This regional UK premiere of Once the musical should see you falling slowly towards Queen’s Theatre Hornchurch in order to book your tickets!
“Raise your hopeful voice, you have a choice”
I’d forgotten just how much I like Once. I saw it a couple of times in its 2013-15 West End incarnation (review #1, review #2) and its atypical subtlety was a big hit for me, particularly in the gentle mood cultivated by Glen Hansard and Markéta Irglová’s music and lyrics. The fact that it isn’t a brassy balls-out West End musical might explain why it has taken a little time for its regional premiere to emerge but mercifully, that time has now come.
For that, we have co-producers Queen’s Theatre Hornchurch and New Wolsey Theatre Ipswich to thank. And director Peter Rowe’s actor-musician production slips into the groove perfectly, as warm and comforting as a pint of Guinness or three in your favourite old man’s pub – and occasionally just as rowdy as well. With Enda Walsh’s book taken from John Carney’s original film, its bittersweetly romantic tone feels perfect as autumn descends. Continue reading “Review: Once, Queen’s Theatre Hornchurch”
“It’s a complicated thing, this…love”
One of the more pleasing success stories of the West End has been the endurance of Once the musical. Tucked away in the Phoenix Theatre where the huge Crossrail works have limited its footfall somewhat, I feared its subtle charms might get washed away by its brasher neighbours but it is now about to celebrate a year’s worth of performances and is booking through to July 2015. With Arthur Darvill stepping into the shoes of ‘Guy’, a role he has played on Broadway, it seemed as good a time as any to revisit the show which made it into my top 20 shows of the year.
Whereas The Weir explores rural Irish life through the intimacy of an old man’s pub where everyone knows everyone and their business, Once takes place in the comparative bright lights of Dublin, a bar likely somewhere off of Grafton Street with a greater diversity of people. Bankers rub shoulders with burger flippers, gay men alongside Czech immigrants, and all are united by the gift of quietly stirring music and the sharing of stories. From the pre-show onstage bar with its jamming session to the yearning emotion of the climax, this is as gorgeously mellow as a West End musical gets. Continue reading “Re-review: Once the musical, Phoenix”
“Do you want to be part of the group, or do you want to be an individual?”
Telling the ‘origin story’ of the Beatles, how they paid their dues as a rock’n’roll covers band in Hamburg with their original line-up of John Lennon, Paul McCartney, George Harrison, Pete Best and Stuart Sutcliffe, Backbeat is actually less Beatles-centric than one might expect. The focus of the show, written by Iain Softley and Stephen Jeffreys from Softley’s 1994 film of the same name, is actually the relationship between original bassist and visual artist Stuart Sutcliffe and the two main figures in his life: best friend Lennon who teaches him guitar so that he can join the band on their trip and abandon art school, and Astrid Kirchherr, a German photographer who falls passionately for him and recognises his true artistic potential.
It is this conflict that forms the backbone of the show – Sutcliffe struggling to balance his best friend and his lover, the band and his art – all underpinned by the knowledge that his cruel early death from a brain haemorrhage came just as the Beatles were about to hit the big time. And it is clear that these are the only really fully-fleshed characters in the show: Nick Blood’s achingly cool and handsome Sutcliffe strikes a magnetically seductive pose, connecting beautifully with Ruta Gedmintas’ coolly composed Astrid and sparking well with Andrew Knott’s bolshy, hero-worshipping Lennon. They make an intriguing threesome and in some ways it is a shame that the show doesn’t get to delve more deeply into these relationships, particularly between Sutcliffe and Lennon. Continue reading “Review: Backbeat, Duke of York’s”