Who needs Shakespeare when you have William Oldroyd and Alice Birch to give us a chillingly excellent Lady Macbeth
“I’d rather stop you breathing than have you doubt how I feel”
Based on the book Lady Macbeth of Mtsensk by Nikolai Leskov, William Oldroyd’s Lady Macbeth is a ferocious debut film and written by Alice Birch (no stranger to theatregoers but also making a feature debut here), it is a remarkably forward-thinking piece for that old hoary chestnut that is the British period drama.
Layering in intersectional notions of race and class, not shying away from domestic abuse and violence, it is probably safe to say it is unlike any other film you’ve seen that is set in 1865 England. Trapped into a stifling marriage with a disinterested man with a domineering father and a dour isolated estate in the North East, Katherine resolves not to let this be the sum total of her life. Continue reading “Film Review: Lady Macbeth (2017)”
A contemporary adaptation of King Lear does little to prove its worth on BBC Two
“Some villain hath done me wrong”
A belated visit to this Bank Holiday TV offering and one I should probably have left alone. I’m not the biggest fan of King Lear, nor of Anthony Hopkins if I’m honest. But the notion of a contemporary adaptation and a deluxe level of supporting casting was enough of a draw for me to give it a try.
A co-production between the BBC and Amazon, this Lear has been adapted and directed by Richard Eyre. Trimmed down to a scant couple of hours and located in a contemporary England, it clearly has its eye on new audiences as much as your Shakespearean buff, and I’d be intrigued to know how the former reacted. Continue reading “TV Review: King Lear, BBC Two”
“What’s a man I’ve never met got to do with all of this?”
Having cast an eye over the reviews for Carol Morley’s The Falling, I was interested to see how well it has been received by real cinephiles, their writing suffused with cinematic references to the likes of Lucrecia Martel and Lucile Hadžihalilović, Picnic at Hanging Rock and The Wicker Man. I was interested because the film really turned me off, despite containing many things that I love – not least a cast with Monica Dolan and Maxine Peake and a score by Tracey Thorn, late of Everything But The Girl.
Set in 1969, The Falling concerns an outbreak of what we now call mass psychogenic illness, aka hysterical fainting at an English girls’ school. At the heart of it are best friends Lydia and Abbie, the latter’s exploration of her sexuality (namely by sleeping with the former’s brother) sparking an intensification of feeling which leads to tragedy. And as a result, an epidemic of fainting spells sweeps the school, affecting even staff, unleashing its own torrent of private truths about Lydia’s family circumstances. Continue reading “DVD Review: The Falling”