Eugenius returns to The Other Palace having found a hugely enthusiastic cult audience; it really isn’t unproblematic for a new musical though
“We’re not nerds, we’re geeks”
Complete with superfan Sundays and audience members who have nailed the choreography, Eugenius‘ return to The Other Palace is a classic piece of fan service. I’m not so sure I count myself as one of those fans though, ultimately I want something more forward-thinking from my new musical theatre. Read my 2.5 star review for Cheap Theatre Tickets here.
Running time: 2 hours 20 minutes (with interval)
Photo: Scott Rylander
Eugenius is booking at The Other Palace until 20th October
As Mrs Merton might have asked, what first attracted you to musical theatre supergroup The Barricade Boys…?
Clearly, it was their cumulative musical talent – between them, Scott Garnham, Simon Schofield, Craig Mather and Kieran Brown have racked up credits in pretty much every major musical from The Phantom of The Opera, Wicked and Billy Elliot to Jersey Boys, The Sound Of Music and Les Misérables. And now they’re bringing their cabaret show to The Other Palace’s Studio for a Christmas season which is enough to bring festive cheer to even the most Scrooge-like of hearts. Continue reading “The Barricade Boys announce a Christmas Cabaret season with an amazing guest cast”
“She screamed, I think – it was hard to hear”
Surrounded by the Sounds – the music of Tim Prottey-Jones is the second of actor/writer Prottey-Jones’ albums featuring a whole array of his West End pals, but the third that I’ve reviewed (see reviews of More With Every Line and To Do. To Be.) It features songs from two of Prottey-Jones musicals – Once Bitten and After The Turn – and has a decidedly more pronounced rock feel to it than either of his other collections.
As such, it didn’t quite tickle my fancy in the way that I might have liked, especially since To Do. To Be. had impressed me. And it’s not that this is a collection of bad songs, they’re just not my cup of tea. Such guitars, much rock, so not wow. Even when the tempo slows a little into ballad territory, as with Michael Xavier’s ‘Chance In A Lifetime’ or Jodie Jacobs’ ‘Colour Me’, it is still just too monotonely guitar-heavy for my liking.
“Its simple truth speaks volumes in a world where hatred rages”
Following on from the re-release of his self-titled album earlier this year, Leslie Odom Jr gives us another opportunity to sink into his world of soulful jazz with an album of reinterpreted holiday classics in Simply Christmas on S-Curve Records. And I do mean sink into like the most comfortable sofa you can imagine, in front of a log fire and drinking a nice cup of Charbonnel and Walker, for this is rich and luxurious stuff – as evidenced halfway into opening track ‘Have Yourself A Merry Little Christmas’ when a softly funky breakdown envelops you in its warmth like a marshmallow on top of that hot chocolate.
Dangerously seductive in Hamilton, Odom Jr will lose precisely zero fans here with this lush yet restrained style. Arrangements are kept simple, allowing heartfelt vocals to imbue tracks like ‘The First Noel’ and ‘The Christmas Song’ with renewed life. Equally, the piano and vocal improvs in ‘My Favourite Things’ keep things utterly fresh without losing sight of the overall vision of the record. The gentle guitar accompaniment to The Carpenters’ ‘Merry Christmas Darling’ is a thing of loveliness and Sara Bareilles and Ingrid Michaelson’s new festive standard ‘Winter Song’ blooms gorgeously under the treatment. Continue reading “Festive review: Leslie Odom Jr / Megan Hilty / Eyles & Gould / All Aboard! The Sleigh Ride”
“Don’t want to be dependent on a wink, a smile, or kiss.”
At the beginning of the year I unexpectedly caught a fun cabaret Scrapbook Live, showcasing the work of musical theatre writers Robert Archibald and Verity Quade, which I enjoyed considerably even though I hadn’t heard the CD from which much of the material was taken: Scrapbook – The Songs of Robert Archibald and Verity Quade.
Having now downloaded it, I gave it a listen over the last week and in some ways, it is a bit of a double-edged sword having seen the live gig. It gave me that nice sense of recognition with some of the more memorable songs which made it a fascinating listen, but it also reminded me of the energy that accompanied the renditions of the songs and the live accompaniment. I have to say I wasn’t a fan of much of the orchestrations on the CD, it sounds a little bit too processed, too artificial, keyboards instead of pianos but then that’s just what I prefer. Continue reading “Album Review: Scrapbook – The Songs of Robert Archibald and Verity Quade”
“And my head I’d be scratchin’ while my thoughts were busy hatchin’
I could have quite happily given The Wizard of Oz a miss, it wasn’t ever really on my list of shows to see but the combined news of a visit from a family member who wanted to see it and Hannah Waddingham’s imminent departure from the ensemble meant that I found myself there on a Saturday evening… There’s something a little odd about its choice as Andrew Lloyd-Webber’s third reality casting show, Over the Rainbow, as the show is not really a fully-fledged musical, no matter how famous some of the songs but he persevered nonetheless. What is even odder is his assembly of a strong musical theatre cast around the eventual winner, Danielle Hope, given the paucity of many of the roles around Dorothy.
