TV Review: Elizabeth is Missing

Glenda Jackson is brittle and brutal in the excellent Elizabeth is Missing

“How about some Vera Lynn?”

True story, I’ve read Emma Healey’s novel Elizabeth is Missing and can’t remember anything about it, how’s that for dramatic irony… So Andrea Gibb’s adaptation for the television, directed by Aisling Walsh, held layers of mystery for me, as this murder mystery framed through the lens of dementia intersected with my own hazy recollections of what I thought was slowly coming back to me.

That murder mystery element is the driving narrative force across the two timelines of the drama. Grandmother Maud is trying to find out what has happened to her gardening pal Elizabeth who has vanished, but she’s haunted by memories of the disappearance of her sister Sukey 70 years ago and hampered by the onset of Alzheimer’s which is ravaging her life and her independence. Continue reading “TV Review: Elizabeth is Missing”

Winners of the 72nd Tony Awards

Best play
The Children
Farinelli and the King
Harry Potter and the Cursed Child, Parts One and Two – WINNER
Junk
Latin History for Morons

Best musical
The Band’s Visit – WINNER
Frozen
Mean Girls
SpongeBob SquarePants: The Musical

Best book of a musical
Itamar Moses for The Band’s Visit – WINNER
Jennifer Lee for Frozen
Tina Fey for Mean Girls
Kyle Jarrow for SpongeBob SquarePants: The Musical Continue reading “Winners of the 72nd Tony Awards”

Winners of the 2018 Drama Desk Awards

Outstanding Play
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Mean Girls
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Winners of the 2018 Drama Desk Awards”

The complete 72nd Tony nominations

Best play
The Children
Farinelli and the King
Harry Potter and the Cursed Child, Parts One and Two
Junk
Latin History for Morons

Best musical
The Band’s Visit
Frozen
Mean Girls
SpongeBob SquarePants: The Musical

Best book of a musical
Itamar Moses for The Band’s Visit
Jennifer Lee for Frozen
Tina Fey for Mean Girls
Kyle Jarrow for SpongeBob SquarePants: The Musical Continue reading “The complete 72nd Tony nominations”

Nominations for the 2018 Drama Desk Awards

Outstanding Play
Admissions, by Joshua Harmon, Lincoln Center Theater
Mary Jane, by Amy Herzog, New York Theatre Workshop
Miles for Mary, by The Mad Ones, Playwrights Horizons
People, Places & Things, by Duncan Macmillan, National Theatre/St. Ann’s Warehouse/Bryan Singer Productions/Headlong
School Girls; Or, The African Mean Girls Play, by Jocelyn Bioh, MCC Theater

Outstanding Musical
Desperate Measures, The York Theatre Company
KPOP, Ars Nova/Ma-Yi Theatre Company/Woodshed Collective
Mean Girls
Old Stock: A Refugee Love Story, 2b Theatre Company/59E59
SpongeBob SquarePants Continue reading “Nominations for the 2018 Drama Desk Awards”

Winners of the 2017 London Evening Standard Theatre Awards

The winners of the 2017 London Evening Standard Theatre Awards have been announced and there’s barely a hint of controversy about them at all! A worthy set of winners and I don’t think many would begrudge The Ferryman its headline-grabbing success, nabbing three of the four it was nominated for.

Full list of winners below the cut. Continue reading “Winners of the 2017 London Evening Standard Theatre Awards”

2017 Laurence Olivier Awards nominations

Best New Play 
Harry Potter and the Cursed Child – Palace
Elegy – Donmar Warehouse
The Flick – National Theatre Dorfman
One Night in Miami – Donmar Warehouse

Best New Musical
Groundhog Day – The Old Vic
Dreamgirls – Savoy
The Girls – Phoenix
School of Rock – New London

Best Revival 
Yerma – Young Vic
The Glass Menagerie – Duke of York’s
This House – Garrick
Travesties – Apollo Continue reading “2017 Laurence Olivier Awards nominations”

Critics’ Circle Awards 2016: the winners in full

 

Even without trying, I end up being contrary! The Critics’ Circle Awards have announced their winners for 2016 and as I cast my eyes down the list, I was amused to see that their best new play and best musical were shows that I did not hugely enjoy (The Flick and Groundhog Day) and their best actor pick – Stephen Dillane – was another that did not register with me at all.
After that, things chime a little better with me, with Billie Piper’s excoriating work in Yerma, which is returning this summer, and Glenda Jackson’s extraordinary Lear (whatever you thought of the production, her production was a stonking return to the stage) both being recognised. And deservedly, the creatives behind Harry Potter and the Cursed Child gain just as much recognition, if not more, as its cast. Lovely to see Charlene James getting a nod too for  Cuttin’ It as most promising playwright.
 
Best new play:

The Flick by Annie Baker
 
Best musical [new or revival]: 
Groundhog Day

Best actor: 
Stephen Dillane in Faith Healer

Best actress:
Billie Piper in Yerma
 
Best Shakespearean performance:
Glenda Jackson in King Lear
 
Best director:
John Tiffany for Harry Potter and the Cursed Child

Best designer:
Christine Jones for Harry Potter and the Cursed Child

Most promising playwright:
Charlene James for Cuttin’ It

Most promising newcomer: 
Anthony Boyle in Harry Potter and the Cursed Child

 

 

Anthony Boyle & John Tiffany (c) Peter Jones

 

Anthony Pins, Billie Piper, Stephen Dillane, Paul Taiano (c) Peter Jones

 

Tim Firth & Joanna Riding (c) Peter Jones

 

 

Review: King Lear, Old Vic

“’Tis the time’s plague when madmen lead the blind”

Though no spring chicken myself, I’m not quite the right age to be truly excited about Oscar winning actress-turned politician-turned actress again Glenda Jackson’s return to the stage. I was more intrigued than truly excited when she was announced in the title role of Deborah Warner’s King Lear for the Old Vic for though I’m well aware of who she is, her film and TV credits never broke through into what I was watching either back then or since. (Feel free to recommend her must-see performances – I’ll add them to the list of things I’ll get round to watching one day.)

But I’m always here for casting decisions that shake the established order somewhat and with Celia Imrie, Jane Horrocks and Rhys Ifans in the cast too, there was no chance I wouldn’t go see this. Full disclosure though, I went to the final £10 preview so treat this review how you will. For it is simultaneously an effortful and frustratingly vague production that never truly convinces of the attempted scope of its artistic vision. Fortunately, this often-times ephemeral and occasionally perplexing Lear is anchored by a striking performance from Jackson. Continue reading “Review: King Lear, Old Vic”