New virtual exhibition of stars of stage and screen, including Andrew Scott, Dame Judi Dench, Cate Blanchett and Jake Gyllenhaal, backstage by legendary theatre photographer Simon Annand
The thrilling experience of seeing actors live on stage is under threat during the present Covid restrictions. Theatres have been closed and this new book – Time To Act – reminds us of what we are missing. Through the eyes of this legendary photographer we observe how the performers get ready to astonish their audience.
To celebrate the publication of Simon Annand’s Time To Act, a virtual exhibition will be launched on 5th October (TimeToActPhotos.com) showcasing selected images from the book; some of which will be available for sale. The virtual exhibition will be re-hung on a weekly basis until early November.
Continue reading “News: virtual exhibition of Simon Annand’s backstage photography to accompany new book Time To Act”
Kwame Kwei-Armah, Artistic Director of the Young Vic, has announced the start of the Young Vic’s 50th birthday with a year-long programme of work entitled We are the New Tide, dedicated to the theatre’s milestone birthday.
The 50th birthday year of work begins with three major commissions:
- The New Tomorrow– for the first piece of live theatre since the pandemic closed UK theatres, this weekend festival of speeches and monologues asks what the next fifty years hold. Writers and artists Jade Anouka, Marina Carr, Jasmine Lee-Jones, Ruth Madeley, Amy Ng, Stef Smith, Jack Thorne, Isobel Waller-Bridge and Steve Waters will explore the change that has come and is coming. Cast to be announced.
3 & 4 October, 4pm, Main House, free
With a long list of major founding donors, including Danny Boyle, Emilia Clarke, Tom Hiddleston, James McAvoy, Ian McKellen, Daniel Radcliffe, Emma Thompson and Rachel Weisz, the Theatre Community Fund has received a pledge of £1 million.
Some of the biggest names from British stage and screen have joined together to support creatives in the beleaguered theater industry as it struggles to survive the COVID-19 crisis.
Created by Phoebe Waller-Bridge, Olivia Colman and theatre producer Francesca Moody (who was the original producer of Waller-Bridge’s Fleabag stage show), the newly-launched Theatre Community Fund has already received a pledge of £1 million and amassed £500,000, having signed up a who’s who of actors, directors, writers and producers as founding donors. Continue reading “News: Phoebe Waller-Bridge and Olivia Colman launch theatre support fund”
The National Theatre has today announced further productions that will be streamed live on YouTube every Thursday at 7PM BST via the National Theatre’s YouTube channel as part of National Theatre at Home; the new initiative to bring content to the public in their homes during the Coronavirus outbreak. The titles announced today include productions from partner theatres which were previously broadcast to cinemas by National Theatre Live. Continue reading “News: National Theatre at Home Phase 3”
BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre
BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”
Ivo van Hove’s take on All About Eve ticks all my boxes at the Noël Coward Theatre, great work from Gillian Anderson, Lily James and a stellar Monica Dolan
“I’ll admit I may have seen better days, but I’m still not to be had for the price of a cocktail, like a salted peanut”
This isn’t the production to change people’s mind about Ivo van Hove. His style is so thoroughly ingrained, his team of collaborators so deeply embedded, that you couldn’t play a drinking game watching one of his shows and stay standing. Live video feed, drink! Backstage people wandering round, drink! A moody slow rise, drink! But what you also get is an amazing calibre of actor throwing themselves headlong into the work, ever-innovative ways of using theatrical space, and the kind of emotional intensity that remains rare. Drink drink drink!
