“It’s not exactly Roman Holiday, is it?”
Victoria Wood’s That Day We Sang premiered at the Manchester International Festival in 2011 and it fair near captured my heart with its archetypal northern charm and its determination to find the special in the mundane. I wrote about the show back then but Sarah Frankcom’s production for the Royal Exchange features a reworked and recast version of this play with songs which has proven to be a canny choice indeed for the Manchester venue’s festive offering.
The show tells the story of how a group of Mancunian schoolchildren ended up performing with the Hallé Orchestra in 1929 on a Purcell recording and also the results of a get-together 40 years later for a Granada TV documentary. The two strands interweave and overlap as two of the choir engage in a putative romance after the reunion, the aspirations of their younger selves contrasted with the drabness of the older and the potential spark ignited after the long-awaited meeting. Continue reading “Review: That Day We Sang, Royal Exchange”
“But somewhere in my wicked, miserable past there must have been a moment of truth”
Despite never having seen it on the stage before, I hadn’t originally intended to go and see the Open Air Theatre’s production of The Sound of Music. But whilst on holiday, we watched the film on TV en famille whereupon I was reminded of its charms and hearing the good reviews of this production, duly set about booking tickets for an evening when I hoped the sun would shine. And I clearly had some good theatrical karma as a glorious summer’s evening set up what a simply delightful evening of old school musical entertainment.
It may not be the most adventurous of programming choices and Rachel Kavanaugh’s production plays a very straight bat but in many ways, this is why it is so successful. Its straightforward simplicity allows for a direct emotional hit, one which plays off the indubitable familiarity of so much of the material but also the opportunities offered by this open air venue and the freshness of a supremely talented cast. Charlotte Wakefield’s Maria and Michael Xavier’s Captain may initially seem more youthful than one might expect but together they work like a dream, combining with the whole company to create the kind of warmth that would brighten even the soggiest of September evenings (the run has extended by a week due to its success). Continue reading “Review: The Sound of Music, Open Air Theatre”
“You need to see me in a brand new domain”
Legally Blonde The Musical turned out to be something of a surprise: a show that I grew to really love over my three visits during its West End run (review#1, review#2, review#3), whilst making a bona fide star out of its leading lady Sheridan Smith. I may not have been blown away by it on first viewing, but it worked its way into my heart and its soundtrack is one that I listen to quite often even now. Capitalising on its finish in London, a national tour of the show has taken up shop in the New Wimbledon Theatre, giving Londoners another chance to dip into the world of Elle Woods, if they’re willing to go to zone 3 that is.
Revisiting something that was so enjoyed though can have its pitfalls, as comparisons are invariably drawn. Some of it is about the realities of seeing a touring version of a show – the set will never be as impressive as in a West End house, but the design here really does come up short on a couple of occasions and the sound quality was shocking in parts. Elsewhere, some performances left me disappointed especially as the casting decisions don’t always seem to have hit the mark. It feels a little churlish to criticise Faye Brookes for not being Sheridan Smith, but her Elle doesn’t capture the loveability that is needed to keep the show swinging through its slower parts and to keep the audience invested. Gareth Gates takes on the thankless role of Warner very much against type and I’m not sure I bought him as the heartbreaker. Both sounded excellent though. Continue reading “Review: Legally Blonde The Musical, New Wimbledon”
Albert Herring, Royal Northern College of Music
Gianni Schicchi, English Touring Opera, Buxton Opera House
Lucia di Lammermoor, Clonter Opera
The Portrait, Opera North, The Lowry
Utopia Ltd, Gilbert & Sullivan Festival, Buxton Opera House
Carlos Acosta, The Lowry
Cinderella, Birmingham Royal Ballet,The Lowry
Danish Dance Theatre, Triple Bill, The Lowry
Richard Alston Dance Company, Triple Bill, The Lowry Continue reading “The 2011 Manchester Theatre Awards nominations”