One of the joys of seeing so much theatre in London is that sense of seeing any number of actors at the beginning of their careers and Tristram Kenton has been doing that for years now. Here’s just some of those big names as whippersnappers on the British stage:
Photos: Tristram Kenton
54 years is quite the wait for a sequel but Mary Poppins Returns is full of nostalgic sweetness and charm
“Are you sure this is quite safe?
‘Not in the slightest. Ready!'”
54 years is quite the wait for a sequel but the sweetness and charm with which Mary Poppins Returns lands on our screens makes it pretty much worth it. It’s a film that does more than wrap you up in a warm blanket of nostalgia, it tucks you in, throws another log on the fire and makes you a steaming hot chocolate (no marshmallows though!).
Set 30 years after the much cherished original, the story (by David Magee, Rob Marshall and John DeLuca based off of PL Travers’s original tales) sees us rejoin Cherry Tree Lane where the adult Michael Banks (Ben Whishaw) lives with his young family (Pixie Davies, Nathaniel Saleh and Joel Dawson). But much like the other long-held sequel of the year, a sadness fills the house for a mother has died. And Michael’s artistic inclinations and part-time job at the bank aren’t bringing in enough to keep them from repossession. Who could possibly save the day…? Continue reading “Film Review: Mary Poppins Returns (2018)”
“The story you’re about to hear as been told before, a lot”
Oh my giddy aunt, I wasn’t expecting that! Kelly Asbury’s computer-animated reworking of Romeo and Juliet (backed financially by Disney) takes us to the world of Verona Drive where elderly neighbours Mrs Montague and Mr Capulet spend their days bickering and sniping at each other whilst tending their equally impressive back gardens. And when their backs are turned, their garden gnomes come to life and play out the same conflict in miniature. Such is the world of Gnomeo and Juliet.
It is very much a family film so therefore this is very much an adaptation of the Bard and for me, it’s a rather entertaining one, if you’re seriously missing Mercutio then you’re seriously missing the point. James McAvoy’s effervescent blue-hat Gnomeo and Emily Blunt’s spirited red-hat Juliet make a highly charming couple, who fall for each other despite the enmity between their clans as typified by fierce back-alley lawnmower racing. But when things go too far – in a sequence that I actually found quite shocking, and moving – it seems that tragedy is destined to haunt this pair no matter what form they take. Continue reading “DVD Review: Gnomeo and Juliet”
The inevitable end-of-year lists of favourite plays and performances will be soon be coming (I just have to, you know, stop seeing shows…) but something I did last year which I really enjoyed was a compendium of “top moments in a theatre”, the breath-taking, show-stopping aspects of productions that have etched themselves in my mind over the past year. Continue reading “10 of my top moments in a theatre in 2015”
“Let the moment go, don’t forget it for a moment though”
The big screen version of Stephen Sondheim’s Into the Woods has now become a huge box office success, apparently heralding a new golden age of movie musicals, and as a musical it comes complete with a soundtrack which you can get in either single-disc or deluxe-double-disc edition.
The main reason to get this soundtrack would be to get Emily Blunt’s gorgeous renditions of her songs. Her voice was an absolute revelation in the film and she brings such character to The Baker’s Wife that is just irresistible – she nails all the emotional colour of ‘Moments in the Woods’ and blows James Corden off the turntable with her wondrous delight in ‘It Takes Two’. I remain a fan of Anna Kendrick’s Cinderella and Meryl Streep’s Witch is also good, solid rather than spectacular if we’re being picky, in her solo moments. Continue reading “Album Review: Into the Woods soundtrack”
“Into the woods to see the King, to sell the cow, to make the potion”
After the Oscar-winning success of Chicago, it is little surprise that Rob Marshall keeps returning to the world of musical theatre for his films and it is now the turn of Stephen Sondheim and James Lapine’s Into the Woods to get the full cinematic treatment. The story pulls together a whole raft of characters from various fairytales and asks the question ‘what happens after happy ever after?’. So we meet familiar characters like Little Red Riding Hood, Rapunzel and Jack on their respective journeys but keep on following them deeper into the woods as they’re forced to deal with the consequences of their actions.
So Cinderella has to deal with the fact she’s married to a man she barely knows, Jack is called out for thieving so many of the Giant’s possession back down the beanstalk and so on, and the characters also crash into each other’s stories too, further muddying the waters. At the heart of the film is the Baker and his wife whose desperation for a child is a key contributing factor to the chaos that emerges and Marshall manages to keep the strands of this multi-threaded story clear and comprehensible – the staging is rarely audaciously exciting but the lack of tricksiness actually works in the film’s favour.
Continue reading “Film Review: Into the Woods”
“I’m Victor Maynard, I’m 54 years old and I work as a professional killer”
Wild Target was a 2010 Brit-flick, adapted by Lucinda Coxon from the French film Cible Émouvante and directed by Jonathan Lynn, that made little real impact despite a rather fabulous cast. Bill Nighy plays Victor Maynard, a middle-aged man who has followed in the footsteps of his father as an assassin, but has no personal or social life to speak of, just regular visits to his mother, Eileen Atkins in fierce form. But when a job goes wrong, he finds himself trying to defend the very person he’s meant to kill, Emily Blunt’s con-artist Rose with the help of a young would-be apprentice in the shape of Rupert Grint’s Tony.
It’s mainly frothy silliness. Amusing in parts as the threesome try to avoid being killed by the hapless assassins dispatched to finish off the original contract and round up the loose ends, including Martin Freeman with some lovely dental work…, the bond that grows between them is strongest when it is most ambiguous. There’s hints that the hitherto asexual Maynard may be a closet case, though meeting George Rainsford as a waiter in a gay café (that I would so frequent) sadly leads to nothing; Rose and Tony both come unencumbered by any attachments and so it seems it is anyone’s game. Continue reading “DVD Review: Wild Target”
The best cultural experiences, no matter the medium, is the way that it can make one feel. So where classic Broadway-inspired choreography makes my soul soar, musical comedies make me laugh helplessly and my painstakingly curated iTunes collection can fit any mood I want, this group of shorts contains two films that made me weep for days, I’m welling up just thinking about one of them now, and so I am pleased to be able to them with you. The first and the last are the weepies, with a smattering of less sad films mixed in the middle.
Continue reading “Short Film Review #8”
“Do you ever feel like a chess piece being moved around in a game against your will”
Much as my favourite genre of theatres is old-school musicals, my favourite type of film is a lavish costume drama, especially and since I’m nicely ensconced at my parents’ house with their flash new television, I’m going to blog a few of them. First up is The Young Victoria, the 2009 film detailing the early years of the reign of Queen Victoria and the beginnings of her grand romance with Albert. I have a serious girl crush on Emily Blunt, she was the highlight of The Devil Wears Prada for me but I really fell in love with her whilst watching the bloopers from the film, she has the kind of irresistible laugh I could listen to all day but I do think she is becoming a really interesting actor (who someone should get on the stage!).
Written by Julian Fellowes, directed by Jean-Marc Vallée and including producers like Martin Scorsese and Sarah Ferguson – a major force behind getting it made apparently – the film starts off with Victoria as heir presumptive to her uncle King William IV and trying to fend off the avaricious advances of her mother the Duchess of Kent and the hugely ambitious comptroller of her household Sir John Conroy. Matters are complicated by her other uncle, King Leopold of Belgium, who wants to use his family connections to build a British/Belgian alliance, but his decision to use his nephew to seduce his way into her affections has unexpected repercussions for everyone, as the nephew is Prince Albert of Saxe-Coburg-Saalfeld. Continue reading “DVD Review: The Young Victoria”