fosterIAN awards 2019

 WinnerRunner-upOther nominees
Best Actress in a PlaySarah Niles/Natalie Simpson/Racheal Ofori,
Three Sisters
Marieke Heebink,
Medea
Adjoa Andoh,
Richard II

Sharon D Clarke,
Death of a Salesman

Claire Foy,
Lungs

Leah Harvey,
Small Island

Chris Nietvelt,
De Kersentuin
Best Actor in a Play
Lucian Msamati, ‘Master Harold’…and the boysCary Crankson,
Country Music
Tobias Menzies,
The Hunt

Daniel Monks,
Teenage Dick

Wendell Pierce,
Death of a Salesman

Matt Smith,
Lungs

Zubin Varla,
Equus
Best Supporting Actress in a PlayMonica Dolan,
All About Eve
Jackie Pulford,
Karaoke Play
Ronkẹ Adékoluẹjo,
Three Sisters

Janni Goslinga,
De Kersentuin

Pippa Nixon,
The Ocean at the End of the Lane

Cecilia Noble,
Faith Hope and Charity

Gemma Whelan,
Pinter Seven
Best Supporting Actor in a PlayNick Holder,
Faith Hope and Charity
Hugo Koolschijn,
De Kersentuin
Rupert Graves,
Pinter Five

John Heffernan,
Pinter Seven

Martins Imhangbe/Natey Jones,
Death of a Salesman

Arinzé Kene/Sope Dirisu,
Death of a Salesman

Ken Nwosu,
Three Sisters
Best Actress in a MusicalAudrey Brisson,
Amélie the Musical
Kirsty Findlay/Bethany Tennick,
Islander
Lucie Jones/Katherine McPhee,
Waitress

Miriam-Teak Lee,
& Juliet

Samantha Pauly,
Evita

Joanna Riding,
Follies

Zizi Strallen,
Mary Poppins
Best Actor in a MusicalJamie Muscato,
West Side Story (Curve Leicester)
Keith Ramsay,
Preludes
Andy Coxon,
West Side Story (Royal Exchange)

Jordan Fox/Michael Vinsen,
[title of show]

David Hunter,
Waitress
,
Charlie Stemp,
Mary Poppins

Oliver Tompsett,
& Juliet
,
Best Supporting Actress in a Musical
Cassidy Janson/Melanie La Barrie,
& Juliet 
Jocasta Almgill/Emily Langham,
West Side Story (Royal Exchange)
Laura Baldwin/Marisha Wallace,
Waitress

Tiffany Graves/Gabrielle Lewis-Dodson,
The Boy Friend

Claire Machin/Claire Moore,
Mary Poppins

Rebecca McKinnis/Lauren Ward,
Dear Evan Hansen

Carly Mercedes Dyer/Victoria Hamilton-Barritt,
The View UpStairs
,
Best Supporting Actor in a MusicalDavid Bedella,
& Juliet
Jack Butterworth,
The Boy Friend
Ricardo Afonso,
Jesus Christ Superstar

Rob Houchen,
The Light in the Piazza

Samuel Holmes,
Curtains

Cedric Neal,
The View UpStairs

Jez Unwin,
Amélie the Musical

2019 Best Supporting Actress in a Play + in a Musical

Best Supporting Actress in a Play

Monica Dolan, All About Eve
In a star-studded ensemble, it was Dolan’s no-nonsense pseudo-narrator Karen who ended up pulling focus with her every utterance. With Appropriate too, 2019 was a superb year for Dolan and those of us who are captivated by her work.

Honourable mention: Jackie Pulford, Karaoke Play
Scorchingly good in a doozy of a tragicomic role, this is one I wasn’t expecting and entirely typical that it emerged out of the brilliant Bunker. 

Ronkẹ Adékoluẹjo, Three Sisters
Janni Goslinga, De Kersentuin
Pippa Nixon, The Ocean at the End of the Lane
Cecilia Noble, Faith Hope and Charity
Gemma Whelan, Pinter Seven

8-10
Deborah Findlay, Glass. Kill. Bluebeard. Imp.; Jane Horrocks, Pinter Five; Sarah Niles, Richard II

 

Best Supporting Actress in a Musical

Cassidy Janson/Melanie La Barrie, & Juliet
There was just so much superlative work in this category that shortlisting was nigh on impossible. So I doubled up on nominations, recognising how much great work was going on and in that crowded field, the glories of Janson and La Barrie just about edged it. Cassidy belting Céline as if her life depended on it, Mel getting it on in fine fashion (just watch her hips go!) – f**kin’ perfect you might say!

