's Black BottomPhil Dunster, Pink Mist
Paapa Essiedu, Hamlet
Rhys Isaac-Jones, Jess and Joe Forever
Lucian Msamati, Amadeus
Danny Sapani, Les Blancs
Best Supporting Actress in a PlayJade Anouka, The TempestLizzy Connolly/Amanda Lawrence, Once in a LifetimeNadine Marshall, Father Comes Home From The War (Parts 1, 2, and 3)
Tanya Moodie, Hamlet
Siân Phillips, Les Blancs
Rachael Stirling, The Winter's Tale
Susan Wokoma, A Raisin In The Sun
Best Supporting Actor in a PlayPeter Polycarpou, Scenes from 68* YearsAnthony Boyle, Harry Potter and the Cursed ChildRudi Dharmalingham, Mary Stuart
Dex Lee, Father Comes Home From The War (Parts 1, 2, and 3)
Nick Fletcher, The Deep Blue Sea
Jonjo O'Neill, Unreachable
Alan Williams, Mary Stuart
Best Actress in a MusicalJenna Russell, Grey GardensClare Burt, Flowers for Mrs HarrisSamantha Barks, The Last 5 Years
Glenn Close, Sunset Boulevard
Kaisa Hammarlund, Sweet Charity
Cassidy Janson, Beautiful
Landi Oshinowo, I'm Getting My Act Together...
Best Actor in a MusicalLouis Maskell, The Grinning ManAko Mitchell, RagtimeDeclan Bennett, Jesus Christ Superstar
Dex Lee, Grease
Hugh Maynard, Sweeney Todd
Charlie Stemp, Half A Sixpence
Mark Umbers, She Loves Me
Best Supporting Actress in a MusicalJennifer Saayeng, RagtimeVictoria Hamilton-Barritt, Murder BalladJosie Benson, Sweet Charity
Sheila Hancock, Grey Gardens
Rachel John, The Bodyguard
Katherine Kingsley, She Loves Me
Gloria Onitiri, The Grinning Man
Best Supporting Actor in a MusicalJulian Bleach, The Grinning ManTyrone Huntley, Jesus Christ SuperstarAdam J Bernard, Dreamgirls
Daniel Crossley, Sweet Charity
Stuart Neal, The Grinning Man
Dominic Tighe, She Loves Me
Gary Tushaw, Ragtime

2016 Best Supporting Actor in a Play + in a Musical


Best Supporting Actor in a Play

Peter Polycarpou, Scenes from 68* Years
In the midst of a heartbreaking play (by Hannah Khalil), Polycarpou’s contributions to the multi-stranded narrative were more heartbreaking than most – agonisingly, beautifully evoking the Palestinian struggle in the most heartfelt way.

Honourable mention: Anthony Boyle, Harry Potter and the Cursed Child
We may be being urged to #keepthesecrets, but there’s no mystery that Boyle has been the breakout star of Cursed Child as Scorpius Malfoy, especially when the homoerotic undertones are more like overtones in the first part.

Rudi Dharmalingam, Mary Stuart
Dex Lee, Father Comes Home From The War (Parts 1, 2, and 3)
Nick Fletcher, The Deep Blue Sea
Jonjo O’Neill, Unreachable
Alan Williams, Mary Stuart

8-10
Robert Hazle, Home Chat; Tobias Menzies, Uncle Vanya; Paul Thornley, Harry Potter and the Cursed Child

 

Best Supporting Actor in a Musical

Julian Bleach, The Grinning Man
As the Machiavellian manservant Barkilphedro, Bleach was deliciously arch throughout this captivating show and as his grasping ambitions brought him to the centre of the action, it was hard not to be slightly seduced by his awfulness.

Honourable mention: Tyrone Huntley, Jesus Christ Superstar
In an extraordinarily good company revitalising Lloyd Webber, Huntley was a stellar presence alongside Declan Bennett’s Jesus, a real thorn in his side. But now he’s firmly ensconced in Dreamgirls, will he be joining the shows return to the Open Air next summer?

Adam J Bernard, Dreamgirls
Daniel Crossley, Sweet Charity
Stuart Neal, The Grinning Man
Dominic Tighe, She Loves Me
Gary Tushaw, Ragtime

8-10
Peter Caulfield, Jesus Christ Superstar; Michael Esper, Lazarus; Thomas Howes, The Wind in the Willows

Review: Sweet Charity, Royal Exchange


“Life will be frozen peaches and cream”

 
I’ve seen a couple of comments questioning whether Sweet Charity is an appropriate choice for the Royal Exchange’s festive musical – I assume they avoided last year’s Into the Woods and the year before’s Little Shop of Horrors, neither show hardly known for their jazz hands and perma-smiles. For the joy of great musical theatre, of any theatre, is when it can find shades of darkness and light in its storytelling, finding a way to reflect the richness of life in its downs as well as its ups.

