Nominees for The Stage Debut Awards 2019

All winners will be announced at the awards ceremony at The Brewery, London on September 15, 2019 which will be streamed live on The Stage’s Facebook page.

Best Actress in a Play – sponsored by Audible

  • Liv Hill for Top Girls at the National Theatre, London
  • Urielle Klein-Mekongo for Yvette at the Bush Theatre, London
  • Lauren O’Leary for The Awkward Years at The Other Room, Cardiff
  • Bea Webster for Mother Courage at the Albion Electric Warehouse, Leeds

Best Actor in a Play – sponsored by Audible

  • Jamal Ajala for ear for eye at the Royal Court, London
  • Stuart Campbell for The Hunt at the Almeida Theatre, London
  • Patrick Gibson for Sweat at the Donmar Warehouse and the Gielgud Theatre, London
  • Ivan Oyik for Blue/Orange at the Birmingham Repertory Theatre, Birmingham

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Album Review: The West End goes MAD for Christmas

“I don’t need to ask for much this Christmas”

One of the more worthwhile festive releases this year is also pleasingly one of the more interesting. The Make A Difference Trust brings together the British entertainment community and its audiences to raise funds to support people living with HIV and AIDS and with The West End Goes MAD For Christmas, has brought together a host of new musical theatre champions to offer up a compilation of Christmas songs that offer a fascinating alternative to the age old carols and standards that proliferate at this time of year.

And producers Nikki & Joe Davison at Auburn Jam Records have done a brilliant job in matching composers to performers across the eight songs, curating pre-existing tracks and new, and shining a light on some serious talent. The plaintive simplicity of Stuart Matthew Price’s self-penned ‘This Christmas’ is characteristic of much of his oeuvre of classic songwriting, Gina Beck’s crystalline soprano dances beautifully around the timeless melody of Alexander S Bermange’s ‘Praying For You’ and Nadim Naaman‘s ‘A Soldier’s Christmas’ treads an equally emotive path, sung charmingly by Gerónimo Rauch and Naaman himself.
 

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