Review: A Midsummer Night’s Dream – Filter at Lyric Hammersmith

“I’m going to do an abstract version”

With the best will in the world, it is hard not to carry opinions with you and this is particularly true in the theatre. In the name of attempting to be open-minded, I have continued to plug away at Ibsen in the hope that one day his work might click with me, but truth be told my heart sinks when productions of his work are mentioned. And despite their sterling reputation and rave reviews, Filter’s work has previously left me a little cold, moving the head rather than the heart, so as I filled in at the last minute for a reviewer who dropped out, there was a little reluctance as I waited for the curtain to rise on their production of A Midsummer Night’s Dream at the Lyric Hammersmith.

Filter are a company whose reinterpretations of classic texts, as well as the creation of new work, burst with creativity and great imagination as they explore the theatrical potential offered by a radical approach to sound. But for me, that hasn’t always been matched with a similiar attention to story-telling – so SilenceWater and Twelfth Night were not my favourite moments in a theatre. Suffice to say though that in this case, whilst purists may baulk at this treatment of A Midsummer Night’s Dream, Filter succeeded in smashing my preconceptions and entertaining me most thoroughly indeed. Continue reading “Review: A Midsummer Night’s Dream – Filter at Lyric Hammersmith”

Review: Silence, RSC at Hampstead

“It’s me…I don’t know how to be free”

My continued failure to resist booking plays I don’t really fancy but with members of the RSC Ensemble in the, resulted in this trip to the Hampstead Theatre to see Silence, their collaboration with Filter, a company whose work I haven’t really enjoyed in the three shows of theirs that I have seen. And even the assertion that it was the Ensemble members I was keen to see is stretching it a little (although Katy Stephens and Christine Entwisle were both people I wanted to see again) as it was the opportunity of gazing at Jonjo O’Neill and Oliver Dimsdale onstage that finally won me over: as Monica Geller once said, ‘homina homina’.

At its simplest, Silence follows two main narratives as a married couple pursue different paths: Kate travels to Russia to find Alexei, a man with whom she had a passionate affair more than 20 years ago; and her documentary filmmaker husband Michael with a sound technician colleague is investigating a mysterious Met Police unit whom they suspect of committing misdeeds. But this is a far from simple show as we flow seamlessly between both time and place, some scenes overlapping and even being intercut with one another. Continue reading “Review: Silence, RSC at Hampstead”

Review: Water, Filter at Tricycle Theatre

“Water is a sociable molecule, it loves to mingle”

First seen at the Lyric Hammersmith in 2007, Filter and David Farr’s collaborative effort Water has been revived and is playing for a month at the Tricycle Theatre in Kilburn. Water pulls together two main stories, the first featuring a pair of half-brothers struggling to deal with the legacy of their deceased father, an early proponent of climate change theory, and their different perceptions of him before and after he accepted corporate money to silence his views, and the second about a young political adviser trying to push through a binding climate change agreement at a major international summit in the face of her own splintering relationship with her deep cave diving boyfriend. And the show really is about these human dramas rather than environmental issues per se, the connection to water that they all have is incidental rather than integral.

Using their trademark style of laying much of the theatrical process bare, the three actors, sound technician and stage team ‘create’ in front of us and with this deceptively simple approach, moments of stark beauty are achieved: the silhouetted squash game and the striking, wordless penultimate scene being two particular standouts. The way in the soundscape is created by everyone in the most varied of manners and then further developed by Tim Phillips is brilliantly executed, finding connections in the most disparate of things. Continue reading “Review: Water, Filter at Tricycle Theatre”

Review: Twelfth Night, Filter at Tricycle Theatre

“Hey, who governs here?”

This is another resuscitation of Filter’s Twelfth Night and its third residency at the Tricycle Theatre in Kilburn. Filter recently appeared in London and toured the UK with their version of Three Sisters, not one I was a fan of and the RSC’s most recent Twelfth Night which I really enjoyed, only left the Duke of York’s in February, but I had heard all sorts of good things about this, so I booked myself a ticket.

Things started brilliantly with a random jamming session and then the eventual arrival of the shipwrecked Viola, clutching handfuls of election leaflet, uttering the words at the top of the review, “who governs here”, it was a genuinely very funny moment and set the mood perfectly. The focus is clearly on the inventiveness with which Filter approach this well-known play. Filter are known for their sonic creativity and the stage is littered with instruments and amps, the cast in modern dress, it’s clear this is no traditional Shakespearean production. So many anarchic tricks are employed that it is hard not to love the heart of this show. There’s a deal of audience participation, yours truly was pulled onstage and had balls thrown at him and his Velcro helmet, others were invited to do tequila shots, we’re also invited to sing along and complete lines, a speech is delivered from a mobile phone held up to a microphone, information is provided by radio, there’s a four way battle of sound effects…it’s a whole load of carefully organised chaos and often great fun. Continue reading “Review: Twelfth Night, Filter at Tricycle Theatre”

Review: Three Sisters, Lyric Hammersmith

“One day you’ll be so bored that you’ll read it”

According to the programme, Christopher Hampton’s version of Three Sisters at the Lyric Hammersmith directed by Sean Holmes and the Filter theatre company, is here to raise “the audience’s otherwise sluggard pulses in a revivifying revival”: what more introduction could we possibly need?!

Three Sisters opens with Irina Prozorova’s name-day celebration, in the provincial Russian town where their late military father had been stationed. Irina and her sisters Olga and Masha make half-hearted attempts to put up with life in their adopted home, but cannot stop longing for their birth town Moscow. We then follow the sisters and a group of acquaintances over a 3 year period as the sisters learn the hard lessons of life. Continue reading “Review: Three Sisters, Lyric Hammersmith”