2019 Laurence Olivier Awards nominations

BEST ACTOR IN A SUPPORTING ROLE IN A MUSICAL
Jonathan Bailey for Company at Gielgud Theatre
Clive Carter for Come From Away at Phoenix Theatre
Richard Fleeshman for Company at Gielgud Theatre
Robert Hands for Come From Away at Phoenix Theatre

BEST ACTRESS IN A SUPPORTING ROLE IN A MUSICAL
Patti LuPone for Company at Gielgud Theatre
Ruthie Ann Miles for The King And I at The London Palladium
“The Queens” – Aimie Atkinson, Alexia McIntosh, Millie O’Connell, Natalie Paris, Maiya Quansah-Breed and Jarneia Richard-Noel – for Six at Arts Theatre
Rachel Tucker for Come From Away at Phoenix Theatre Continue reading “2019 Laurence Olivier Awards nominations”

Review: All About Eve, Noël Coward Theatre

Ivo van Hove’s take on All About Eve ticks all my boxes at the Noël Coward Theatre, great work from Gillian Anderson, Lily James and a stellar Monica Dolan

“I’ll admit I may have seen better days, but I’m still not to be had for the price of a cocktail, like a salted peanut”

This isn’t the production to change people’s mind about Ivo van Hove. His style is so thoroughly ingrained, his team of collaborators so deeply embedded, that you couldn’t play a drinking game watching one of his shows and stay standing. Live video feed, drink! Backstage people wandering round, drink! A moody slow rise, drink! But what you also get is an amazing calibre of actor throwing themselves headlong into the work, ever-innovative ways of using theatrical space, and the kind of emotional intensity that remains rare. Drink drink drink!

Now that we’re comfortably sloshed, I can tell you that I loved All About Eve (and I only had one G&T, honest). You’ll have to look elsewhere for critiques on how good an adaptation of Joseph L Mankiewicz’s film of the same name and Mary Orr’s play The Wisdom of Eve it is, I ain’t seen either and wanted to go into this sight unseen. What I can talk about is the startling insight offered by the actress’s-eye view, projected onto screens from a camera built into a dressing room mirror. About Gillian Anderson’s titanic performance. About Sheila Reid’s welcome return to the stage. About Monica fucking Dolan. Continue reading “Review: All About Eve, Noël Coward Theatre”

Some goodies for a cold January Thursday

So much to keep on top of – pics from All About Eve, videos from Waitress, foodie secrets from Gingerline and casting news from Emilia

We’re just three weeks away from All About Eve starting previews and these rehearsal pics ought to whet anyone’s appetite.

And more importantly if you’ve not booked yet, details have been released about day seats and a front row lottery – this will definitely not be one to miss.

Day Seats: Available in person at the Box Office from 10am on a first come, first served basis. Maximum x2 per person. Limited availability. £25.00 per ticket.
Front Row Lottery: In partnership with Today Tix. More information on how to enter will be announced on the All About Eve social media channels from Friday 25 January 2019. Maximum x2 per person. £25.00 per ticket. Continue reading “Some goodies for a cold January Thursday”

News: All About Eve tickets now on general sale

Sonia Friedman Productions and Fox Stage Productions present the world premiere of Ivo van Hove’s highly anticipated stage production of the 1950 Twentieth Century Fox film All About Eve.

Fasten your seat belts. It’s going to be a bumpy night

Tickets for All About Eve are now on general sale (10am on Friday 28th September) with reduced priced previews beginning on 2nd February 2019 and over 20,000 tickets being made available at £25 or under during the run.

There’s also been more casting news about who is joining Gillian Anderson and Lily James in the company, plus a double Mercury Prize-winner now providing the music for the show. All is revealed after the jump. Continue reading “News: All About Eve tickets now on general sale”

Film Review: Crooked House (2017)

“The murderer is never the one you initially suspect”

A real treat here for fans of Agatha Christie as Crooked House is one of the few novels of hers that has yet to be adapted for the screen. With a screenplay by Julian Fellowes, Tim Rose Price and Gilles Paquet-Brenner, the latter of whom also directs, a curious release strategy sees it materialise on Channel 5 in the UK despite it being blessed with the kind of castings and high production values that you’d’ve thought would be destined for the cinema.
 

The story begins as so many of them do, with a murder. This time it is wealthy 80-some tycoon Aristide Leonides who kicks the bucket and the finger of suspicion doesn’t know where to point as it could any one of the disillusioned family members who also lived in the sumptuous family pile. His grand-daughter secures the services of a private investigator to look into the case discreetly and thus the mystery begins.

