“It’s brilliant not to be me”
On my way to Bristol to see Filter take on Macbeth, I thought I would take the opportunity to watch What You Will, a mockumentary that follows an innovative theatre company as they put on a touring production of Twelfth Night. It comes off a little like the behind-the-scenes episode of Acorn Antiques as actors play actors who are in turn acting, so Ferdy Roberts plays a guy called Greg who plays Malvolio in the show – it’s a disarming and discombobulating approach which never quite settles in my opinion.
This devised approach clearly has great appeal for the Filter company and the way they work but it is hard not to think that it overcomplicates the matter somewhat. For when it just plays out, it is really very amusing. The trials of a touring theatre company – the precious egos, the heavy drinking, the thwarted ambitions, the strained relationships, the poor ticket sales, the last minute crises, all are played out as they travel the country touring their show professionally but barely holding it together personally. Continue reading “DVD Review: What You Will”
“Hey, who governs here?”
This is another resuscitation of Filter’s Twelfth Night and its third residency at the Tricycle Theatre in Kilburn. Filter recently appeared in London and toured the UK with their version of Three Sisters, not one I was a fan of and the RSC’s most recent Twelfth Night which I really enjoyed, only left the Duke of York’s in February, but I had heard all sorts of good things about this, so I booked myself a ticket.
Things started brilliantly with a random jamming session and then the eventual arrival of the shipwrecked Viola, clutching handfuls of election leaflet, uttering the words at the top of the review, “who governs here”, it was a genuinely very funny moment and set the mood perfectly. The focus is clearly on the inventiveness with which Filter approach this well-known play. Filter are known for their sonic creativity and the stage is littered with instruments and amps, the cast in modern dress, it’s clear this is no traditional Shakespearean production. So many anarchic tricks are employed that it is hard not to love the heart of this show. There’s a deal of audience participation, yours truly was pulled onstage and had balls thrown at him and his Velcro helmet, others were invited to do tequila shots, we’re also invited to sing along and complete lines, a speech is delivered from a mobile phone held up to a microphone, information is provided by radio, there’s a four way battle of sound effects…it’s a whole load of carefully organised chaos and often great fun. Continue reading “Review: Twelfth Night, Filter at Tricycle Theatre”
“One day you’ll be so bored that you’ll read it”
According to the programme, Christopher Hampton’s version of Three Sisters at the Lyric Hammersmith directed by Sean Holmes and the Filter theatre company, is here to raise “the audience’s otherwise sluggard pulses in a revivifying revival”: what more introduction could we possibly need?!
Three Sisters opens with Irina Prozorova’s name-day celebration, in the provincial Russian town where their late military father had been stationed. Irina and her sisters Olga and Masha make half-hearted attempts to put up with life in their adopted home, but cannot stop longing for their birth town Moscow. We then follow the sisters and a group of acquaintances over a 3 year period as the sisters learn the hard lessons of life. Continue reading “Review: Three Sisters, Lyric Hammersmith”