Review: I Love You, You’re Perfect, Now Change, Chiswick Playhouse

A genuinely updated I Love You, You’re Perfect, Now Change is a really rather lovely thing at the newly renamed Chiswick Playhouse

“The groom tried to stroke me
While we danced the Hokey Pokey”

Expectation can be a funny thing. A revival of Joe DiPietro and Jimmy Roberts’ musical I Love You, You’re Perfect, Now Change was the choice to christen the newly renamed Chiswick Playhouse (the Tabard as was) but as I caught a version with a luxury cast and terrible venue choice a few years ago, I wasn’t hugely enthusiastic about the prospect of seeing the show again.

But Charlotte Westenra’s production emerges as a really rather lovely thing, benefitting from an updating that does a fantastic job of retooling the show for a contemporary audience. There may be those who roll their eyes but the incorporation of same sex storylines and stronger female voices, while still maintaining the integrity of the book, genuinely makes it all the more powerful. Continue reading “Review: I Love You, You’re Perfect, Now Change, Chiswick Playhouse”

Review: Side Show, Southwark Playhouse

“If you don’t say yes I’ll have a heart attack that will kill us both”

In what I thought was a serendipitous move, I just finished watching American Horror Story: Freak Show before going to see Side Show, but it turned out to be most unhelpful. For not only the connection (seemingly by dress) of conjoined twins Daisy and Violet Hilton with the twin heads of Sarah Paulson’s Bette and Dot pales by comparison, but the darkness of representing a ‘freak’ show is far more suited to the horror genre than this rather anaemic musical.

With book and lyrics written by Bill Russell and music by Henry Krieger (whose Dreamgirls finally arrives in London next month), Side Show has managed two abortive runs on Broadway since premiering in 1997, so it makes sense for Southwark Playhouse to take it on with their sterling record for reinvigorating musical theatre of varying reputations. But despite director Hannah Chissick and producer Paul Taylor-Mills’ best efforts, I’m not sure it is rehabilitated. Continue reading “Review: Side Show, Southwark Playhouse”