Lockdown treat: 23 Elphabas and Glindas come together ‘For Good’

23 West End actresses who have played Elphaba or Glinda in Wicked have reunited to perform a stunning rendition of the show’s ‘For Good’ to support the Make a Difference Trust Covid 19 Emergency Appeal Fund to support those in the theatre community suffering hardship because of the coronavirus crisis.

Please consider donating either by texting “SUPPORT” to 70111 to donate £5 (UK ONLY) or donate any amount here

 

Heart vector created by starline – www.freepik.com

Review: The Distance You Have Come, Cockpit

A Scott Alan song cycle promises much but The Distance You Have Come doesn’t quite deliver at the Cockpit Theatre, despite its excellent cast

“I deserve to be seen
This dream feels way overdue”

Scott Alan’s reputation as a songwriter is without question. Over a number of albums over the last decade (a fair few of which I’ve reviewed here), he’s been able to count on an extraordinary array of performers to bring his music to life, songs which are unafraid to chart the lows as well as the highs of living, loving, losing, dreaming… The Distance You Have Come sees him maintain that quality of guestlist in a live setting, as he entwines together over 20 of his compositions into a song cycle.

It proves a curious enterprise though, one which doesn’t quite cohere in a way that the quality of these songs deserves. Alan wrote the book for the show, as well as directing, and you do wonder whether an outside perspective might have helped. The book tries to do an awful lot in the space of a few snatched sentences between songs and its ambition feels somewhat unnecessary if the show is to be a song cycle rather than a fledgling musical. Continue reading “Review: The Distance You Have Come, Cockpit”

2017 BroadwayWorld UK Awards Shortlist

Best Actor in a New Production of a Musical
Andrew Polec, Bat Out of Hell, London Coliseum
John McCrea, Everybody’s Talking About Jamie, Sheffield Crucible
John Partridge, La Cage Aux Folles, UK Tour
Jon Robyns, The Wedding Singer, UK Tour
Michael C. Hall, Lazarus, King’s Cross Theatre
Robert Fairchild, An American in Paris, Dominion Theatre

Best Actor in a New Production of a Play
Andrew Scott, Hamlet, Almeida Theatre
Arinzé Kene, One Night in Miami…, Donmar Warehouse
Brendan Cowell, Life of Galileo, Young Vic
Conleth Hill, Who’s Afraid of Virginia Woolf?, Harold Pinter Theatre
Lucian Msamati, Amadeus, National Theatre
Nicholas Woodeson, Death of a Salesman, UK Tour Continue reading “2017 BroadwayWorld UK Awards Shortlist”

Review: Evita, Phoenix

“What’s new, Buenos Aires?”

As the ‘new’ is ushered out of the Phoenix, set to tour the UK from next summer, there’s a return to the tried and tested, the old if you will, as Evita returns to the West End. Bill Kenwright and Bob Thompson’s production of Andrew Lloyd Webber and Tim Rice’s slice of Argentinian politics has been touring on and off for nearly 10 years now and it was actually in London at the Dominion just a couple of years ago.

So in some ways it can be a little hard to get too excited by the reappearance of such a stalwart, especially when there isn’t the presence of someone like Elena Roger to truly electrify the show as she did in the 2006 revival. That’s not to detract from Emma Hatton’s stirring performance here – subtle and characterful, always searching for the meaning rather than the big belt in this notoriously tricky of roles to sing. Continue reading “Review: Evita, Phoenix”

Album Review: Dan & Laura Curtis – Overture

“When the playbill’s gone and your ego’s died, how you gonna feel”

I’m of course naturally inclined towards composing duo Dan & Laura Curtis as the quote that is proudly blazoned across their website is one of mine. It came from my review of their collection Love on 42nd Street which was a pocket-sized treat which stands in real contrast to Overture – The Music of Daniel and Laura Curtis, which brings together well over 20 Broadway and West End stars to fill a double-album’s worth of new material.

And their grandly orchestral ambition (not for nothing is the album called Overture) is well realised here. Divided into two ‘acts’, the pair stretch their songwriting muscle over a range of genres and subject matters but they’re most comfortable, and effective, when turning their hand to stirring string-laden balladry. The simple elegance of Rachel John’s ‘I Won’t Let You Go’ epitomises this beautifully with its soaring grace, surely a cabaret standard in the making. Continue reading “Album Review: Dan & Laura Curtis – Overture”

CD Review: To Do. To Be. – The Music of Tim Prottey-Jones

“What man could ask for more”

To Do. To Be. – The Music of Tim Prottey-Jones is Prottey-Jones’ third CD, an album collecting together music from a range of sources for which he has written – stage musicals After the Turn, Equally and The First Last Kiss, musical films Down Flew the Doves and Standing on the Edge and lastly one play with music Exes. And though he is a performer himself (currently to be found in Kinky Boots), he’s gone down the tried and tested route of going through his address book to get an impressive roster of talent to perform his songs.

So the album opens with Kinky co-star Amy Lennox’s sweet but determined ‘Have you ever?’, former Once colleagues Declan Bennett and Arthur Darvill rock out gently on ‘Kiss till you can’t kiss anymore’ and ‘Leaving for you’ respectively and from the same show, Zrinka Cvitešić gives a gorgeously tender vocal performance in ‘I for one’. That Prottey-Jones can write a decent song is in no doubt and in the case of Laura Pitt-Pulford’s ‘Nothing’ and Jacqueline Hughes’ ‘I’ll Be With You Always’, exciting musical theatre leaps from the speakers, the potential here is considerable.  Continue reading “CD Review: To Do. To Be. – The Music of Tim Prottey-Jones”

The Curtain Up Show Album of the Year 2015 nominees

Best Cast Recording
Bend It Like Beckham (Original London Cast Recording)
Cool Rider (Original Studio Recording)
Gypsy (2015 London Cast Recording)
Made in Dagenham (Original London Cast Recording)
Memphis the Musical (Original London Cast Recording)

Best Solo Album
Cynthia Erivo and Oliver Tompsett Sing Scott Alan
Hugh Maynard – Something Inside So Strong
John Owen-Jones – Rise
Tim Prottey-Jones – To Do. To Be.