Now that we’re comfortably sloshed, I can tell you that I loved All About Eve (and I only had one G&T, honest). You’ll have to look elsewhere for critiques on how good an adaptation of Joseph L Mankiewicz’s film of the same name and Mary Orr’s play The Wisdom of Eve it is, I ain’t seen either and wanted to go into this sight unseen. What I can talk about is the startling insight offered by the actress’s-eye view, projected onto screens from a camera built into a dressing room mirror. About Gillian Anderson’s titanic performance. About Sheila Reid’s welcome return to the stage. About Monica fucking Dolan. Continue reading “Review: All About Eve, Noël Coward Theatre”
So much to keep on top of – pics from All About Eve, videos from Waitress, foodie secrets from Gingerline and casting news from Emilia
We’re just three weeks away from All About Eve starting previews and these rehearsal pics ought to whet anyone’s appetite.
And more importantly if you’ve not booked yet, details have been released about day seats and a front row lottery – this will definitely not be one to miss.
Day Seats: Available in person at the Box Office from 10am on a first come, first served basis. Maximum x2 per person. Limited availability. £25.00 per ticket.
Front Row Lottery: In partnership with Today Tix. More information on how to enter will be announced on the All About Eve social media channels from Friday 25 January 2019. Maximum x2 per person. £25.00 per ticket. Continue reading “Some goodies for a cold January Thursday”
Sonia Friedman Productions and Fox Stage Productions present the world premiere of Ivo van Hove’s highly anticipated stage production of the 1950 Twentieth Century Fox film All About Eve.
“Fasten your seat belts. It’s going to be a bumpy night”
Tickets for All About Eve are now on general sale (10am on Friday 28th September) with reduced priced previews beginning on 2nd February 2019 and over 20,000 tickets being made available at £25 or under during the run.
There’s also been more casting news about who is joining Gillian Anderson and Lily James in the company, plus a double Mercury Prize-winner now providing the music for the show. All is revealed after the jump. Continue reading “News: All About Eve tickets now on general sale”
“The murderer is never the one you initially suspect”
A real treat here for fans of Agatha Christie as Crooked House is one of the few novels of hers that has yet to be adapted for the screen. With a screenplay by Julian Fellowes, Tim Rose Price and Gilles Paquet-Brenner, the latter of whom also directs, a curious release strategy sees it materialise on Channel 5 in the UK despite it being blessed with the kind of castings and high production values that you’d’ve thought would be destined for the cinema.
The story begins as so many of them do, with a murder. This time it is wealthy 80-some tycoon Aristide Leonides who kicks the bucket and the finger of suspicion doesn’t know where to point as it could any one of the disillusioned family members who also lived in the sumptuous family pile. His grand-daughter secures the services of a private investigator to look into the case discreetly and thus the mystery begins.
Continue reading “Film Review: Crooked House (2017)”
Last year, I made a weekly feature out of short film reviews (if you explore the film tag
, you can find them all) but in the name of reclaiming some semblance of a normal life, I’ve put them on hold. Things still pop into my awareness or my inbox though so I thought I’d flag these up.
Not quite a short film but an interactive video game, 5 Minutes
features newly-announced Beowulf
Kieran Bew (and it’s good news, he’s a bearded Bew in this one) as a father trapped in a zombie nightmare with his teenage daughter. You can select three levels of difficulty to help them through their journey to try and escape the zombie curse (I’ve managed medium, just about) and it is all rather well done. I’m no expert at all in this kind of thing though so make of it what you will!
And Pet Shop Girls is a delightfully surreal sitcom in the making, full of off-kilter characters and wryly amusing dialogue as we follow a day in a high street pet shop. Written by Kirsty Woodward, Luke Norris and Ed Hancock and directed by Ben Aldridge, it really is rather good, you could imagine it slotting into BBC3’s schedule quite easily.
A little behind the times here – The Departure saw Gillian Anderson reprise her award-winning role as Blanche DuBois as Andrew O’Hagan’s short film imagined a prequel to Tennessee Williams’ A Streetcar Named Desire
. It acts as a kind of prologue to Benedict Andrews’ production, taking place in the modern day and in the days before she arrives at her sister’s home. Directed by Anderson herself, it offers intriguing layers of backstory to events and places merely mentioned in the play proper and has a darkly theatrical feel to it.