The use of real-life couples makes Episode 2 of Unprecedented a very strong entry – superb work from Gemma Arterton, Arthur Darvill and Cecilia Noble among others
“I can be there for you, even from here”
Episode 2 of Unprecedented, Headlong and Century FIlm’s creative rapid-response to coronavirus definitely managed to take advantage of acting households, as husbands and wives abounded (Arthur Darvill and Inès De Clercq, Gemma Arterton and Rory Keenan, Olivia Williams and Rhashan Stone), offering up a different texture than just the single person shots that dominated the first episode.
Tim Price’s Romantic Distancing, directed by Jeremy Herrin, was really rather swooningly lovely. Darvill and De Clercq playing a couple who’ve only been together for a couple of months and trying to work out if staying together, whilst isolating apart, is worth it. The switch into Once-style balladry worked beautifully for me and it’s kinda hard not to root for this pair. Continue reading “TV Review: Unprecedented, Episode 2”
Headlong and Century Films have today announced a cast of over 50 UK actors taking part in Unprecedented: Theatre from the State of Isolation. A series of new digital plays written in response to the current Covid-19 Pandemic, Unprecedented will be broadcast across the nation during lockdown as part of BBC Arts’ Culture in Quarantine initiative.
Written by celebrated playwrights and curated by Headlong, Century Films and BBC Arts, Unprecedented explores our rapidly evolving world, responding to how our understanding and experiences of community, education, work, relationships, family, culture, climate and capitalism are evolving on an unprecedented scale. The series will ask how we got here and what the enduring legacy of this historic episode might be. Continue reading “News: cast announced for Unprecedented: Theatre from a State of Isolation”
Baron Fellowes of West Stafford stretches not a single muscle in pumping out more of the same in the tiresomely dull Downton Abbey the movie
“I want everything to stop being a struggle”
To crib the tagline of a certain jukebox musical (here we go again…) you already know whether you’re a fan of Downton Abbey the movie. By any stretch of the imagination, it is just an extension of the TV series and so is guaranteed to maintain that same level of comfort that you have always got from the Granthams et al, whether that’s good or bad.
For me, it means a thoroughly unchallenging film and one which proves increasingly dull. (For reference, I’ve only ever seen (some of) the Christmas Day episodes as my parents are fans.) The hook of the film is that it is now 1927 and King George V and Queen Mary are coming to stay for the evening and heavens to Betsy, we’re all of a dither. Continue reading “Film review: Downton Abbey (2019)”
IT STARTS WITH A SPEECH
This award is for those that made the speech night after night encouraging audiences to donate, making a huge impact during the Bucket Collections in 2018.
Winner: John Partridge
FABULOUS FUNDRAISING AWARD
This award is for the most inventive way of fundraising for Acting for Others.
Winner: Patti LuPone Continue reading “Golden Bucket Awards 2019”
“You really believe you haven’t been enough for me?
No. I think I was enough for you, I’m just not sure you do.”
Andrew Haigh’s last cinematic work Weekend is easily labelled a gay film, but truly at its heart is an aching love story in its infancy. And the same is true of 45 Years at the other end of the spectrum – a movie about old people but more than that, what happens to love in the course of a long relationship – in this case, a marriage of 45 years between Kate and Geoff Mercer.
Adapted by Haigh from the short story In Another Country by David Constantine, the Mercers reside in placid retirement in the Norfolk they’ve always lived and worked in, plotting a big celebration for their 45th wedding anniversary. Their preparations are disrupted though when a letter arrives from Switzerland, notifying Geoff of the discovery of the body of Katya, his ex-girlfriend who fell into an Alpine crevasse 50 years ago. Continue reading “DVD Review: 45 Years”
“What could be a more innocent or harmless pastime than reading”
Another of Austen’s novels that I haven’t quite gotten round to reading, Northanger Abbey was thus a brand new beast to me and so something of a queer little thing. Its mixture of naïve girlishness and gothic fantasy is winsomely portrayed by Felicity Jones as the ingenuish Catherine Morland and the ever-so-handsome JJ Field as Henry Tilney, but I found it very hard to get into the story or really care for it.
It’s always nice to see Sylvestra Le Touzel, here a friend of the family who introduces the book-obsessed Catherine into Bath society with her husband, the equally kindly Desmond Barrit, and Carey Mulligan is surprisingly fresh as the spirited Isabella. But the use of Geraldine James’ voice as a narrator in the form of Jane Austen herself sits a little oddly and altogether, this was one of my least favourite films in this whole exercise.