Honourable mention: Jocasta Almgill/Emily Langham, West Side Story (Royal Exchange)
Anita is probably one of my favourite roles in all of musical theatre and Almgill absolutely nailed it with a whirlwind of charismatic personality and pitch-perfect vocals. Langham’s Anybodys was a real surprise though, a near-constant presence in the background but a masterclass in detailed character work. And when ‘Somewhere’ starts…ooff!

Laura Baldwin/Marisha Wallace, Waitress
Tiffany Graves/Gabrielle Lewis-Dodson, The Boy Friend
Claire Machin/Claire Moore, Mary Poppins
Rebecca McKinnis/Lauren Ward, Dear Evan Hansen
Carly Mercedes Dyer/Victoria Hamilton-Barritt, The View UpStairs

8-10
Melissa James/Kate O’Donnell, Gypsy; Rebecca Lock/Carley Stenson, Curtains; Carly Mercedes Dyer/Beth Hinton-Lever, West Side Story (Curve Leicester)

2019 BroadwayWorld UK Awards Shortlist

Best Actor in a New Production of a Musical
Andy Nyman, Fiddler on the Roof, Menier Chocolate Factory
David Hunter, Waitress, Adelphi Theatre
David Ricardo-Pearce, Kiss Me, Kate, The Watermill Theatre
Kayi Ushe, Kinky Boots, UK Tour
Tom Bennett, Only Fools and Horses: The Musical, Theatre Royal Haymarket
Tyrone Huntley, The View UpStairs, Soho Theatre

Best Actress in a New Production of a Musical
Amara Okereke, Oklahoma!, Chichester Festival Theatre
Audrey Brisson, Amélie The Musical, UK Tour
Caroline Sheen, 9 to 5 The Musical, Savoy Theatre
Rebecca Trehearn, Kiss Me, Kate, The Watermill Theatre
Samantha Pauly, Evita, Regent’s Park Open Air Theatre
Sheridan Smith, Joseph and the Amazing Technicolor Dreamcoat, London Palladium Continue reading “2019 BroadwayWorld UK Awards Shortlist”

TV Review: Queers

Mark Gatiss’ Queers – a set of monologues has lost none of its power since premiering in 2017

“He knows me for what I am”

I couldn’t make the theatrical readings of Queers at the Old Vic, so I was glad that filmed versions of them were made (for airing on BBC4). Ricocheting around the decades of the twentieth century, this set of monologues marked 50 years since the Sexual Offences Act of 1967 decriminalised private homosexual acts between men aged over 21, and aimed to celebrate some of the most poignant, funny, tragic and riotous moments of British gay male experience.

Pulled together by Mark Gatiss, these 8 20-minute pieces are ostensibly set in the same bar but run the full gamut of emotion as we shift around in time. There’s exquisite moments of happiness in lives otherwise marked by despair. The fleeting touch from Gatiss’ The Man on the Platform so achingly described by Ben Whishaw, the heady night spent with an American soldier by Ian Gelder’s omi in Matthew Baldwin’s I Miss the War.

Continue reading “TV Review: Queers”

TV Review: Gentleman Jack Series 1

Gentleman Jack proves a huge success, for Sally Wainwight, for Suranne Jones, for lesbian storytelling, for everyone

“So much drama, always, with Anne”

Even with as reliably assured hands as Sally Wainwright’s at the tiller, I was a little nervous for Gentleman Jack in the pride-of-place Sunday evening TV slot. But I should have been surer of my faith, for it has been a stonkingly good 8 hours of drama, with an epically romantic lesbian relationship at its heart.

