A new series of monologues, curated and produced by Michelle Collins alongside the Equity Benevolent Fund, has been released online for charity. Entitled “#FortheLoveofArts”, the scheme sees acting talent come together to raise funds for beleaguered artists and individuals during the ongoing pandemic.
Appearing in the series are Lesley Manville, Ian McKellen, Adjoa Andoh, Miriam-Teak Lee, Derek Jacobi, Layton Williams, Sue Johnston, Jason Watkins, Sanjeev Bhaskar, Pearl Mackie and more. Some of the monologues are brand new works penned especially for the series.
The monologues can be viewed on the Equity Benevolent Fund’s YouTube channel.
Andrew Lloyd Webber marks his 70th birthday with a new musical anthology – Unmasked: The Platinum Collection – taking in shows new and old with some surprises along the way (Beyoncé, Lana del Rey, Duncan from Blue )
“Oh what a circus, oh what a show”
Upon reaching 70 this year, Andrew Lloyd Webber is clearly in a reflective mood and hot on the heels of his autobiography Unmasked released last week, comes this new compilation album Unmasked: The Platinum Collection. Available physically as a 2CD or 4CD version (the latter with a 40 page book of liner notes and tributes), this collection looks back on a career spanning nearly 50 years and features some new twists on the material as well as reminding us of the old favourites.
Over the four discs, 17 of Lloyd Webber’s shows are represented here (Jesus Christ Superstar tops the list with 8 tracks, Evita and Phantom just behind), alongside assorted one-off songs (such as ‘Amigos Para Siempre’ from the 1992 Barcelona Olympics, the Gary Barlow co-write ‘Sing’ from the Queen’s Diamond Jubilee). But for ALW fans it will be the unreleased stuff that makes the mouth water – five new orchestral suites and a smattering of new recordings featuring the likes of Lana del Rey (a winsome ‘You Must Love Me’ and Gregory Porter (a spirited ‘Light At The End Of The Tunnel’. Continue reading “Album Review: Andrew Lloyd Webber Unmasked: The Platinum Collection”
In celebration of his 70th birthday this March, new compilation ANDREW LLOYD WEBBER: THE PLATINUM COLLECTION will be available March 16th through UMC / Polydor.
The collection is personally curated and overseen by Lloyd Webber to include classics from his earliest work starting with 1968’s Joseph and the Amazing Technicolor Dreamcoat through his most recent School of Rock.
Newly recorded songs from superstar artists Nicole Scherzinger (“Memory”, Cats), Gregory Porter (“Light at the End of the Tunnel”, Starlight Express) and Lana Del Rey (“You Must Love Me”, Evita) add to the collection of his cherished works from the past five decades.
The set also contains recordings by world-class performers such as Barbra Streisand, Madonna, Michael Crawford, Sarah Brightman, Michael Ball, and released for the first time, Beyonce singing “Learn To Be Lonely” from the 2005 Academy Awards with Lloyd Webber accompanying on piano.
UNMASKED: THE PLATINUM COLLECTION is available as 2 CD and 4 CD editions. The 4-disc version contains an exclusive 40-page book with a personally penned introduction from Lloyd Webber and more in-depth notes on each track, written by respected theatre critic and Lloyd Webber biographer Michael Coveney, together with personally written tributes from Barbara Streisand and Glenn Close among others.
