A post-modern take on porn and patriarchy, I can’t help but want to be finished off better by Wood at the VAULT Festival
The hour long timeslots of the VAULT Festival mean that although there’s a lot of great theatre on offer, there isn’t always the greatest adventurousness with form. Which is only fair, if you’ve got to be in and out in 50-odd minutes and keep your audience with you, there’s precious little time to get tricksy.
Which makes Adam Foster’s Wood all the more impressive for its formal daring in its metatheatrical layers. And speaking of going in and out, it’s a play about porn and the patriarchy. It’s also about power dynamics and the past and whether we’ve really made any progress in the face of the straight, white, male hegemony. Continue reading “Review: Wood, VAULT Festival”