Review: Shit-faced Showtime – Oliver with a Twist, Leicester Square Theatre

My first time getting Shit-faced…Shit-faced Showtime’s Oliver with a Twist is raucous if unfocused affair at the Leicester Square Theatre

“You’re a rather high-breasted boy”

Just a quick write-up for my first time getting shit-faced… Shit-faced Showtime’s USP is that they perform shows with a whopper of a wildcard, one of their company getting “genuinely inebriated” beforehand and then being encouraged to drink more as the performance goes on. It’s an intriguing set-up and one which has proved endlessly flexible (they’ve just announced Hamlet as their new summer production).  

Their current show at Leicester Square Theatre is Oliver with a Twist, which I caught last week early in its run and I have to say, though I was sceptical to start with, it won me over with the beery-breath charm and close-to-the-knuckle humour that Alan McHale’s Artful Dodger brought to proceedings. Perhaps inevitably, initially it felt there was an element of the performatively drunk but as the hour progressed, it was impossible to resist the chaos he wrought as Fagin was renamed Vegan, Oliver’s body shape was called into question and wayward dogs threatened to derail all. Continue reading “Review: Shit-faced Showtime – Oliver with a Twist, Leicester Square Theatre”

Review: Made In Dagenham, Queen’s Theatre Hornchurch

“Don’t treat us girls like a poor relation

Made in Dagenham, in Dagenham – it seems like a no-brainer but it’s quite the statement of intent from incoming Artistic Director at the Queen’s Theatre Hornchurch, Douglas Rintoul. It’s also a bit of a departure for a director who has previously won awards for writing hard-hitting monologues about gay Iraqi refugees (the exceptionally good Elegy) but taking a West End musical that didn’t quite become the hit it deserves and taking it home, refining it into an actor-musician production along the way, turns out to be quite the treat.

I can’t deny that I loved the show when it played at the Adelphi – heck, I saw it four times (review #1, review #2, review #3, review #4 of the final night) and I believe it deserved better treatment from the critics. But the past is the past and coming to the show with fresh eyes, and ears, too Richard Bean’s book and David Arnold’s score, it responds powerfully to the new treatment here (co-produced by the Queen’s and the New Wolsey Ipswich where it heads next), smaller in scale obviously but more intimate too, rawer in its emotions to an ultimately devastating effect.  Continue reading “Review: Made In Dagenham, Queen’s Theatre Hornchurch”