A Very West End Christmas
A rather special project, A Very West End Christmas has gathered up a group of nearly 50 musical theatre performers to record an EP of 5 Christmas classics for a number of charitable causes – Great Ormond Street’s Giggin’ for Good, West End Fests for CRY UK and The Band Aid Charitable Trust. It’s a steal at £3.95 for the EP and with some seriously great talent onboard, assembled by co-producers Kris Rawlinson and Darren Bell, it’s a mostly very good listen.
The strongest numbers are, a little perversely, actually the ones which don’t feature the full choir. Michael Xavier croons perfectly through ‘The Christmas Song’ (although it is sad that there is no accompanying video of him roasting his chestnuts…), Chloe Hart and Jeremy Hart have lots of fun in a swinging ‘Baby It’s Cold Outside’, and there’s an interesting arrangement of’ O Holy Night’ featuring Sabrina Aloueche, Jodie Jacobs and Katie Payne (though that song will always belong to Hannah Waddingham for me). Continue reading “Christmas music 2013”
”You wonder where your heart can go”
As unlikely as it seems, there are still Rodgers and Hammerstein shows that have never been performed in the UK and in the hope of unearthing a little gem, Sasha Regan’s Union Theatre took on the 1955 flop Pipe Dream and given it the chamber treatment. Some of the songs may be familiar from State Fair which was recently very well-revived by the Finborough and unfortunately, it’s a comparison which does Pipe Dream few favours, as I couldn’t help but feel that this show had little to really commend it and pretty much deserves the obscurity in which it has languished.
Based on two John Steinbeck novels, Sweet Thursday and Cannery Row, the show focuses on the deadbeat end of society – prostitutes and layabouts populate this Depression-era world, an innovation which popular wisdom would have was too outrageous for 1950s audiences. The problem seems more to be the coyness with which Rodgers and Hammerstein treat this though – Suzy the heroine of the show works in the local whorehouse yet the conservatism of the writing never explains it properly, and this cripples her burgeoning relationship with marine biologist Doc which forms the backbone of the show, their pairing stuttering and staggering over obstacles which are never quite clear. Continue reading “Review: Pipe Dream, Union”
“I’ve just got a feeling, tonight’s the night!”
Much of the attention on London fringe musicals goes to the pocket powerhouses south of the river like the Union and the Landor but some of the most exciting productions are to be found above a pub in Highgate. Under John and Katie Plews’ artistic directorship, they have regularly secured the rights to host the first London fringe productions of such massive shows like Buddy and Guys and Dolls and have done so to great acclaim. And they’ve done it once again by putting on the fringe premiere of Gershwin songbook musical Crazy For You, last seen here at the Open Air Theatre and then the West End.
Although based on the Gershwin production Girl Crazy, this is a relatively new show that was reconceived to feature more gems from the Gershwin back catalogue. Ken Ludwig’s book is a frothily light thing, a boy and a girl from different worlds fall for each other even though his family bank is about to close down her family business, including a theatre, and the only way to save the day and any chance of love is to put on a show. It’s silly but charming, wit and warmth are the order of the day and John Plews’ production never loses sight of that. Continue reading “Review: Crazy For You, Upstairs at the Gatehouse”