Continue reading “Film Review: Crooked House (2017)”

Short Film Review #62

Last year, I made a weekly feature out of short film reviews (if you explore the film tag, you can find them all) but in the name of reclaiming some semblance of a normal life, I’ve put them on hold. Things still pop into my awareness or my inbox though so I thought I’d flag these up. 
Not quite a short film but an interactive video game, 5 Minutes features newly-announced Beowulf Kieran Bew (and it’s good news, he’s a bearded Bew in this one) as a father trapped in a zombie nightmare with his teenage daughter. You can select three levels of difficulty to help them through their journey to try and escape the zombie curse (I’ve managed medium, just about) and it is all rather well done. I’m no expert at all in this kind of thing though so make of it what you will!
And Pet Shop Girls is a delightfully surreal sitcom in the making, full of off-kilter characters and wryly amusing dialogue as we follow a day in a high street pet shop. Written by Kirsty Woodward, Luke Norris and Ed Hancock and directed by Ben Aldridge, it really is rather good, you could imagine it slotting into BBC3’s schedule quite easily. 

A little behind the times here – The Departure saw Gillian Anderson reprise her award-winning role as Blanche DuBois as Andrew O’Hagan’s short film imagined a prequel to Tennessee Williams’ A Streetcar Named Desire. It acts as a kind of prologue to Benedict Andrews’ production, taking place in the modern day and in the days before she arrives at her sister’s home. Directed by Anderson herself, it offers intriguing layers of backstory to events and places merely mentioned in the play proper and has a darkly theatrical feel to it.

2015 Laurence Olivier Awards nominations

Best New Play 
King Charles III by Mike Bartlett – Almeida / Wyndham’s
Taken at Midnight by Mark Hayhurst – Theatre Royal Haymarket
The Nether by Jennifer Haley – Duke of York’s
Wolf Hall / Bring up the Bodies by Hilary Mantel, adapted by Mike Poulton – Aldwych

Best New Musical
Beautiful – Aldwych
Here Lies Love – National Theatre Dorfman
Memphis – Shaftesbury
Sunny Afternoon – Hampstead / Harold Pinter

Best Revival 
A Streetcar Named Desire – Young Vic
A View from the Bridge – Young Vic / Wyndham’s
My Night with Reg – Donmar Warehouse / Apollo
Skylight – Wyndham’s
The Crucible – Old Vic Continue reading “2015 Laurence Olivier Awards nominations”

fosterIAN awards 2014

 WinnerRunner-upOther nominees
Best Actress in a PlayGillian Anderson, A Streetcar Named Desire Chris Nietvelt & Halina Reijn, Maria Stuart (Toneelgroep Amsterdam) Linda Bassett, Visitors
Susannah Fielding, The Merchant of Venice (Almeida)
Denise Gough, Adler and Gibb
Imelda Staunton, Good People
Best Actor in a PlayCary Crankson, The Saints Jack Holden, Johnny Get Your Gun Jonathan Broadbent, My Night With Reg
Chris Connel, Wet House
Harry Melling, peddling
Mark Strong, A View From The Bridge
Best Supporting Actress in a PlayVanessa Kirby, A Streetcar Named DesirePhoebe Fox & Nicola Walker, A View From The Bridge Blythe Duff, The James Plays
Liz White, Electra
Lydia Wilson, King Charles III
Best Supporting Actor in a PlayJoe Caffrey, Wet House Hans Kesting, Maria Stuart (Toneelgroep Amsterdam) Patrick Godfrey, Donkey Heart
Julian Ovenden, My Night With Reg
Hugh Skinner, Thérèse Raquin (Theatre Royal Bath)
Geoffrey Streatfeild, My Night With Reg
Best Actress in a MusicalImelda Staunton, Gypsy Gemma Arterton, Made in Dagenham Charlotte Baptie, Free As Air
Natalie Mendoza, Here Lies Love
Christina Modestou, In The Heights
Sophie Thompson, Guys and Dolls
Best Actor in a MusicalSam Mackay, In The Heights Benjamin Scheuer, The Lion Adrian der Gregorian, Made In Dagenham
Killian Donnelly, Memphis
Jon Robyns, The Last Five Years
Jeremy Secomb, Sweeney Todd (Tooting Arts Club)
Best Supporting Actress in a MusicalJenna Russell, Urinetown Lara Pulver, Gypsy Samantha Bond, Dirty Rotten Scoundrels
Victoria Hamilton-Barritt, In The Heights
Kiara Jay, Sweeney Todd (Tooting Arts Club)
Zoe Rainey, The Return of the Soldier
Best Supporting Actor in a MusicalJason Pennycooke, Memphis Aaron Tveit, Assassins Damian Buhagiar, In The Heights
Tyrone Huntley, Memphis
Nadim Naaman, Sweeney Todd (Tooting Arts Club)
Jonathan Slinger, Urinetown

