All hail the return of Nicola Walker to the stage! Get your tickets for Camelot! Discover the Heart of Darkness! Get your exam in musical theatre singing with ABRSM!
London Musical Theatre Orchestra has announced casting for Saturday’s concert version of Camelot at the London Palladium and there’s still a few tickets going. Packed with some of musical theatre’s best songs, LMTO’s concert version with full orchestra will celebrate the centenary of Alan Jay Lerner’s birth.
The role of Arthur will be played by Olivier Award-winner David Thaxton (Passion / Les Misérables / Jesus Christ Superstar), Guenevere will be played by Savannah Stevenson (Wicked / Aspects of Love / Follies), and Lancelot will be played by internationally renowned opera star Charles Rice (Mozart’s Requiem / The Barber of Seville / Candide). Continue reading “Friday feeling – news aplenty”
“Been working so hard
I’m punching my card
Two hours for what?”
Jeez Louise, it gives me no pleasure to report this production of Footloose
is among the worst things I’ve seen this year. Jukebox musicals are fine in their place, movie adaptations likewise are ever increasingly the norm but they need love and inspiration to elevate them, rather than the workaday effort and dead-eyed calculation they get here.
Perhaps its the result of coming at the tail end of over a year’s touring, perhaps it was a crowd not quite as enthused as the audience of a feel-good show need to be to give it that lift, perhaps it’s just not very good. There’s a real sense of mechanical action about the production, everything moves in the correct way but there’s zero spontaneity here, little sense of the precious ‘liveness’ of great theatre.
If you can’t get a Strallen, then book a Nolan – Maureen is the show’s strongest asset as the only cast member to really try and bring any heart to her performance. The rest just make you wish that the ban on dancing was more strictly enforced, as well as mugging as if this was a panto. By the time Gareth Gates is wheeled out to strip down to hotpants, you’ll long be wishing that you could cut loose.
Running time: never has 2 hours 30 minutes felt so much like a lifetime
Booking until 30th September, then playing Royal Court, Liverpool 30 October-3 November