Lloyd-Webber’s way around this has been to write new songs, with long-standing lyricist Tim Rice, to beef up the roles of characters like the Wizard and the Wicked Witch of the West and justify the casting of Michael Crawford and Hannah Waddingham respectively. But despite looking a picture with some tricksy staging and wirework, the end result is curiously banal, exceedingly bland and one which rarely excited me. The focus is so much on the stagecraft that the heart of the story is rarely engaged: Hope’s Dorothy is sweet but rarely interesting, there’s little of the ‘star quality’ evident this evening but then the role is not one that really encourages it; Michael Crawford made very little impact either as the Wizard or the cameos as Ozians and so it went, emotion taking second-place to spectacle. Continue reading “Review: The Wizard of Oz, Palladium”
“I want this world, I want every moment”
Musical theatre writing in the UK has no greater champion than the Speckulation guys at the moment and one of the beneficiaries of their nurturing, Michael Bruce, has really taken flight this year with a star-studded debut album being released to showcase his song-writing. Bruce is a composer who has previously had his own West End showcase, musicals playing at Edinburgh, is resident composer at the Bush Theatre and has written the score for shows like the National Theatre’s Men Should Weep and the forthcoming David Tennant/Catherine Tate Much Ado About Nothing. He launched this album last month with a Delfont Room gig showing off his pulling power in getting many of the stars of his album to come and perform on a busy Sunday night.
On Unwritten Songs, Bruce covers a range of bases whilst remaining firmly in the musical theatre/cabaret world. He has a clear talent for comedy songs which are destined to appear and reappear in cabaret repertoires for the foreseeable future. Chief of these is the fabulous Portrait of a Princess, written especially for the incomparable Julie Atherton. Formerly entitled In A Disney Way, it is an extremely wordy, wry and witty look at the unreasonable expectations put on a modern-day Disney princess and if that weren’t enough, Speckulation have come up with their first ever promotional video for this song featuring a whole host of faces including Russell Tovey, Sheridan Smith and Jon Lee which you can watch below. Continue reading “Music Review: Michael Bruce – Unwritten Songs”
“Musical theatre’s my passion, my art”
In the Delfont Room at the Prince of Wales Theatre, there is often a Sunday night treat to be found and this week saw the launch of Unwritten Songs, the debut album by Michael Bruce featuring a whole host of West End stars, many of whom were in attendance to perform the songs they sing on the album, including Julie Atherton, Alexia Khadime, Anna-Jane Casey and Mark Evans and some other special guests too, including Caroline Sheen. Bruce is a composer who has had his own West End showcase, musicals playing at Edinburgh, is resident composer at the Bush Theatre and has written the score for shows like the National Theatre’s Men Should Weep and the forthcoming David Tennant/Catherine Tate Much Ado About Nothing, so it is safe to say this is a man who is going places.
His songwriting covers many bases, but he is particularly strong at the comedic songs and his repertoire is already full of choice gifts for the more daring cabaret performer: ‘Portrait of a Princess’ (formerly titled ‘In A Disney Way’) was written especially for Julie Atherton and plays perfectly to her inimitable strength at witty story-songs, if for some crazy reason you only buy one song off this album, this would be the one. But there’s also the faux-operatic ‘Continental’ delivered with a great wry humour by Emily Tierney and the newly written ‘The Musical Theatre Song’ which borrows the rapid-fire structure of Sondheim’s ‘(Not) Getting Married Today’ as a musical theatre fan breathlessly lists all the shows she loves, delivered almost without fault by Anna-Jane Casey. Bruce clearly enjoys challenging his singers and when they are of this calibre, then why the hell not. Continue reading “Review: Michael Bruce – Unwritten Songs album launch, Delfont Room”
“I’ll fill the pages with the scrapbook of our lives”
Scrapbook Live was a showcase event for songwriters Verity Quade and Rob Archibald who assembled a hefty crew of West End pals to come along and sing on a Sunday night at Leicester Square Theatre. The pair released an album of the same name last year (which can be bought on iTunes and at Dress Circle) and many of the stars on the cd were here to perform those songs, plus other material that Quade and Archibald have written, both standalone songs written for specific events and from musical theatre projects on which they are working.
Despite having resolved to have a theatre-free weekend, I couldn’t resist popping along, both to support new British musical writing talent (previously unknown to me) and the unique opportunity to see an intriguing ensemble. Whilst there were names here who I knew and was looking forward to, Anna Francolini and Cassidy Janson in particular, there were others who I had seen previously but not necessarily been blown away by, Rebecca Lock and Stuart Matthew Price. There was also the added value of random things like seeing Rosemary Ashe sing for the first time and getting a sneak preview of Emily Tierney before she becomes Glinda in The Wizard of Oz. Continue reading “Review: Scrapbook Live, Leicester Square Theatre”