Review: An Officer and a Gentleman, Curve

Emma Williams reconfirms her star status in this 80s musical adaptation of An Officer and a Gentleman at Leicester’s Curve Theatre ahead of a UK tour

“Way to go, Paula! Way to go!”

From its opening number (which provides an unsettling reminder that Status Quo actually had a decent tune or two), this major new musical of An Officer and a Gentleman shimmers with a sense of real quality. Some might demur at the notion of a movie remake peppered with a random assortment of pop songs from the 1980s but the resulting piece of theatre is highly enjoyable.

This is down to the integrity and craft of Nikolai Foster who rightly takes this source material (book by Douglas Day Stewart and Sharleen Cooper Cohen from his original screenplay) seriously. We may be in 1982 but there’s no jokey visual gags about that decade here, just an over-riding sense of life on the edge for the working class community of Pensacola, Florida, looking on at the US Naval Aviation Training Facility that dominates their city. Continue reading “Review: An Officer and a Gentleman, Curve”

Scott Alan announces Live at Zédel residency with special guests in 2018

Live At Zédel, Soho’s unique live entertainment concept at The Crazy Coqs, will host a week-long residency by acclaimed international songwriter Scott Alan, who will be joined by a host of special musical theatre guests each evening. Audiences will be treated to Scott, along with his special guests singing tunes from all 7 of his recordings and brand new songs from his upcoming release, Lifeline.

The schedule for the special guests joining Scott Alan is:
Sunday, January 28th – Alice Fearn, Sophie Evans and Bradley Jaden
Monday, January 29th – Matt Henry and Amy Lennox
Wednesday, January 31st – Tyrone Huntley, Kayleigh McKnight and Tim Newman
Thursday, February 1st – Natasha Barnes, Shanay Holmes, Jodie Steele, Shona White and Emma Williams.
Sunday, February 4th – Marisha Wallace, Asmeret Ghebremichael and Joe Aaron Reid
Scott Alan says: 

“I’m honoured to have been asked to return for another residency at Zedel. Taking the stage at this beautifully, intimate venue is the perfect way to celebrate a brand new year and teaming up with some of the biggest names in the London theatre scene is just icing on the cake!”

Sunday, January 28th, 2018 at 7pm
Special guests include Wicked trio Alice Fearn, Sophie Evans and Bradley Jaden
Monday, January 29th, 2018 at 7pm
Special guests include Olivier Winning Actor Matt Henry (Kinky Boots), Olivier nominated actress Amy Lennox, who earned rave reviews for her role as Lauren in the original West End cast of Kinky Boots
Wednesday, January 31st, 2018 at 7pm 
Special guests include Olivier Nominated Actor Tyrone Huntley (Jesus Christ Superstar), Tim Newman (Memphis) and Kayleigh McKnight (Les Misérables), whom Huntley recently appeared with in the Regent Park Open Air Theatre production of Jesus Christ Superstar.
Thursday, February 1st, 2018 at 7pm 
“It’s Ladies Night” and special guests including Natasha Barnes (Funny Girl), Shanay Holmes (Rent), Jodie Steele (Wicked), Shona White (Mamma Mia!) and Emma Williams (Half a Sixpence).
February 4th, 2018 at 9pm
Special guests include Dreamgirls star Marisha Wallace along with her co-stars Joe Aaron Reid (Curtis Taylor Jr.) and Asmeret Ghebremichael (Lorrell Robinson). 
For full information on each evening and to book tickets please visit www.liveatzedel.com


Album Review: Chitty Chitty Bang Bang (2002 Original London Cast Recording)

“What a happy time we’ll spend”

I’m pretty sure that if you could distil the warmth of Emma Williams’ voice, it would be the basis for the cure to the world’s ills. There are few singers who have that kind of effect on people and it is a travesty that isn’t better known to the world at large. Part of that is a consequence to her admirable devotion to new musical theatre writing which means that her projects haven’t always quite broken through to the mainstream but to those in the know, she’s a real champion of British musical theatre. 

Which is a long-winded but deserved introduction to the Original London Cast Recording of Chitty Chitty Bang Bang, the production in which she made her debut as an 18 year old in 2002. The Sherman Brothers’ film has long turned into an enduring classic and its score here, enhanced by new numbers for the stage, remains a thing of unalloyed joy. The delicacy of lullabies like ‘Hushabye Mountain’ and ‘Doll On A Music Box’ are just beautiful and in the hands of Williams and Michael Ball, they shimmer gorgeously. Continue reading “Album Review: Chitty Chitty Bang Bang (2002 Original London Cast Recording)”

Album Review: Half A Sixpence (2016 London Cast Recording)

“Um-tiddly-um-pum-um-pum-pum
Stick it in your fam’ly album”

With Half A Sixpence due to close in the West End in exactly one month, I thought now was as good a time as any to give the Original Cast Recording a listen. The show has built up quite the devoted following in its lifespan but for me, in both its original Chichester production and the subsequent transfer to the Noël Coward, it was a musical that I liked rather than loved, the balance not quite right with all the magic in the second half.

