2012 Offie Award Finalists

Offies Awards - Off West End Theatre Awards

Best Male Performance
Aden Gillett in Accolade at the Finborough
Trystan Gravelle in Honest at the Queen’s Head Pub
Michael Matus in The Baker’s Wife at the Union
David Wilson Barnes in Becky Shaw at the Almeida

Best Female Performance
Kelly Burke in Zelda at the Charing Cross Hotel
Vicky Campbell in I Am A Camera at the Rosemary Branch
Lisa Dillon in Knot Of The Heart at the Almeida
Vinette Robinson in Tender Napalm at the Southwark Playhouse

Best New Play
Knot of The Heart by David Eldridge at the Almeida 
Mogadishu by Vivienne Franzmann at the Lyric Hammersmith
The Kitchen Sink by Tom Wells at the Bush Continue reading “2012 Offie Award Finalists”

The 2011 London Evening Standard Theatre Awards

Best Play
The Heretic by Richard Bean (Royal Court)
One Man, Two Guvnors by Richard Bean (National’s Lyttelton)
Becky Shaw
 by Gina Gionfriddo (Almeida)
Tribes by Nina Raine (Royal Court)

Best Director
Mike Leigh for Grief (National’s Cottesloe)
Rob Ashford 
for Anna Christie (Donmar)
Dominic Cooke for Chicken Soup with Barley (Royal Court)
Edward Hall for Richard III & The Comedy of Errors (Propeller at Hampstead) Continue reading “The 2011 London Evening Standard Theatre Awards”

Review: Becky Shaw, Almeida

“Were you waiting for me to walk through the door? This isn’t Jane Austen’s England, Susie, you could’ve walked through it too.”

Bringing a much welcomed shot of sharp comedy to a dull January, Becky Shaw is the first play of 2011 for Islington’s Almeida Theatre. Written by American Gina Gionfriddo and directed by Peter DuBois, also over from the States and who directed this show there too, it really is a breath of fresh air and one of the funniest shows I have seen in ages.

Newlyweds Suzanna and Andrew set up her adoptive brother Max with a new work colleague Becky Shaw in an attempt to break his run of three-month relationships, but their matchmaking has huge consequences as a disastrous first date leads to a series of events that causes everyone to seriously question the relationships they have built up with each other and wonder what the future could, or should, hold for them. The play questions their moral obligations to everyone, strangers and family alike. Continue reading “Review: Becky Shaw, Almeida”