Sam Mendes’ 1917 is undoubtedly an technically excellent film but the focus on format ends up detracting from the depth of the storytelling
“You’ll be wanking again in no time!
There’s no doubting the technical audacity of Sam Mendes’ 1917. With its ostensibly one-shot, real-time structure (with necessary caveats that it is neither), it is a bravura piece of film-making that elevates this movie from just your average Oscar-baity war flick (cf Dunkirk).
It is clearly a labour of love for Mendes, who directed, co-wrote (with Krysty Wilson-Cairns) and produced 1917, and whose grandfather’s own war experiences inspired the film. And its driving force, following 2 British soldiers tasked with delivering a vital message beyond enemy lines. Continue reading “Film Review: 1917 (2019)”
“You are a curiosity”
American versions of Shakespeare (whether his plays or the man himself) are always worth looking up, even if only for a chuckle and new TNT TV series Will is certainly no exception. There’s some weight behind it – it was created by Craig Pearce, the longtime writing partner of filmmaker Baz Luhrmann and has Shekhar Kapur, who directed the award-winning Elizabeth and Elizabeth: The Golden Age, directing and executive producing and in the role of the Bard himself, there’s a potentially star-making role for British newcomer Laurie Davidson.
I watched the first two episodes and they sure make an arresting introduction. You feel Luhrmann’s influence almost immediately as this is no antiquated version of a sedate Elizabethan London, but rather it is one shot through with bright colours and a punk-filled attitude. Literally so, as they have conceived the burgeoning theatre scene of the time as being akin to the contemporary(ish) world of punk rock – theatres filled with patrons in leather and mohicans, the soundtrack filled with the Clash and drunken singalongs to Lou Reed. Continue reading “TV Review: Will, Episodes 1 + 2”
“In Whitechapel, they die every day”
When low ratings for series 2 of Ripper Street saw the BBC decide to pull the plug on it, it was something of a surprise to hear Amazon Video would be taking it over (this was 2014 after all) in a deal that would see episodes released first for streaming, and then shown on the BBC a few months later. And thank the ripper that they did, for I’d argue that this was the best series yet, the storytelling taking on an epic quality as it shifted the personal lives of its key personnel into the frontline with a series-long arc to extraordinary effect.
And this ambition is none more so evident than in the first episode which crashes a train right in the middle of Whitechapel, reuniting Reid with his erstwhile comrades Drake and Jackson four years on since we last saw them. A catastrophic event in and of itself, killing over 50 people, it also set up new villain Capshaw (the always excellent John Heffernan) and brilliantly complicated the character of Susan, promoting her to a deserved series lead as her keen eye for business, and particularly supporting the women of Whitechapel, throws her up against some hard choices. Continue reading “DVD Review: Ripper Street Series 3”
“You have problems remembering things”
I do like a psycho-thriller and Rowan Joffé’s adaptation of SJ Watson’s novel Before I Go To Sleep from 2014 offers up a good example of the genre (with a great poster campaign too), if a little formulaic by the end. Nicole Kidman’s Christine wakes up every morning not knowing who or where she is. The man next to her (an excellently confounding Colin Firth) says he is her husband Ben and explains that she had an accident ten years ago which left her brain-damaged and unable to remember things beyond the day she recalls them.
Consultant neurologist Dr Nasch (the inscrutable Mark Strong) is helping her though, providing her with a video camera to record her thoughts and mark any progress, with him calling her every morning to remind her to watch the video, and piece by piece, she begins to uncover the truth not just about what happened to her in the past but also what is happening in the future. Joffé does well at showing the claustrophobia of Christine’s existence, unable to really discern between help and hindrance in those who say they are protecting her, and a real sense of menace is present throughout. Continue reading “DVD Review: Before I Go To Sleep”
For all the talk of people setting up blogs just to get free tickets that provoked my ire earlier this year, the simple truth of why I started my blog is much more self-obsessed…it was to get this word into the lexicon: fosterIAN (fos-tîr’ē-ən), my very own award for theatrical excellence! Last years’ winners and nominations can be read by clicking on the links, but I present to you, after much deliberation and several sleepless nights, the nominations for the 2010 fosterIAN awards, based on my trips to the theatre this year which total up to 271 in the final analysis. (Results to come in the New Year)
Best Actor in a Play
Roger Allam, Henry IV Part I & Part II
Jacob Casselden, Tribes
Benedict Cumberbatch, After the Dance
John Heffernan, Love Love Love
Andrew Scott, Design for Living
David Suchet, All My Sons
Best Actress in a Play
Nancy Carroll, After the Dance
Helen McCrory, The Late Middle Classes
Miranda Raison, Anne Boleyn
Michelle Terry, Tribes
Sophie Thompson, Clybourne Park
Zoë Wanamaker, All My Sons Continue reading “The 2010 fosterIAN award nominations”
“What the hell’s wrong with expressing yourself”
Trip number three of my musicals extravaganza to Billy Elliot The Musical, a show that for whatever reason, I had no interest in going to and would never have booked for myself had it not been for this deal. I have never actually seen the film and so it was a brand new experience for me in every sense of the word, but it was strangely apt that I saw it on the day after the miners in Chile were rescued which also happened to be Margaret Thatcher’s birthday.
The other way in which this show pleased me was with its plot. As it turned out, this is another entry into the traditional dance film/show format of which I am much enamoured and which Flashdance reminded me of recently. With music by Elton John and lyrics and book by Lee Hall, the backdrop this time is the miners’ strike in the mid-1980s up in Country Durham where young Billy makes a journey of personal discovery as he trades his boxing gloves for ballet shoes and attempts to follow his dream of getting into the Royal Ballet School in the face of huge strife in his family and the community around him. Continue reading “Review: Billy Elliot The Musical, Victoria Palace”