“You’ve confused the story
And so once again, theatres lead where critics are not inclined to follow… After the divisiveness of the extraordinary Mr Burns at the Almeida, the Royal Court now turns its hand to something a little different in the form of Tim Crouch’s Adler & Gibb. A(nother) distinctly lukewarm reception from the print critics is hardly surprising but it does feel a shame that there isn’t more of a groundswell of support for the diversity of programming we’re so lucky to have here in London. In a West End where Coward revivals are two a penny and there are actually two Importance of Being Earnests queued up to go into theatres, I for one am grateful that these opportunities are being presented to me.
A New Jersey art student Louise gives a presentation about Janet Adler, a conceptual artist who retreated from the world with her partner Margaret Gibb and died a mysterious death. Onstage, an older woman is researching and rehearsing a role for a biopic film with a colleague before a location shoot. Around them, two children in headphones are stage-managing the show, incrementally increasing our understanding about just what it is that we’re watching. Continue reading “Review: Adler & Gibb, Royal Court”