The 2014 fosterIAN award winners


 
 

 

My favourite shows of 2014 (worthy of a never-ending Capaldi gif)

1. A View from the Bridge, Young Vic
2. A Streetcar Named Desire, Young Vic
3. In The Heights, Southwark Playhouse
4. Here Lies Love, NT
5. Gypsy, CFT
6. Maria Stuart, Toneelgroep Amsterdam
7. Mr Burns, Almeida
8. Sweeney Todd, Tooting Arts Club
9. King Charles III, Almeida
10. The Wild Duck, Belvoir Sydney
11. Visitors, Arcola/Bush
12. Medea, Toneelgroep Amsterdam
13. Good People, Hampstead
14. Adler & Gibb, Royal Court
15. Free As Air, Finborough
16. No Barriers With Barriers
17. Dark Vanilla Jungle, Soho
18. Johnny Got His Gun, Southwark Playhouse
19. Made in Dagenham, Adelphi
20. Wet House, Soho
21. The James Plays, NT
22. Next Fall, Southwark Playhouse
23. My Night With Reg, Donmar
24. True West, Tricycle
25. The Silver Tassie, NT Continue reading “The 2014 fosterIAN award winners”

2014 Best Actress in a Play + in a Musical


Best Actress in a Play

Gillian Anderson, A Streetcar Named Desire
In what proved to be a banner year for brilliant female performances, narrowing this category down to 10 proved nigh on impossible (indeed, the 10 is actually a 11 and I can’t tell you how it killed me to miss Helen McCrory who was just on the cusp). But after much consideration, it is Gillian Anderson’s Blanche DuBois who takes the prize. Star casting it may have been but resulting in a performance of the highest wattage, Anderson’s modern-day leading lady was captivating from the moment she tottered onto the revolving stage and kept us transfixed until the bitter, bitter end as she broke everyone’s heart with the most devastating of exits.

Honourable mention: Halina Reijn/Chris Nietvelt, Maria Stuart (Toneelgroep Amsterdam)
When rounding up a year’s worth of theatre, it can be difficult to avoid focusing on the shows seen more recently but even though Maria Stuart was one of the last things I saw this December, I left the theatre in Amsterdam utterly convinced I’d seen one of the best productions of the year and in Halina Reijn’s Mary and Chris Nietvelt’s Elizabeth, two of the fiercest, most impassioned portrayals on women on the stage. Wrestling with the duties of statehood, the practicalities of being a woman in a man’s world, the very nature of power itself, these two actors inhabited the very substance of Schiller’s text and brought it to extraordinary life.

Linda Bassett, Visitors
Susannah Fielding, The Merchant of Venice (Almeida)
Denise Gough, Adler and Gibb
Imelda Staunton, Good People

7-10
Lisa Diveney, Donkey Heart; Sophie Gråbøl, The James Plays; Marieke Heebink, Medea (Toneelgroep Amsterdam); Sinéad Matthews, Pests


Best Actress in a Musical

Imelda Staunton, Gypsy
We knew this was going to be good, but I don’t think anyone dared dream it would be this good. Destined to be one of the hottest tickets in town when the London transfer opens at the Savoy, better experienced than written about!

Honourable mention: Gemma Arterton, Made In Dagenham
One of the most sweet-natured performances lies at the heart of one of the most sweet-natured shows currently in the West End and I think it is fair to say that Gemma Arterton surprised many of us by anchoring Made in Dagenham to such delightful success. A mother, a machinist, an unexpected feminist hero, she’s a wonderfully warm presence and one that I hope can help the show to continue to succeed.

Charlotte Baptie, Free As Air
Natalie Mendoza, Here Lies Love
Christina Modestou, In The Heights
Sophie Thompson, Guys and Dolls

7-10
Madalena Alberto, Evita; Clare Foster, Guys and Dolls; Nicola Hughes, Porgy and Bess; Siobhan McCarthy, Sweeney Todd (Tooting Arts Club)