Review: Daisy Pulls It Off, Park

“Buck up kiddies”

 
Theatres that aren’t putting on pantomimes face something of a dilemma – what do you do to ensure you capture audience attention in this most lucrative of seasons? Some theatres like the Almeida programme counter-intuitively whilst others go for alternatively festive fare (see Wilton’s Music Hall and the Christmas-set The Box of Delights).Or you can do what the Park have done and put in family-friendly fare like Daisy Pulls It Off.

It’s a nifty move as this type of play – an Olivier winner from 1983 no less – fulfils much of the same purpose as panto, in its endearing daftness as it evokes a world of 1920s jolly-hockey-sticks adventuring and in its slyly subversive sense of humour which manages that thing of making the kids laugh on the one level and letting the parents get their giggles in a naughtier, bawdier way. It’s all rather silly but good fun with it. Continue reading “Review: Daisy Pulls It Off, Park”

Review: Daisy Pulls It Off, Arts Theatre

“This is a dismal business, isn’t it”

I rather suspect that Daisy Pulls It Off at the Arts Theatre is an old-fashioned a tale as you’ll ever see, it is certainly the one of the most odd. It’s a jolly old hockey sticks boarding school romp with Daisy Meredith, a poor scholarship girl, having to prove herself at Grangewood School for Young Ladies in the face of some absolutely beastly bullies who just don’t like her. It helps of course that she is exceptionally intelligent, plays a mean game of hockey and writes lovely poetry.

There’s some good performances here, Joanne Gale and Emma Scholes as the older girls shone for me, but some really painful ones too. There’s little real connection between the characters, such limited interactions, that it is hard to get much sense of a company here, and it is just unclear what the tone of the piece really is. Is it a spoof? Is it a comedy? Is it a straight-up play? I’m not sure, and I don’t think the actors were either, such was the variance in the way they played their roles. Plus my bete noire of the year so far raised its head again, with Daisy narrating random sections of the play which stilted the rhythm of the piece horribly. Continue reading “Review: Daisy Pulls It Off, Arts Theatre”