Pre-order 2 CD Edition
Pre-order 4 CD Edition
Continue reading “Andrew Lloyd Webber celebrates 70 years with ‘Unmasked: The Platinum Collection’”
“What visions have I seen”
When the RSC announced their production of A Midsummer Night’s Dream, surtitling it ‘A Play for the Nation’ as it tours the UK, working with amateur theatre groups across the land, they probably weren’t expecting it to be a play for the nation because somebody would be putting on another production of it every couple of weeks. Or maybe they were, it is one of Shakespeare’s more popular plays – indeed it is among my favourites as the first I ever read – and so why wouldn’t Filter bring it back to the Lyric Hammersmith, the Reversed Shakespeare Company put their own spin on it, Emma Rice opened her tenure at the Globe with it, and the Southwark Playhouse open their own version of it with Go People early next week…
For those outside of the London theatre bubble though, the opportunity to see a televised version of the play, adapted by Russell T Davies’ gay agenda and directed by David Kerr, won’t have felt like overkill. And there was much to commend in a reimagining of the play which dabbled in just a fair few changes for the most part and then decided to rip up the rulebook in a jubilant final ten minutes that will doubtless seize the headlines and rile the purists among us but regardless, managed to remain unerringly faithful to exactly how you would imagine Davies’ Dream might play out (Flute/soldier fanfic please!). Continue reading “TV Review: Russell T Davies’ A Midsummer Night’s Dream”
“I wanted something when I came here 30 years ago but I forgot to write it down”
Is Follies a show you can really just listen to? Many clearly agree but having got through this double-disc cast recording of Eric Schaeffer’s production of Stephen Sondheim and James Goldman’s show from 2011, I’m not sure enough of it really translates on record. This is quite possibly coloured by the fact that I saw it for the first time earlier this year in a most fun semi-staged concert version at the Royal Albert Hall and memories are that are still strong.
So the interplay of past and present, the ghostly presence of the showgirls and the younger selves of the central foursome, doesn’t really come across. This recording tries to address that by including lengthy passages of scene-setting dialogue but without that initial familiarity with the material, it’s hard to see how much it would really help – plus there’s something moving in the sight of a group of veteran actors given such agency on a stage, it should definitely be produced more, difficult or no. Continue reading “Album Review: Follies (2011 New Broadway Cast Recording)”
Emily Onsloe (Guildhall School of Music & Drama)
Ewan Black (Bristol Old Vic Theatre School)
Lydia White (Hills Road Sixth Form College)
Luke Farrugia (Royal Central School of Speech & Drama)
Charlotte Vaughan (Royal Academy of Music)
Leah West (ArtsEd)
Corey Jones (South Gloucestershire and Stroud College)
Erin Doherty (Bristol Old Vic Theatre School)
Nick Shirm (Guildhall School of Music and Drama)
Amy Bridges (The MTA)
Grant McConvey (Guildford School of Acting)
Natalie Thorn (Performance Preparation Academy)
Host: Michael Xavier
Judges: Edward Seckerson (Chair), Julia McKenzie, Elaine Paige, Laura Pitt Pulford, John Wilson and Jamie Lloyd
Patti LuPone – Anything Goes
I got sucked into a LuPone YouTube spiral last week and this is one of my favourites that came out of that heady couple of hours – she is uh-mazing of course but the dancing is sensational too, (from 3.30)
Continue reading “Saturday afternoon music treats”
With Evita about to open once again in London, this edition of Saturday afternoon treats is a Perón spectacular.
First up is a collection of ‘Don’t Cry For Me’s’ – I love the newer versions of Madalena Alberto (the incumbent Eva) and Elena Roger which are more subtle (at least at first) interpretations but there’s also something thrilling about the full-on diva mode it provokes in Patti LuPone and Elaine Paige and their wardrobes.
But then I delved a little deeper and was simply blown away by the clips of LuPone’s performance in the first Broadway production so there’s a hugely charming take on ‘Buenos Aires’ and a scorching version of ‘A New Argentina’ that is breathtaking. The stirring choreography of Elena Roger’s own ‘Buenos Aires’ remains an absolute delight so I thought I’d stick that on the end too.
Continue reading “Saturday afternoon Evita treats”
In this week’s selection, we have Elaine Paige simply giving us life with one of the most amazing routines you will ever see (the arrival of genuine menacing jazz flute at 3.06 is the best bit), a gorgeous snippet from the forthcoming Water Babies musical, a much-needed reminder of why Bernadette Peters is as highly regarded as she is, an excerpt of the launch concert for the Words Shared With Friends album, a (probably illegal) clip from the Broadway version of Damn Yankees which I saw on stage for the first time recently and Jonathan Groff being dreamy.
Continue reading “Saturday afternoon music treats”