“That’s why there’s a God; otherwise anything can happen”
Arthur Miller’s titanic All My Sons has been well served in recent years – the late Howard Davies reviving his National Theatre production to stunning effect in 2010 and Michael Buffong illuminating it anew for Talawa Theatre in 2013 – so any new production has big boots to fill. And though seasoned director Michael Rudman comes with quite the track record (including a Tony for his work on Death of a Salesman in 1984), this production doesn’t quite howl with the anguish it could.
Part of the problem lies in Michael Taylor’s design which, whilst superficially impressive, works against the idiosyncratic space of the Rose Kingston and Rudman’s pacing negates far too much of the inherent tension in Miller’s depiction of the souring of the American Dream. So much comes from its slow-burning intensity that it is hard to believe that so many key moments get fudged, their drama fudged into melodrama or in some cases, just missing the beat entirely. Continue reading “Review: All My Sons, Rose Kingston”
“Let the moment go, don’t forget it for a moment though”
As with Shakespeare, plenty of people have strong ideas about how Sondheim ‘should’ be done, so I’m always interested to see a director striking out a little to establish their own vision. Inspiration often comes from the local surroundings – memorably so with Into the Woods at the Open Air Theatre a few years back and intriguingly so with Matthew Xia’s production of the same show for the Royal Exchange in Manchester. Taking Sondheim and James Lapine’s conflation of well-known fairytales and their unseen epilogues and relocating it to a contemporary here and now, this enchanted forest may have lost a little of the overtly magical but gains plenty in an evocation of Mancunian community spirit.
It may not have been the most precisely sung version of the show I’ve ever seen but the depth of performance here with all its colour and heart more than made up for it, rooting these characters perfectly in Xia’s landscape. ‘Agony’ has indeed been camper but Marc Elliott and Michael Peavoy’s modern-day Princes make you listen to the intricacy of the lyrical references like never before, Gillian Bevan’s Witch – a woman truly released from her curse – grows in impressive vocal stature throughout the show, and Natasha Cottriall (who in the interests of full disclosure, is my mother’s cousin’s wife’s sister’s daughter) brings real pathos as well as petulance to her Little Red Riding-hood. Continue reading “Review: Into The Woods, Royal Exchange”
“There’s no room for cynicism in the reviewing of art”
One might equally say there’s no room for cynicism in my reviewing of Mike Leigh’s work, such a fan of his oeuvre am I and the laidback, gruff charms of Mr Turner are no exception, confirming the iconic director in the full flush of his prime. Timothy Spall has already been deservedly rewarded for his wonderfully harrumphing performance of the last 10 years of the life of this most famous of painters and it is a compelling portrait, of a man established in his world as a bachelor, a master painter, and later a lover. Leigh’s episodic style fits perfectly into this biographical mode, dipping in and out of his life with the precision of one of Turner’s paintbrushes, colouring in a captivating collage of his later life.
Spall is excellent but around him, the women in his life provide some of the most hauntingly beautiful moments of the film. As Sarah Danby, the mistress and mother of the two daughters he would not recognise, Ruth Sheen is piercingly vivid, her barely contained fury resonating deeply. As Hannah Danby, her niece who was Turner’s long-suffering and long-serving housekeeper, Dorothy Atkinson is painfully brilliant as a woman subjugated and subdued by his wanton sexual advances, the psoriasis that afflicted her, and her deep love for the man. As “self-taught Scotswoman” and scientist Mary Somerville, Lesley Manville near steals the film in a simply beautiful self-contained vignette. Continue reading “Film Review: Mr Turner (2014)”