“What happens if you can’t stop?”
Helen Edmundson’s adaptation of Anna Karenina really is a clever thing. Taking the huge scale of Tolstoy’s Russian epic novel and translating it into something genuinely theatrical, and new, is no mean feat. Last seen in London at the Arcola (where I think I underestimated it a tad), Arrow & Traps Theatre Company have brought it to the intimacy of Brockley Jack’s black box studio and it’s an impressively mounted production.
Edmundson’s major innovation is to reframe the story as an existential conversation between its two main characters Anna and Levin, whose lives are inextricably interlinked through their family connections (she’s his sister-in-law’s sister-in-law, I think) but actually only ever intersect once. Thus they relate tales of their experiences while debating faith and freedom, responsibility and love, what it means to really live. Continue reading “Review: Anna Karenina, Brockley Jack”
“It’s a bit like patting your head and rubbing your tummy at the same time”
I’ve had this film on my Lovefilm list for ages – I love Maggie Gyllenhaal so I knew I’d get round to it one day but I have to say it has never really grabbed me as a must-see. When a play about the invention of the vibrator was announced, it seemed as good a time as any to compare and contrast the two. A 2011 film directed by Tanya Wexler, Hysteria quickly loses points by teasing us with Anna Chancellor in its opening scene, only to never feature her again. That aside, it is actually quite the enjoyable watch as a good-natured and good-intentioned take on Victorian innovation.
Here, the vibrator is invented by Dr Mortimer Granville, a young forward-thinking doctor reduced to assisting a Dr Dalrymple in the treatment of female ‘hysteria’, basically inducing paroxysms in ladies’ private parts with his nimble fingers. His reputation for…hitting the spot, shall we say, soon means he is much in demand in society but as his arm grows overtired, his mind seeks for alternative ways of scratching the itch. Against this, is Granville’s interactions with Dalrymple’s daughters – the quietly permissive Emily and the one-woman suffragette movement Charlotte. Continue reading “DVD Review: Hysteria”