Anne Lister (Suranne Jones) is a wealthy Yorkshire heiress whose uncompromising nature about any and every aspect of her life rubs any number of people up the wrong way. Ann Walker (Sophie Rundle) is most definitely not one of them though, she wants to be rubbed the right way and so we follow the path of true love as it winds through the prejudices of the Yorkshire Pennines and Anne’s attempts to break into the coal mining world. Continue reading “TV Review: Gentleman Jack Series 1”

Review: Pinter Seven, Harold Pinter Theatre

A Slight Ache and The Dumb Waiter make Pinter Seven a stirring finale to Pinter at the Pinter at the Harold Pinter Theatre

“Speak to me of love”

Pinter Seven is the final entry in the Pinter at the Pinter season of limited-run short play revivals (a full length production of Betrayal then follows to cap everything off) and it is a fitting finale as it draws together two strong pieces in A Slight Ache and The Dumb Waiter and does wonders with both. 

Danny Dyer and Martin Freeman play the slightly inept gunmen of the latter with a real sense of blokish glee as they banter to great effect in setting up for  new job, while both suggesting a darkening and deepening of tone as they move closer to the truth of what they’re doing and why they’re there. Continue reading “Review: Pinter Seven, Harold Pinter Theatre”

TV Review: The Crown, Series 2

A quick whip through Series 2 of The Crown

“History is not made by those who did nothing”

Do I still love The Crown? Yes. Do I still find it a little hard to muster enthusiasm about it until I’m watching it. Absolutely. It remains lavish prestige drama that carries little excitement about it and that’s perhaps inevitable as it trundles through the decades of the second half of the twentieth century, little dramatic surprise can really be sprung.

Instead, the thrills come from the script of Peter Morgan’s fantasia into the emotional life of our monarch, and a production that looks like the multi-millions of dollars that have been spent on it. Oh, and the cream of British acting talent popping in for a scene or two at an astonishingly high rate. Continue reading “TV Review: The Crown, Series 2”

More gay news: casting for Queers

Following yesterday’s Pride-fest, The Old Vic today announced casting for Queers, a series of eight monologues curated by Mark Gatiss. Staged on 28 and 31 July at The Old Vic, they mark 50 years since the Sexual Offences Act of 1967 began the decriminalisation process for homosexuality between men. Queers celebrates some of the most poignant, funny, tragic and riotous moments of British gay male history over the last century. Continue reading “More gay news: casting for Queers”

TV Review: The Moorside Episode 2

“You haven’t lost your faith in people, have you?”

The problem with using superlatives is that it is so easy to get carried away. And having declared the second series of Unforgotten to be sure of being one of the best pieces of television we’ll see this year, I’m now having to add The Moorside to that same category. The first episode blew me away and the second, directed by Paul Whittington and written by Neil McKay, confirmed the show as a devastating tour de force.

Occupying the slightly hazy ground of docudrama, where real-life events are augmented with highly researched dramatised scenes, The Moorside nevertheless smacks of the ring of truth from start to finish. The second instalment picks up with Shannon Matthews having been found by the police and whilst the community who came together so dramatically to search for her celebrate, questions about Karen Matthews’ involvement in the disappearance of her daughter hang ominously in the air. Continue reading “TV Review: The Moorside Episode 2”

TV Review: The Moorside Episode 1

“Anyone tells you you’re not a good mother, you can tell them to shove it up their arse”

Coming from the same creative team as the extraordinary Appropriate Adult, it is no surprise that the first episode of new BBC two-parter The Moorside was a superlative hour of TV, leaving me eagerly awaiting the second instalment next week (just like the good old days, none of your stripping a show across consecutive days here). And as they did by looking at the deeds of Fred and Rosemary West through the experience of the social worker drafted in to assist him, the 2008 case of missing Dewsbury schoolgirl Shannon Matthews is retold here largely through the eyes of Julie Bushby, a friend of Shannon’s mother, who was instrumental in leading the community effort to find the young girl. 

Where Appropriate Adult excelled was in its first-rate casting, securing the services of Emily Watson, Dominic West and a truly fearsome Monica Dolan to lend the work real gravitas. And if The Moorside doesn’t necessarily have an Oscar nominee in its company, it has a no less sensational trio at its core (all with sterling theatrical credits too). Sheridan Smith is the highest profile as Julie Bushby but Gemma Whelan (Game of Thrones’ Yara Greyjoy) more than matches her with a frankly terrifying performance of blankness curdling into disturbing strangeness as Shannon’s mother Karen. And following on from her recent high profile turn in Sherlock, Siân Brooke also excels as her increasingly sceptical friend Natalie. Continue reading “TV Review: The Moorside Episode 1”