Review: Macbeth, New Wimbledon Studio

“Who could refrain that had a heart to love”

Theatre company Arrows & Traps came belatedly onto my radar with their rather stunning rendition of Anna Karenina earlier this year so I was keen to check out what they’d do next, which turned out to be Macbeth in the similar black box space of the New Wimbledon’s Studio. Adapted and directed by Ross McGregor, this modern Macbeth continually builds on its interesting choices to deliver a final 10 minute sequence that is as achingly affecting as any version of the play I’ve ever seen.

And they are strong choices for the most part too. Arrows & Traps’ commitment to gender equality sees them offer up a company that has 6 women to 5 men, casually flipping Duncan (Jean Apps) and Banquo (an excellently badass Becky Black) into female roles and having the witches double up as murderers and soldiers. In some ways its a small thing but in others, it still feels radical; as pointed out, majority-female fight scenes as those seen here are few and far between.  Continue reading “Review: Macbeth, New Wimbledon Studio”

Review: Anna Karenina, Brockley Jack

“What happens if you can’t stop?”

Helen Edmundson’s adaptation of Anna Karenina really is a clever thing. Taking the huge scale of Tolstoy’s Russian epic novel and translating it into something genuinely theatrical, and new, is no mean feat. Last seen in London at the Arcola (where I think I underestimated it a tad), Arrow & Traps Theatre Company have brought it to the intimacy of Brockley Jack’s black box studio and it’s an impressively mounted production. 

Edmundson’s major innovation is to reframe the story as an existential conversation between its two main characters Anna and Levin, whose lives are inextricably interlinked through their family connections (she’s his sister-in-law’s sister-in-law, I think) but actually only ever intersect once. Thus they relate tales of their experiences while debating faith and freedom, responsibility and love, what it means to really live. Continue reading “Review: Anna Karenina, Brockley Jack”