And listening to the show simply reminded me of how I felt. Stripped of its extraordinary physicality, Charlie Stemp’s chirpy chappy routine is surprisingly quite wearisome to listen to from the outset. The sentiment of the opening title track proving cloying and the lack of any killer new tunes from Stiles and Drewe before the interval leave the score sounding solid rather than spectacular, I still can’t hum you a single track save ‘Half A Sixpence’ itself. Continue reading “Album Review: Half A Sixpence (2016 London Cast Recording)”

Album Review: Wit and Whimsy – Songs by Alexander S Bermange

“If only I were famous from the telly”

Across its two discs and twenty-three tracks, there’s an awful lot of whimsy to Alexander S Bermange’s latest compilation album Wit and Whimsy and not quite enough wit to sustain it. Bermange is a composer who has had as much success writing comic songs for radio as he has in straight-up musical theatre (the two shows of his that I’ve seen – The Route to Happiness and Thirteen Days were both part of festivals).

That said, he has an impressive contacts list as evidenced by the range of people who have joined in on the action here – Laura Pitt-Pulford, Tracie Bennett, David Bedella, Cassidy Janson, Emma Williams, even Christopher Biggins. And with a guest list of this quality, naturally there are moments that shine here. Continue reading “Album Review: Wit and Whimsy – Songs by Alexander S Bermange”

2017 Laurence Olivier Awards nominations

Best New Play 
Harry Potter and the Cursed Child – Palace
Elegy – Donmar Warehouse
The Flick – National Theatre Dorfman
One Night in Miami – Donmar Warehouse

Best New Musical
Groundhog Day – The Old Vic
Dreamgirls – Savoy
The Girls – Phoenix
School of Rock – New London

Best Revival 
Yerma – Young Vic
The Glass Menagerie – Duke of York’s
This House – Garrick
Travesties – Apollo Continue reading “2017 Laurence Olivier Awards nominations”

The 17th Annual WhatsOnStage Awards winners in full

Here’s the full list of the 17th Annual WhatsOnStage Awards winners. No real surprises here, there rarely is with these awards voted for by the public but it is nice to see a real spread across the musicals categories rather than one show dominating as Harry Potter and the Cursed Child does with the plays. And we’ll just ignore the leniency with the deadlines that meant Dreamgirls was able to sneak in despite having only played a handful of previews by the time nominations closed…congrats to all the winners and nominees.

Best Actor in a Play, sponsored by Radisson Blu Edwardian
Ian Hallard for The Boys in the Band
Ian McKellen for No Man’s Land
Jamie Parker for Harry Potter and the Cursed Child WINNER
Kenneth Branagh for The Entertainer
Ralph Fiennes for Richard III

Best Actress in a Play, sponsored by Live at Zédel 
Billie Piper for Yerma WINNER 
Helen McCrory for The Deep Blue Sea
Lily James for Romeo and Juliet
Michelle Terry for Henry V
Pixie Lott for Breakfast at Tiffany’s Continue reading “The 17th Annual WhatsOnStage Awards winners in full”

2017 What’s On Stage Award nominations

Best Actor in a Play, sponsored by Radisson Blu Edwardian
Ian Hallard for The Boys in the Band
Ian McKellen for No Man’s Land
Jamie Parker for Harry Potter and the Cursed Child 
Kenneth Branagh for The Entertainer
Ralph Fiennes for Richard III

Best Actress in a Play, sponsored by Live at Zédel 
Billie Piper for Yerma 
Helen McCrory for The Deep Blue Sea
Lily James for Romeo and Juliet
Michelle Terry for Henry V
Pixie Lott for Breakfast at Tiffany’s Continue reading “2017 What’s On Stage Award nominations”

Review: Half A Sixpence, Noël Coward

“I’d let him strum my banjo”

It was no surprise to discover that Half A Sixpence would be transferring into the West End – its run at Chichester Festival Theatre was a huge success (you can read my review here) and with Cameron Mackintosh on producing duties, it was always going to be a case of when rather than if. It’s a slow-burner of a show, the second act really is the business thanks to Andrew Wright’s choreography and as it opened at the Noël Coward Theatre last night, you can now read my 4 star review for the transfer over at Cheap Theatre Tickets here

Running time: 2 hours 45 minutes (with interval)
Booking until 11th February

Album Review: Mrs Henderson Presents (Original London Cast Recording)

 

“We’ll never close…”

I was sad to see Mrs Henderson Presents close prematurely in the West End, having enjoyed it both there and in its first run at the Theatre Royal Bath, but pleased that we at least had a cast recording to remember the show by. I have to say though, that this was one of those occasions where just listening to the musical failed to capture what made it work on stage. 

The period charms of George Fenton and Simon Chamberlain’s pastiche-laden score feel rather old-fashioned on record – not simply in the age that they are trying to evoke but in its very nature. Without the visual, it soon becomes clear that there isn’t a huge amount of narrative drive in the songs, they set the mood of the piece well but don’t tell much of a story on their own. Continue reading “Album Review: Mrs Henderson Presents (Original London Cast Recording)”