“He doesn’t treat me like a princess”
There was a frisson of excitement in putting on the DVD of Oliver Hirschbiegel’s Diana in the knowledge that we were about to watch something that many had declared ‘so bad it is good’, but even I couldn’t have expected just how true that sentiment would turn out in what has to be one of the most hilariously misjudged films of recent years. One now understands a little better why multi-Oscar nominee Naomi Watts, who takes on the eponymous role, had difficulties on the press tour for the film (though not necessarily why she took on the part in the first place).
Written by Stephen Jeffreys and based on an unofficial biography by Kate Snells, it follows the late Princess of Wales in the last two years of her life and claims that an affair with British-Pakistani surgeon Hasnat Khan blossomed into the real love of her life. But rather than try to tell a story with fleshed-out characters, the film is wedded to a misguided sense of loyalty to Diana, using actual newspaper headlines and speeches as hooks, presumably as a way of trying to stay true to her legacy but falling back on cheesy montages and execrable dialogue for the vast majority of the time as any two-bit biopic has to. Continue reading “DVD Review: Diana”
“All over the country, women are getting less because they’re women”
I thought this would make an appropriate film review for International Women’s Day, it being a celebration of the sewing machinists whose ground-breaking 1968 strike at the Ford Dagenham plant laid the basis for the Equal Pay Act of 1970, enshrining the right of equal pay for equal work. Nigel Cole’s 2010 film, written by William Ivory around the real life events, has been turned into a musical which will be opening at the end of the year, Gemma Arterton taking the lead role under Rupert Goold’s direction, but she has a lot to live up against the glorious Sally Hawkins and what is a rather lovely film.
Made in Dagenham very much fits into the well-established working class Brit flick template – think The Full Monty, Brassed Off, Calendar Girls… – in that it is never particularly challenging, it revels in period cliché and can definitely be described as heart-warming. But also like those films, it does have a little grit at its base, realism (of sorts) is allowed to temper the optimism that drives this huge moment of social change, the individual struggles of these women co-existing with the collective battle to great effect and backed by a super cast, it is frequently moving. Continue reading “DVD Review: Made In Dagenham”
“Oh we’ll make him suffer, but will he make himself?”
This 2002 BBC2 adaptation of Crime and Punishment by Tony Marchant is a rather good bit of television – it may be a goodly while since I read Dostoevsky’s novel but it struck me as a respectful interpretation of the story, though not overly so, and one which makes the most of the televisual approach. Directed by Julian Jarrold, it employs a vivid array of camerawork – from jerky handheld work to epic sweeps of the St Petersburg location – to really capture the idiosyncrasies of the story.
Jarrold really takes us into the mind of impoverished student Raskolnikov, a man who makes a virtue of his immorality in coming up with a plan to murder an unscrupulous pawnbroker as a justifiable good deed to the world at large. Fevered dream sequences, intensely visceral interactions, we delve right into his highly disorientated state of being as he struggles to ratify his choices in the face of their impact on his friends and family and as the law encroaches in on him. Continue reading “DVD Review: Crime and Punishment (2002)”
“We found Shakespeare tough at school”
What a brilliant little film – tucked away on BBC4 but fortunately on the iPlayer for another few days yet, Muse of Fire: A Shakespearean Road Movie is a one hour documentary by actors Giles Terera and Dan Poole exploring the Bard’s reputation for being difficult to understand. This they do by speaking to an astonishing array of people including “ten Oscar nominees, five Oscar winners, one dame, seven knights” along with some of our greatest actors – it’s one of the most impressive roll-calls you’ll see all year (at least until the NT’s 50th bash next week…) – and some regular people too, from estate agents Cambridge to baffled students.
This extraordinary depth of collaboration is at once the strength and the weakness of the film. We get such a wide range of insights from luminaries such as Ian McKellen, Fiona Shaw, Michael Gambon, Judi Dench and Derek Jacobi but there’s only time for snippets, the glorious Frances Barber is seen briefly at the beginning never to reappear and the list of credits at the end show all sorts who haven’t made the final cut. There’s so much fascinating stuff that must have been left on the cutting room floor that one can’t help but be a little frustrated – can we get a director’s cut?! Continue reading “TV Review: Muse of Fire”