So much goodness! The National Theatre have just announced details of productions stretching deep into 2020, and with writers like Lucy Kirkwood, Kate Tempest, Roy Williams and Tony Kushner, and actors like Lesley Manville, Maxine Peake, Conleth Hill, Cecilia Noble and Lesley Sharp, it is hard not to feel excited about what’s ahead.
Following a sell-out run at Rose Theatre Kingston, the acclaimed two-part adaptation of Elena Ferrante’s MY BRILLIANT FRIEND by April De Angelis is reworked for the Olivier stage by Melly Still (Coram Boy). When the most important person in her life goes missing without a trace, Lenu Greco, now a celebrated author, begins to recall a relationship of more than 60 years. Continue reading “News: the National Theatre announces 15 new productions for 2019 and 2020”
Slipping in just before it finished in a week when I have no time, you’ll have to look elsewhere for reviews of Wings, and Juliet Stevenson’s excellent performance therein.
Ahoy sailors, if what you thought the world of musical theatre was missing was the opportunity to be trapped on a boat for four days with a load of wealthy musical theatre fans, then worry no more. Stages – the Musical Theatre Festival at Sea has now been announced, a four night cruise from Southampton to Amsterdam and back, with entertainment from the likes of Michael Ball, Beverley Knight, Lee Mead, Christina Bianco, Sophie Evans, John Owen-Jones and the Showstopper guys.
It looks like it could be hilariously good fun – red carpet arrival onto the ship, masquerade balls and workshops and Q&As with the performers. But it sure ain’t cheap, prices starting at £609 with the taxes added on, though as it doesn’t set sail until 15th October 2018, there’s time to start saving those pennies. For me though, you can consider this my not-so-subtle hint to Floating Festivals
that they obviously need a blog review of their cruise and that I am the one for the job.
Continue reading “Round-up of news and treats and other interesting things”
“The thing that I’m scared of is that everything will break”
Elena Ferrante’s quartet of Neapolitan Novels have been a literary sensation since its first part, My Brilliant Friend, was published in 2012. A forthcoming Italian television adaptation will take 32 50-minute instalments to cover the story of the friendship between two Neapolitan women but April De Angelis has condensed the four into a single play, presented in two parts which can be viewed as a double bill or on separate evenings if 5 hours of theatre in a day seems like too much of a challenge. Read my review for This Is My Town here, find production photos for both parts here and get more info on the show here.
Running time: each part is 2 hours 30 minutes (with interval)
Booking until 2nd April
“Well, that was a bit odd”
Sometimes, one knows from the first moments of a show that it just isn’t going to be your cup of tea. And so it was with the opening montage of Melly Still’s new production of From Morning to Midnight, a landmark of German expressionism apparently but for me, a hugely ambitious piece of stagecraft that indulges far too much overt theatricality at the expense of dramatic integrity. It is worth noting ‘twas a preview that I saw and one in which understudy Jack Tarlton had to step in for the injured Adam Godley in the lead role.
Georg Kaiser’s 1912 play uses an episodic form to tell the story of an everyday clerk who is jolted from the mundaneness of his existence when a sultry Italian wanders into his bank, inspiring him to seize the day and make a change to his dull family life. That he does by stealing 60,000 marks from the bank with the intention of eloping with this woman but when she rejects him, the clerk delves into a journey of the soul – both actual and metaphysical – that lasts for a day but feels like a lifetime. Continue reading “Review: From Morning to Midnight, National Theatre”