Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
Flying against the wind with this I know, but the second series of Fleabag leaves me rather cold…
“I think you’ve played with my guinea pig long enough”
I’m not sure why I’ve never succumbed to the Fleabag love that has swept the nation. Whether onstage or on screen, Phoebe Waller-Bridge’s magnus opus has never quite done it for me but what do I know – the return of the show, to a West End theatre no less, sold out quickly and the column inches about this second series of the TV show have been mounting up.
And ever the contrarian, this follow-up hasn’t really tickled my fancy either. The one thing that I think it did brilliantly was in its use of the fourth wall, particularly how Andrew Scott’s hot vicar was able to see through it for the loneliness avoidance technique it was and for pure storytelling, I thought it worked very well in terms of humanising a character who has always been rather arch. Continue reading “TV Review: Fleabag Series 2”
Ever pioneers in pushing the boundaries of theatrical enterprise (to wit, the durational readings of The Iliad and The Odyssey), the Almeida Theatre has launched Figures of Speech, a major new digital film project interrogating the vitality of speech, rhetoric, and what visionary leadership sounds like. Conceived by Rupert Goold and directed by Anthony Almeida, Figures of Speech will, deep breath, “place history’s greatest speeches centre stage through a series of films read by a network of actors and young leaders released online, building a tapestry of dynamic voices and ideas from across the world as a dramatic response to social crisis”.
The first suite of films, being released on a day-by-day basis from today, features speeches delivered by American politician Harvey Milk spoken by Ian McKellen; Nelson Mandela spoken by Lucian Msamati; Virginia Woolf spoken by Fiona Shaw; AIDS activist Elizabeth Glaser spoken by Nicola Walker; and Labour Party Politician Neil Kinnock spoken by Ashley Walters. And throughout the year, the Almeida will release more of these films, accompanied by additional material exploring the speeches, the context within which they were first delivered and the choice to revive them in 2017. Continue reading “Figures of Speech, a major new digital project by the Almeida”
“No-one wants to be in calm waters all their life”
Anyone who has read this blog for a wee while will know I’m a sucker for a thesp-heavy cast but not even could have come up with the manifold delights of the ensemble for this 1995 version of Persuasion. Directed by Roger Michell and adapted by Nick Dear, it features Amanda Root and Ciarán Hinds as Anne Elliot and Frederick Wentworth, a once-engaged couple who were pulled apart by societal pressure as he was but a penniless seaman. Eight years later, Anne’s family is struggling to maintain their aristrocratic lifestyle due to overspending but Wentworth is now a captain and highly sought after – might their love be reunited after all? Watch this space…
Root and Hinds are both excellent with hugely subtle performances suggesting the depth of emotion each holds, unable to express how they truly feel and buffeted around a range of alternative marriage proposals as everyone tries to secure the best possible situation for themselves. But real pleasure comes too in the supporting performances, seeing such fantastic actors earlier in their career and tracing something of a journey in their acting careers. Continue reading “DVD Review: Persuasion (1995)”
“I went to sleep and when I woke up, Miriam was standing over me. Whispering.”
This whole blogging malarkey can get a little bit wearing when small things like real life, the day job and editing another website get in the way of going to the theatre most every night and then writing about it. Thus the temptation to eschew a ‘proper’ review for something a bit less demanding and more fun to put together get a little stronger and in the cases when I’m not on official reviewing duty – I’m becoming more inclined to just go with it – example #1, example #2.
So you will have to look elsewhere for serious writing and thinking about this Fiona Shaw/Deborah Warner collaboration on Colm Tóibín’s The Testament of Mary which resides in the Barbican for just a few more days. For I wrote a wee ditty in the pub afterwards and that’s all I am inspired to do. I thank you.
“Mary had a big black bird,
I think it was a vulture.
