W1A remains entirely watchable in Series 3 but repetition sets in to blunt its comic edges
“It may be the future but it’s still the BBC”
Returning to W1A has been good fun, though watching its three series back-to-back, it is interesting to see just how much it wears its concept increasingly thin. Series 1 was a winner, introducing its cast of misfits all trying to navigate the bureauracy of the BBC and avoid doing as much work as possible but even by Series 2, the strains were clear to see.
John Morton’s Twenty Twelve, the show that kicked off this mockumentary mini-universe, had an inbuilt advantage in that it had a clearly defined end-point, the thing that everyone was working towards. By contrast, W1A has a sense of ambling on which, while perfectly pleasant to watch, means that a terminal case of diminishing returns sets in. Continue reading “TV Review: W1A (Series 3)”
“You all look Chinese to me”
Just a quickie for this web series which I’ve been meaning to get around to for ages now. Written by Rebecca Boey (with Daniel York contributing one of the nineteen short episodes), Jade Dragon is a mockumentary series set in a Chinese takeaway which does a couple of crucial things.
One, it represents a much-needed, and still all-too-rare, opportunity for actors of East Asian heritage to work in a British media that feels stubbornly resistant to crossing this particular Rubicon of diversity. But it also offers up a non-judgemental, matter-of-fact presentation of what that British East Asian experience looks like in all its varied racism from overt violence to subtle othering. Continue reading “Web Series review: Jade Dragon”
“How does this end Simon?”
In some ways, you can’t blame ’em for trying to replicate the extraordinary success of the first series of Doctor Foster, quality drama that fast became a rare appointment-to-view fixture with a rare return to weekly instalments. And given that writer Mike Bartlett is known for his prolific nature, that a second series quickly came into the offing was no great surprise.
But it can be hard to recapture the magic and though all of the key players have returned – most notably warring ex-couple Suranne Jones’ Gemma and Bertie Carvel’s Simon – this set of five episodes has really suffered from a lack of raison d’être. Waves of vicious revenge percolate throughout but with no discernible driving narrative beyond that, it proved far less engaging. Continue reading “TV Review: Doctor Foster Series 2”
“Most people think it’s like a bloody episode of Holby City”
The sheer inventiveness with which companies approach the world of immersive theatre is just breath-taking. Even if it isn’t always completely successful, the idea of a sleepover Macbeth, a literal rollercoaster ride, a Kafka-esque legal nightmare or an office party pushes the boundaries of how we experience theatre and in a first for me at least, Curious Directive’s latest show takes place in a moving ambulance, which travels the streets of Southwark to give a taste of the frontline of the NHS.
Given that my only previous experience in ambulances has been a) being hit by one (my fault) and b) being transported in them whilst in a coma, there might have been something mildly poignant about being escorted into the vehicle but the amnesia put paid to that. Instead, there’s a genuine sense of thrill to The Kindness of Strangers as we’re handed headphones and in our group of five, taken on a journey which marks the final shift for driver Sylvia and the first day on the job for newly-trained paramedic Lisa. Continue reading “Theatre Review: The Kindness of Strangers”