Director Derek Bond (whose Little Shop… remains a stunning high point) acknowledges all of the problems inherent in Neil Simon, Cy Coleman and Dorothy Fields’ tale of a dancer, the titular Charity Hope Valentine, and her repeated, desperate lack of luck in her romantic life and through his interpretation and the directness of Aletta Collins’ choreography, also takes it seriously. Anchored by a properly star-making and heart-breaking performance from Kaisa Hammarlund, it just works. Continue reading “Review: Sweet Charity, Royal Exchange”

Review: As You Like It, Shakespeare’s Globe


“Though I look old…I am strong and lusty”

From the minute Michelle Terry’s Rosalind launches into an actual tizzy at the sight of Orlando’s ripped body (an inordinately but irresistibly muscular Simon Harrison), the warmly joyous spirit of Blanche McIntyre’s As You Like It is never in doubt. The contrasting textures of Shakespeare’s elegant yet complex comedy are well balanced, its musical elements pushed to the forefront with a folkish score from Johnny Flynn but above all, there’s a sense of intelligent fun that delights in taking its time to reveal itself.

Terry has been establishing herself as one of our leading Shakespeareans and this energetic and impulsive take on Rosalind is an absolute privilege to watch. Constantly on the edge of her emotions, she skips from the giddy heights of love at first sight to the crushing pain of banishment in the blink of an eye. And as she explores the nature of love and the heart, her heart in particular, her deftly comedic manner whilst disguised as Ganymede is just glorious, her continual delight at what she is discovering a constant joy.  Continue reading “Review: As You Like It, Shakespeare’s Globe”

Album Review: Singin’ in the Rain (2012 London Cast Album)


“Doo-dloo-doo-doo-doo
Doo-dloo-doo-doo-doo-doo
Doo-dloo-doo-doo-doo-doo
Doo-dloo-doo-doo-doo-doo”

Having had a near-perfect experience in on the front row at Chichester for Singin’ in the Rain, I didn’t think it could be topped by visiting the London transfer – sometimes I think it is best not to go back. But listening to the cast recording released by the London cast in 2012, I’m kinda wishing that I had. It is a cracking musical whichever way you cut it but this is a brilliant record of a dazzling production that, dare I say it, I listen to just as much as the original film soundtrack. 

This CD features 19 tracks, marking a slightly different tracklisting to previous theatrical productions, with most of the reprises included too. Larry Wilcox and Larry Blank’s orchestrations sound just luscious under Robert Scott’s musical direction, making the instrumentals just as vividly vibrant to listen to as the iconic songs we’ve all come to know and love and in Adam Cooper, Scarlett Strallen and Daniel Crossley’s expert hands, they are gloriously great.  Continue reading “Album Review: Singin’ in the Rain (2012 London Cast Album)”

Review: Accolade, St James


“Everybody has one vice…”

An interesting choice of revival rounded off the One Stage season for emerging producers that has been taking place at the St James Theatre in Emlyn Williams’ Accolade. Previously seen at the Finborough back in early 2011, it won awards and critical acclaim as it formed part of Blanche McIntyre’s rise to one of the most eagerly watched directors working in British theatre and so despite the delay, it does seem like an astute decision from producer Nicola Seed to nurture this back onto the stage.

And something I hadn’t appreciated was how different it would feel in both a post-Leveson and post-Yewtree world. Will Trenting’s huge success as a novelist has seen him be awarded a knighthood despite the salacious nature of his fiction but the night before he is due to receive it, secrets and scandals come creeping out of the woodwork. For Trenting has taken the maxim ‘write of which you know’ most seriously and enjoys a regular dose of orgies in Rotherhithe on the side of his otherwise happy family life and a participant at one of them is discovered to have been underage.

My original review can read here and much still stands true now, if not even more so. McIntyre draws out the contemporary resonances in a society that revels in celebrity gossip and the dismantling of reputations, however they’ve been earned, and the hypocrisy endemic in its higher echelons. And she also lets us make the connections about Williams’ intentions in writing the play, the appeal for tolerance of alternative lifestyles is impassioned but not overstated, even as he suggests that it is possibly a necessary part of any creative spirit.

Alexander Hanson and Abigail Cruttenden embody this tension beautifully as Trenting and his wife Rona – Hanson is marvellously, unapologetically frank about his predilections and persuasions whilst Cruttenden’s quietly affecting devotion speaks of the deep connection between the pair that transcends conventional notions of marital fidelity and there’s great support all around them, not least from Sam Clemmett as their son. The slightly depressing treatment of the underage girl strikes the only bum note, popular ideas of consent and victimhood as problematic then as they ever have been now.

Running time: 2 hours 20 minutes (with interval)
Booking until 13th December

Short Film Review #43


Expectation Management – Episode 1

 

 

A blokey sitcom of sorts – episode 1 of Tupaq Felber’s Expectation Management has a great comic energy that centres on Owen’s inability to hold down a relationship with a girl. The advice he gets from his friends isn’t necessarily the most constructive though but highly entertaining to watch.

 

 

Supermarket Girl

 

Directed by Matt Greenhalgh and written by Alex Walker, Supermarket Girl is a delicately moving love story between two solitary misfits working in a large supermarket somewhere in the north. Andy and Michelle share more than they realise as their loneliness manifests itself in self-destructive behaviour but slowly, they edge towards a better place. Matthew Beard and Nichola Burley are both excellent as the sweet pair and it makes for a lovely film. 

Continue reading “Short Film Review #43”