Lockdown treat: SIX – The worldwide cast of Queens and 3000 fans perform a lockdown collaboration

A bonus extra Friday treat as this one couldn’t wait – ALL the queens of SIX unite!

All performers gave their time for free to create this video so they would love it if you would consider donating a small amount to a charity that you think might need your help during this time. Below is a short list of suggestions:
πŸ‡¬πŸ‡§ Acting for Others:
https://www.actingforothers.co.uk
πŸ‡ΊπŸ‡Έ Actors Fund:
https://www.actorsfund.org
πŸ‡¦πŸ‡Ί Support Act:
https://www.supportact.org.au 

Nominees for the 8th annual Mousetrap Awards

BEST FEMALE PERFORMER AWARD:
Marisha Wallace as Effie in Dreamgirls
Natalie Kassanga, as Diana Ross in Motown the Musical
Patsy Ferran as Alma in Summer and Smoke
Jodie Steele as Chandler in Heathers

BEST MALE PERFORMER AWARD:
Jonny Labey, as Scott in Strictly Ballroom
John Pfumojena, as Okot in The Jungle
Kyle Soller, as Eric Glass in The Inheritance
John McCrea, as Jamie in Everybody’s Talking About Jamie Continue reading “Nominees for the 8th annual Mousetrap Awards”

The Curtain Up Show Album of the Year 2018 winners

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
WINNER: Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
WINNER: Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
WINNER: Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

The Curtain Up Show Album of the Year 2018 nominees

Best UK Cast Recording
Broken Wings – Original Concept Album
Calendar Girls – Original London Recording
Everybody’s Talking About Jamie – Original West End Cast Recording
Six The Musical – Studio Cast Recording
Working: A Musical – Original London Cast Recording
Young Frankenstein – Original London Cast Recording

Best American Cast Recording
Frozen – Original Broadway Cast Recording
Mean Girls – Original Broadway Cast Recording
My Fair Lady – 2018 Broadway Cast Recording
Once On This Island – New Broadway Cast Recording
Pretty Woman – Original Broadway Cast Recording
The Prom – Original Broadway Cast Recording

Best Solo Album
Audra McDonald – Sing Happy
Carrie Hope Fletcher – When The Curtain Falls
David Hunter – Silver Linings
Louise Dearman – For You, For Me
Natasha Barnes – Real
Sutton Foster – Take Me To The World

Not-a-review: Sylvia, Old Vic

I’m opting not to review Sylvia but rather to haul the Old Vic over the coals for a bit of a shambolic handling of the situation

“Time’s up, there’ll be no more waiting”

Hindsight is a great thing but the team at the Old Vic will have to look back at how they handled the difficult genesis of Sylvia and take some severe lessons. Some things were unquestionably out of their control, like the disruption of cast illness, but others were not. The apparent development of the show from a dance-led piece to a full-blown musical did not happen overnight and so to cite that as an excuse for the piece not being ready, to reclassify the production as a work-in-progress midway through the run is disingenuous to say the least, especially when people are still being charged Β£45 to see it.

It is a piece that is bounding with potential, clicking into a theatre landscape in London which feels unusually switched on at the moment (Misty and Emilia to name but two kicks up its backside), but we do still feel like we’re in rough draft territory here, hence my decision not to review. (It has provoked some strange reactions in the press though – four stars from Billers? Time Out showing their ass about colour-blind casting?) The music by Josh Cohen and DJ Walde and the book by Kate Prince and Priya Parmar both need substantial refinement from its baggy three hours plus, but you can see the work being put in, and which will continue to be put in until Sylvia re-emerges (next year apparently) better equipped to smash that patriarchy.

 

Album Review: Six the Musical cast recording

Thwarted in my attempts to see Six the Musical this week, the release of the brilliant cast recording couldn’t be better timed

“Too many years lost in his story”

We only got about 15 minutes of Six the Musical on Thursday night before a technical problem halted the performance, which was eventually then cancelled. So the release of the cast recording of the show couldn’t have been better timed until I work out how when I can fit in a rescheduled visit to the Arts Theatre.

Toby Marlow and Lucy Moss’ raucous reclamation of history…sorry, herstory, had a hugely successful run in Edinburgh after its initial showcase at the Arts at the beginning of the year. And it has maintained that buzz in fine style in capturing the attentions of a devoted audience, a portion of whom made the atmosphere for that initial quarter of an hour totally electric. Continue reading “Album Review: Six the Musical cast recording”

Review: Collective Rage – A Play in Five Betties, Southwark Playhouse

“My PUSSY is not gonna do the acting. 
I am gonna do the acting. 
In THE THEA-TAH.”

As Collective Rage‘s sub-title suggests, there’s a whole lotta Betty in Jen Silverman’s play. From an Upper East Sider unhappy with her husband to a disillusioned Latina, a younger woman also unhappy with her husband to a genderqueer ex-con via a lesbian would-be mechanic, it turns out – in some ways – we are all Betty, #JeSuisBetty, #BettysArmy.

For these five particular and very different Betties though, being brought together by the power of theatre provides an opportunity to explore something more about their Bettiness. They investigate hidden desires, bristle at others’ ambitions, discover the power of their own vagina in one case, and with a raucous, drag cabaret inspired vibe, is punchily energetic.  
Continue reading “Review: Collective Rage – A Play in Five Betties, Southwark Playhouse”

Review: Six, Arts Theatre

Promotional image for Six at the Arts Theatre

What hurts more than a broken heart?
A severed head‘”

Lots of fun to be had with Sixan anarchic look at the roll-call of women who hitched their wagon to Henry VIII’s marital train. Toby Marlow and Lucy Moss’ fiercely modern style owes as much to the feminist punch of Lizzie as it does to the ground-breaking approach to history of Hamilton ,  and proved a highly entertaining hour of late-night theatre to brighten up a Monday night.

Quite why it has been shunted away to a handful of performances in a weekly slot at the Arts Theatre I’m not sure, though it has had the effect of ensuring a ‘sell-out season’ and amplified the love it has been receiving on social media and IRL too. Which is no bad thing I guess and hopefully will lead to some further life for Six, hopefully holding onto this cast, particularly the excellent Genesis Lynea.