Her testament was long but dull,
I guess that what’s called culture”
Running time: 80 minutes (without interval)
Booking until 25th May
“We found Shakespeare tough at school”
What a brilliant little film – tucked away on BBC4 but fortunately on the iPlayer for another few days yet, Muse of Fire: A Shakespearean Road Movie is a one hour documentary by actors Giles Terera and Dan Poole exploring the Bard’s reputation for being difficult to understand. This they do by speaking to an astonishing array of people including “ten Oscar nominees, five Oscar winners, one dame, seven knights” along with some of our greatest actors – it’s one of the most impressive roll-calls you’ll see all year (at least until the NT’s 50th bash next week…) – and some regular people too, from estate agents Cambridge to baffled students.
This extraordinary depth of collaboration is at once the strength and the weakness of the film. We get such a wide range of insights from luminaries such as Ian McKellen, Fiona Shaw, Michael Gambon, Judi Dench and Derek Jacobi but there’s only time for snippets, the glorious Frances Barber is seen briefly at the beginning never to reappear and the list of credits at the end show all sorts who haven’t made the final cut. There’s so much fascinating stuff that must have been left on the cutting room floor that one can’t help but be a little frustrated – can we get a director’s cut?! Continue reading “TV Review: Muse of Fire”
John Gassner Playwriting Award
Ayad Akhtar, Disgraced
Paul Downs Colaizzo, Really Really
Joshua Harmon, Bad Jews
Samuel D. Hunter, The Whale
Aaron Posner, My Name Is Asher Lev
Outstanding Actor in a Musical
Bertie Carvel, Matilda the Musical
Santino Fontana, Rodgers & Hammerstein’s Cinderella
Rob McClure, Chaplin: The Musical
Billy Porter, Kinky Boots
Matthew James Thomas, Pippin
Continue reading “Nominations for 2012-2013 Outer Critics Circle Awards”
“Art is opinion, and opinion is the source of all authority”
Not too much to say about Scenes from an Execution as we left at the interval and so any opinion has to take that into account, along with the fact this was actually the first full preview (the previous night’s performance being re-cast as a full dress). Howard Barker’s play, originally written for radio, is centred on Galactia, a sixteenth century Venetian artist who is commissioned to create a giant celebration of the triumphant Battle of Lepanto, but whose strong will and artistic impulses set her firmly at odds with the authorities.
Fiona Shaw returns to the National Theatre to take on this part, directed by Tom Cairns, so it is fair to say that expectations were a little high, but I just wasn’t prepared for the utter lack of engagement that came from the first half. It opens entertainingly enough: a naked man spread-eagled on a rock, an artist sketching him with a smock barely covering her up, a narrator figure flying around (literally) in a big white box (kudos to Hildegard Bechtler’s design). But after the initial set-up, I found little of interest in the portrayal of this fictional painter’s trials and tribulations. Continue reading “Not-a-review: Scenes from an Execution, National Theatre”
“It doesn’t do get mixed up with neurotic women in this business”
Martin Jarvis and Rosalind Ayres have now produced three James Bond stories for Radio 4, the enduring popularity of the spy evidently insatiable and so From Russia With Love was the latest to be broadcast in the Saturday drama slot. I was being a bit of a glutton for punishment in listening to it as I really wasn’t a fan of Goldfinger which I listened to at Christmas, and the same thing that struck me about how old-fashioned it seems with the insistence on keeping Ian Fleming’s voice squarely in the production as the narrator. Fortunately, there aren’t too many interjections but each one breaks the mood of the story and makes it seem annoyingly quaint. This is exacerbated by the very old-school nature of the writing which feels rather out of place in the modern world, at least to me.
I seem to have tumbled for Toby Stephens’ charms though which meant I was much more engaged in the story, which cleaves closely to Fleming’s original in this adaptation by Archie Scottney, which focuses on Bond’s attempts to extract a Soviet army clerk who wants to defect along with a code-breaking device whilst attempting to foil a Rosa Klebb-led plot by the KGB to assassinate him. Stephens made a very personable Bond, unafraid to be a bit more human as his relationship with the Soviet Tatiana Romanova – ex-Holby City’s Olga Fedori in a lovely turn – begins to cloud his judgement. Continue reading “Radio Review: From Russia With Love / My Own Private Gondolier”