“6 million unemployed cannot be gainfully employed in Greco-roman wrestling”
Taking place in an East London which is changing face, due in part to the arrival of the 2012 Olympics Games, 1936 is a well-timed production, running at the Arcola Theatre for most of April. Bookended by scenes set in the Berlin Olympic Stadium in 1948, the play is narrated by real-life journalist William Shirer as we cover events from 1931-1935 leading up to the Berlin Olympics in 1936 as the news about the burgeoning anti-Semitism under the Nazi regime began to spread throughout the world, forcing the American sporting community to make a stand against what they saw as a betrayal of the Olympic ideal.
Following threads both in Hitler’s regime as figures such as Leni Riefenstahl and Joseph Goebbels tried to persuade the Fuhrer that the Games were an opportunity to promote Nazi Germany to the world, and in the US sporting administration as more principled people argued for a boycott in the face of bureaucratic resistance. Counterpointing these discussions are the experiences of two athletes, Gretel Bergmann a German Jewish high jumper and Jesse Owens the black American sprinter. Continue reading “Review: 1936, Arcola”
From where preconceptions come I am not entirely sure, but I’ve never been a fan of Ibsen’s plays even when they come as highly recommended as this production of Pillars of the Community at the National Theatre. The play marks the centenary of Ibsen’s death and is apparently one of his lesser performed works, something that doesn’t always inspire the greatest of confidences.
The play centres around Karsten Bernick, an avaricious and deceitful man who has climbed the greasy pole to become something of a bigwig in his small Norwegian town and managed to create an allure of benevolence and good standing in the community. But skeletons in the closet have a way of re-emerging and when two members of his extended family, who know all of his dirty secrets, return from America, Bernick is challenged to discover just how far he is willing to go to protect his reputation and continue to ignore his conscience. Continue reading “Review: Pillars of the Community, National Theatre”
Marking my first visit to the National Theatre since moving to London, His Girl Friday is a play which has been adapted by John Guare from 2 sources: the 1928 play The Front Page by Ben Hecht and Charles MacArthur and the 1940 film adaptation His Girl Friday by Howard Hawks which inverted the gender of the lead protagonist. Thus a madcap romantic element to this story of energetic newshound Hildy Johnson and her editor (and ex-husband) Walter Burns who will stop at nothing to stop her impending wedding to another man. In the midst of all of this is the scoop of the century which Hildy cannot resist as she revels in the world of cutthroat journalism.
As the central couple, Zoë Wanamaker and Alex Jennings were simply fabulous, the electricity between them just crackles with suppressed sexual energy as it is clear that this couple really does belong together and their fights full of whip-sharp wisecracks and putdowns are a joy to watch as the intersection of their professional and personal relationships makes for a whole lotta farcical fun and they are both excellent at showing how dog-eat-dog their world is. Continue reading “Review: His Girl Friday, National Theatre”